Miao Peixing 丨 Tao Yuanming and Banduri (prose)

Tao Yuanming and Bandari

Text/Miao Peixing

one

I wrote this topic, and I felt a little weird. Tao Yuanming and Ban De Rui are simply two different things.

Tao Yuanming was born in the late Eastern Jin Dynasty (AD 365) more than 1700 years ago. Officials return. During the period, a large number of poems recorded life and injured. Later generations were called idyllic poetry, and they were the pioneers of the rural poetry school and the eternal reverberation. The poems such as pastoral, drinking, chanting, and poems, and prose such as "Return to Come", "Mr. Wu Liu Biography" and "Peach Blossom Yuan Ji" are all the masterpieces and models of poetry and texts widely spread in my country for thousands of years. Ban De Rui is the name of a music project owned by a Swiss music company. It originated in Switzerland. Music itself), he led a group of young talents in the music industry, sneaked into the Alps in Switzerland, and in the natural embrace of Linhai, River, Mingyue, Qingfeng, and Bird, the most pure and simple feelings in the heart Recorded it, wrote it as music, and called people's soul. The album works such as "Wonderland", "Silent Mountain Forest" and "Spring Ye" are the masterpieces and models of music in the new century music scene.

The two, one is a rural poet more than 1700 years ago, and the other is a music genre in the modern music scene. It has nothing to do with it. How can we mix it together?

Yes, at first glance, it has nothing to do with it. However, if you think about it and take a closer look, you will find that the relationship between them is close, and it can be said that it is a vein.

two

Let's talk about Tao Yuanming and his poems first.

In 405 AD, Tao Yuanming was unwilling to "heart for running" and "Folding the Wudou Mi to the children in the township" for 81 days of Pengze County. "Xi Ci" Based on the "without car and horse noise" in his heart, the tranquility of the heart of his heart -the countryside. In this rustic, quiet and free world, he is leisurely and relaxed in "sexuality love Qiu Mountain". Look at "mountains, day and evening", "flying birds and returning", and their hearts are combined with nature, reaching the realm of "I forget with me". The poems created during the period are full of quietness, simplicity, distant and transcendent colors. Let's take a look at his poems:

Guiyuan Tianju five (one) (one)

Native

There are more than ten acres of houses and eight or nine cottage houses.

The eaves of Yu Liu shade, in front of Tao Li Luotang.

The village of Yuli Yuan, Yiyi Market.

In the deep alley of the dog, the chicken mulberry trees.

Native

Guiyuan Tianju Five (Third)

Planting Dounan Mountain, Cao Sheng Dou seedlings are thin.

Chenxing was deserted and returned with Yuehe.

The road is narrow and long, and Xilu is covered with my clothes.

The clothes are not hesitant, and there is no violation of.

Twenty drinks (Five)

Jieyu is in the people, but no car and horse noise.

Ask Jun He Neng? The heart is far away.

Under the east fence of chrysanthemum, see Nanshan leisurely.

The mountains and winds are good, and the birds are paid back.

There is a true meaning, and you want to discern.

These poems are not only a real record of his hidden life, but also a true portrayal of his mood at the time. Now, when we read these poems, we will transform such a dynamic picture in our minds:

——Her night, the sky is high and fascinating; the earth is serene and dignified. The wind is quiet, and everything will be silent. Not far away, a village was hazy. Looking from a distance, the smoke was cooked, and Xiangtai was warm. Listen on the side, the dog barks chicken. Recently, the eight -nine cottage house was surrounded by a small farmhouse. Behind the house, the elm willow is dense, and the fruit is lush. Under the patio, chickens and dogs chased and played, and chickens flew to the tree with a chic manner.

——It is late, a farmer, wearing a bucket, wearing a cloth, carrying farm tools, and hobbies. There is a faint moon in the sky, and the ground has grasshoppers. The farmers are leisurely, calm and peaceful.

——The near the dusk, the farmers picked up the chrysanthemum under the East Rest, and when they got up and wiped the sweat, they saw the south mountains, the sunset reflects the sky, a big goose, and returned to the nest. The farmers' moods are full of appearance and their expression is long.

In this kind of picture, each picture can make us feel a kind of indifferent, leisure, peaceful, simple, and long feelings quietly swim inside, which makes us have an impulse to be superb. After washing, the mind was also aggressive, and instantly forgot the trivial matters, right and wrong, and fame and fortune, and returned to the original state of life -quiet and light. This is exactly the meaning of "virtual", "quiet" and "nature" in the kind of old village philosophy of Tao Shi.

Let's talk about Bandari's music again.

Bandry is a group of young people who love life. It is said that whenever they want to create a music, they will sneak into the embrace of nature (the Swiss Alps, the foot of the rose mountain, and Luochun Lake). In a few months, communicate with the breeze and the moon, talk to flowers, fish, birds, and birds and birds. Wash the mountains and streams, wash and use the simplicity of nature to wash and enlighten the soul stained with red dust, so that the mood is quiet and pure, so as to give birth to the purest and cleanest heart, and then use this heart to use this heart. Come to understand the beauty of nature, observe the inner charm of nature, and capture the kind of inspiration that God gives it, so as to create music, recording the environment, and assembling instrumental music. Therefore, Ban De Rui's music will be so clean, gentle, and beautiful. Each note is infiltrated with the aura of nature, conveying the charm of nature, like the distant sky, the vigorous spring wild, the silent mountain forest, the fantasy fantasy Wonderland. Most of Ban De Rui's music has two remarkable features. The first feature is the music background. The background material he adopted comes from the natural phenomenon in nature. Such as wind, rain, thunder, electric flashes, birds, flowing water, etc. These background materials are collected and recorded for several months by Bandere on the banks of the forests and lakes. There is no trace of artificial art music preparation. When listening to it, there will be an immersive feeling. The second feature is soft, crystal, and pure. When you are intoxicated with the wonderful rhythm of the natural background, a music is quietly floating. The rhythm is soothing, gentle, smart, like a stream. There are no complicated ornaments, some are a bright single sound played by flute, or a few simple notes crawling out of the piano, or a long tone pulled out of the violin and the violin. These notes are soft, crystal, and pure. Light is like the tidbits falling in the wind, crystal like a dew on the petals, and pure as a newborn baby, giving people a kind of ethereal beauty. To a very clean and beautiful place.

Bandry's music is no theme music. It is different from the symphony. There is no symphonic movement structure and a complex ornament, no strong narrative and ideological tendency, and no symphony, ups and downs, ups and downs, large -scale cooperation, tired plot and sensational sensation Sexual music language. Its structure and accessories are simple, the music is natural and smooth, soft, beautiful, and beautiful. It always exudes a kind of casual and leisurely and spoiled freedom. Each note flows naturally like the stream of mountain streams. Bandere's music aims to describe the truth and simplicity of nature, show the original state of life, and express the harmony and unity of man and nature.

When we appreciate these music, we are like reading Tao Yuanming's poems, deep in our hearts, and a kind of relaxed, free, and transcendental feelings. It slowly swims in the ocean of your emotions. When you are young, your heart will be quiet, purified, purified, soft, and melted. This is a manifestation of the "soft", "static", "virtual", "virtual", and "Taoist nature" in Taoist thought.

three

Next, let's talk about the inheritance of Taoist thought and the two.

Lu Ji, a literary theoretical critic in the Western Jin Dynasty, said in "Wen Fu": "Dingzhong District is in Xuanliang, and the love is as ambitious in the grave. Liu Ye also said in "Wen Xin Diao Dragon · Shen Si": "Tao Jun Wen Si, expensive is quiet. The spirit of the sparse and five Tibetan, bathing snow spirit." In fact, the meaning of these two sayings is the same, they are all saying that they are talking about : Before the creation of literature and art creators, we must abandon all worldly thoughts, pure heart, and try to achieve a spirit of quietness and purity. , Exploring the meaning of things, Wang Yang's intentions, writing like God, creating literary and artistic works that communicate with nature. Once this statement is proposed, it has become the ideological basis of my country's classical traditional literature and art creation and theoretical theory of aesthetic appreciation. In the next 1700 years, it has been guided by the creation of Chinese traditional art (poetry, calligraphy, painting, aesthetic theory, music, etc.) in our country. practice.

In fact, the ideological and theoretical foundations of these two claims come from the old village philosophy of the pre -Qin period.

Lao Tzu said in "The Tao Te Ching": "To remove Xuan Jian, it can be defective" (Chapter 10 of the Tao Te Ching); Chapter Six). "That is, I (Lao Tzu) washed away the subjective various desires and thoughts, so that the state of mind reached the extreme point of quietness. Essence Here, Lao Tzu first proposed the concept of "virtual quietness" and regarded this concept as an important philosophical proposition to discuss it. In his "Tao Te Ching", the passage always penetrated his philosophy. In Lao Tzu's view, the origin of all things in the world is "Tao". The Tao was born in congenital. It was "silent and lonely" invisible, ignorant and unknown, unclear, and unknown. With all things, it seems to be inaction, but it is the source of all things in the world. Therefore, saying: "Dao Sheng One, Two, Two, Two, Three, Three Lives." It also said that all things in the world are harmonious and coexisting. Reached. As one of all things in the world, all activities should also follow the "Tao". The essence of "Tao" is the virtual quietness, and the origin of all things is "Tao", so people should return to the origin of the original and "to keep the deficiency and quiet." However, Lao Tzu believes that real human society is discordant. The reason is that people are seduced by the well -known Lilu, and their hearts are unreasonable. Therefore, people must cultivate and "remove the Xuanjian" to make the spirit and inner deficiency and clearness.

Zhuangzi inherited and carried forward this theory of Lao Tzu and provided worldly people with a way to pass the quiet way, that is, the practice method- "Xinzi (" Zhuangzi · Earth World ") and" Sitting and Forgetting ")") "". Its purpose is to use this method to cultivate a kind of quietness and pure mind, abandon all worldly thoughts, ignorance, no desire, and selflessness. Looking at the world, thereby achieving a calm, observation, tranquility, simplicity, flatness, and transcendent attitude towards life, and eventually integrate with the Tao.

These theoretical doctors are the core content of Laozhuang's thought. The "virtual quietness" theory in the category of philosophical categories can make people be quiet and quiet, and the spirit is transcendent and refined. The machine was taken first to expand in the field of literature, and then the continuous exploration of writers, artists, theorists, and critics such as Zongbing ("Painting Landscape"), Liu Ye ("Wen Xin Daolong") As a result, it has been expanded and improved in various art fields, and finally became the most important ideological theory of Chinese classical traditional literature and art theory, art creation, and aesthetic theory. practice.

Looking at the creative process of poetry and music of Tao Yuanming and Bandari, it is undoubtedly the active practitioners of this literary and artistic creation theory (deficiency). Tao Yuanming's seclusion is a thorough "Xinzhai" and "forgetting" practice of abandoning worldly thoughts and returning to nature. Of course, Tao Yuanming's belongings are not his preparations before he consciously created literary creation, but when his desire for Confucianism to enter the WTO can not be realized, he was born as a choice for "alone". This is him. This is him. It is a inevitable result that the two complex personality traits of Confucianism and Taoism are determined. However, objectively, it plays a role in "eliminating Xuan Jian". Although the way Bandry is different from Tao Yuanming, they are hidden in the city and always maintain a pure life state. Is a specific manifestation? They walked into the embrace of nature, abandoned all the disturbances of the red dust, and used the natural innocence to wash their hearts, trying to achieve a state of quietness and pure one. Is it practice? Yes, this is a kind of soul washing, the process of "Xinzhai", another form of Taoist cultivation, and a journey of returning to the true. Their behavior is to be greatly practiced the connotation of Lao Zhuang's thoughts. Their poetry and music advocate nature and love nature. They aims to praise the harmony of man and nature, and pursue simple, light, tranquility, softness, longness, long, and transcendent artistic conception and ideological connotation. Inside can be described as in the same vein.

Four

Today, when we read Tao Yuanming's poems and appreciated Bander's music, we are undoubtedly a fasting of the soul. This kind of fasting has more important practical significance today.

The current world is even more colorful. The fruitful results of industrial civilization, the five -color magic shadow, all tease people's weak nerves. People's requirements for the quality of life are getting higher and higher, the pace of life is getting faster, and the pressure of life is getting greater. People are persistent and firm on the way to chase fame and fortune. Of course, the progress and development of society cannot be separated from the pursuit of human beings. However, when people are centered on "self" and everything is used for utilitarian values ​​and behaviors, they will have a lot of confusion on the way to pursue success. There is a huge psychological gap and losses, which leads to mood and sorrow, and causes damage to our physical and mental. At this time, if you can calm down, sit down, read Tao Yuanming's poems, listen to Ban De Rui's music, and understand the true meaning of Taoist "virtual" and "quiet". Fasting, calm and cool our impetuous, angry, greedy, melancholy heart, re -examine ourselves, objectively look at the object world, adjust the mentality, abandon all unrealistic delusions, and achieve "do not be happy with things, not to be sad". Openly and calmly embarked on a journey of life pursuing dreams again. I have read Tao Yuanming's poems and listened to Bander's music countless times when I was frustrated or proud. Every time I can gradually calm my heart, slowly melt in that different time ... Mowing

[About the author] Miao Peixing (male), Jinan. Pen name: Qingquan. Member of the Chinese Prose Society, a member of the Shandong Writers Association. Create novels, prose, poetry genre. Seeing the works of "Shandong Literature", "Contemporary Novels", "Selection of Prose", "Overseas Digest", "Qilu Literature" and "Qilu Evening News" and other pure literature newspapers and magazines. His works have been published in the domestic literature essay contest many times and published a variety of literary books. Among them, the prose "Disagram Qiu Si", "Xianfeng Dao Bone Pearl Spring", "The" Autumn Willow Smoke "from the poems" won the "Qu Shui Ting Cup" (2015), "The Story of My Spring Water", respectively. (2020) and the fourth session of "Talking about the story of Shandong cultural relics, guarding Qilu cultural root" (2021) the first prize of the domestic prose contest competition; Selected simulation test volume of modern literature reading and analysis questions; short stories "He Shengzhai" was selected as "Qilu Literature Works Annual Exhibition (2018)". He has authored a novel "Eight Years Lawsuit" "Under Silver Moonlight"; short stories "He Shengzhai", "Fishing", "Homelessness", etc.;

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