The famous painting "Fuchun Mountain Residence Map" is together!AI brushes make both sides of the strait connecting emotions

Jiang News Client reporter Zhou Linyi

The famous painting "Fuchun Mountain Residence" hidden in Zhejiang Museum and the Palace Museum of Taipei can be "combined"!

Recently, Baidu released a H5 product made of AI -based technology. Users only need to sketch a few strokes on the mobile phone canvas, and the two scrolls of more than 300 years can be perfectly connected on the screen and connected to the landscape.

"Cultural relics protection is the general trend of cultural digital development. Among them, AI as a tool must play an important role." Jiang Shen, an associate professor at the School of Journalism and Communication of Beijing Normal University, Jiang Shen, the director of cultural heritage communication and innovation activation laboratory.

"Fuchun Mountain Residence Map" reappears in 1 second

The combination of the mountains and rivers of "Fuchun Mountain Residence" separated from both sides of the strait has always been the wish of many people.

Now, Baidu through AI technology allows the cross -strait scrolls to get out of the museum, which can be achieved on everyone's mobile phones. When you click on "AI Painting Connection Love" H5, with the melodious ancient music, "Fuchun Mountain Residence Picture" is expanded slowly in front of you. Subsequently, simply sketching with AI brushes in the blank space of the canvas, and the scroll was automatically reserved in 1 second to achieve "a few gently connecting the mountains and rivers".

"AI Pain Connect Love" Interactive H5

The reporter contacted a Baidu algorithm R & D engineer. He introduced to us that in order to achieve high -definition, high reduction, and support for the participation of the whole people, the entire team took nearly 3 months to allow Wenxin's big model to learn a large number of Chinese landscape painting paintings , Huang Gongwang's brushwork, etc., and presented in an interactive H5, "I hope that the general public can also participate in artistic creation in a simple way to experience the atmosphere of traditional culture."

AI brush "a few light pens connect the mountains and rivers"

Originally, the two scrolls have not been able to "seamlessly connect" after the incineration and cutting and mounting, but the parts that pass the AI ​​complement can be unified with the existing scroll style, and the landscape veins are harmonious. What's more special is that because each person's creativity is different from the strokes, the final scroll generated by transformation is different, so that everyone can draw the complete landscape in their hearts. With the support of digital technology, appreciation of the classics of cultural relics is no longer restricted by space, and users can feel the touch of the landscape and emotion through several simple stroke connections on the mobile phone screen.

The emotion behind a painting

So why choose "Fuchun Mountain Residence"? What story is behind it?

In fact, this painting is very good. More than 600 years ago, when Huang Gongwang, who had been in the mountains and rivers for a long time, lived in Fuchun River in Zhejiang, always had paintings. Every time he saw the mountains in the mountains, he must take the paper and write it down. After seven years, the "Fuchun Mountain Residence Map" was finally presented in front of the world.

Since then, this painting has been easy to handle. Now the first half of the "Left Mountain Map" is collected in the Zhejiang Provincial Museum, and the second half of the "Useless Teacher Volume" is hidden in the Taipei Palace Museum. Among them, the process of coming to the Zhejiang Provincial Museum is also twists and turns. In 1938, the modern painter Wu Hufan replaced the first half of the "Fuchun Mountains" with the treasured bronze wares, which regarded it as the treasure of the town. In 1956, the Deputy Director of the Cultural Relics Management Committee of Zhejiang Province and his colleagues with his eyes and colleagues, he decided to acquire the "Left Mountain Map", and was handled by Mr. Sha Menghai, who was working at Zhebo at the time. In order to persuade Wu Hufan, Sha Menghai invited a number of scholars to celebrate and ran many times. Wu Hufan was moved by Sha Lao's sincerity, and finally agreed to cut love.

In 2011, under the joint promotion of the people of insight on both sides of the strait, the two sections of the "Fuchun Mountain Residence Map" were exhibited for the first time in Taiwan for the first time, becoming a good story of cross -strait cooperation and exchanges. Since then, "Fuchun Mountain Residence Map" has gradually become a symbol to maintain cross -strait culture, and people on both sides of the strait have emotional implication through culture.

AI help cultural relics "resurrection"

The combination of landscapes this time also made people feel the magical charm of cultural relics and AI interaction.

Nowadays, in the background of advancing the digitalization of national culture, the role of AI technology in the fields of digital repair and intelligent creation is even more indispensable. Jiang Shen, associate professor of the School of Journalism and Communication of Beijing Normal University, Jiang Shen, director of the Laboratory of Cultural Heritage Communication and Innovation Activity Lab, said, "AI technology can not only make old photos and images from time to the superiology level. Alignation is also an AI interactive way. It breaks the one -way information transmission between the author and the audience, so that everyone's participation is of unique significance. "

Not only that, AI technology has also shortened the distance between the audience and the classics, and realized the dialogue between history and reality. With the help of digital technology, ancient cultural relics re -"live", traditional culture is integrated with the current digital life, and realizes a "art reconstruction" through the participation of the audience. Jiang Shen believes that this kind of participation is a new opportunity for people in the digital age to bring people to people. "This kind of participation is not a destruction of history, but a love for classics."

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