Painting drama | "Painting Grass Kou" Ye Qianyu's life

"Painting" is a cultural column of the Chinese original brand of cultural tourism. It integrates calligraphy, painting, drama, and opera. While listening to the drama, the painting is rewarded. As Su Shi's "Chibi Fu" said: It is the endless collection of the Creator, and the consequences of the creator is the endless collection of the creator.

Peking opera "Zhuang Bie" Ye Shaolan Meng Guanglu

Ye Qianyu, the founder of Chinese comics and sketching

The Chinese painting scene in the twentieth century came out, and Mr. Ye Qianyu was undoubtedly a well -deserved one. He became famous early, highly accomplished, and achieved great achievements. Both comics, sketching, Chinese painting and art education have been achieved.

Ye Qianyu's artistic achievements are many aspects. His accomplishment in painting is first reflected in sketching. It can be said that the sketch has laid a solid foundation for his comic art and the creation of figure painting. Sutching itself is also an independent and excellent painting art work. Faced with the rich image of social life and reality, through the keen tracking, capture, refining, and selection, he portrayed many artistic images of the divine shape with the unique skill of his heart, hands, and eyes. Extraordinary artistic accomplishments.

Personal profile

Ye Qianyu (1907-1995), formerly known as Ye Lunqi, pseudonym, Chu Meng, Sexia, etc., from Tonglu, Zhejiang, worked in Chinese painting education throughout his life, and was good at creating Chinese painting with dance and drama characters.

Donation of the day, donating the Tang Dynasty

In Ye Qianyu's half -century painting career, observation, thinking, reference, and learning have always penetrated their lives. What's even more rare is that in addition to studying the strengths of the ancient and modern everyone, he often draws nutrients from other arts. He borrowed the styling techniques and expression skills of foreign art, copied Chinese and Western paintings in the integration and compatibility of Chinese and Western, and faced life, insisted on sketching, and created a new road with a unique style in bold innovation. In the creative practice and teaching of figure painting, he truly achieves the essence of adherence to national painting, achieves the spirit of accumulation and blogging, and exerts the freehand spirit of traditional art. A unique painting style is formed.

Under his unremitting exploration, a number of paintings of painting came out, including the comic "Mr. Wang" and "Xiao Chen Li Beijing History", the group painting "Heaven" and so on. In addition, he is also very talented in literature.

From comics to sketching to figure paintings

"I agree with Qi Baishi's phrase 'from freehand to sketching, then sketching to freehand, and the cycle is repeated, but it is like God.' So I think the patterns of" consciousness, mind memory, and intention 'are the methods of Chinese painting creation. source."

comics

In the 1930s, Ye Qianyu's "Mr. Wang" series of comics swept the country, and his popularity at that time was equivalent to today's "Old Master" and "One Piece". Comics are exaggerated art. They often use exaggerated, metaphor, symbols and other methods to depict life or current affairs, ironic, criticized, or praise some people and things. Ye Qianyu's humorous and open -minded character is just in line with this form of expression. He often said: "Comics make me accustomed to seeing the surrounding image with exaggerated eyes, including myself, often wanting to comics from the surrounding images to get interesting interesting The effect. After I drew a Chinese painting, I always wanted to make one or two interesting comics, saying that it was a conditional reflection or a disrespect for the world. "

The comics in his writing are simple, clever, and concise. Although there is no gorgeous color, the style of painting is sharp and passionate. It is a charming testimony of testimony and has a strong characteristics of the times.

sketch

Ye Lao's artistic practice can be divided into three major pieces: comics, sketching, and Chinese painting. In these three artistic practice, sketch occupation is very important. Sketch is not only an important aspect of Ye Lao's artistic practice, but also a solid cornerstone of Ye Lao's artistic achievements. The achievements of his comics and Chinese paintings are inseparable from this foundation.

He once described himself: "I have gone through many ways and have been in a lot of places to come into contact with a variety of lives. Traveling, life, and sketching have formed an indifferent relationship in my artistic practice. I am The connection between these three is my artistic lifestyle. "Most of his sketching is created by pencils and ink in the later period. The biggest feature is that the lines are streamlined, the lines focus on dynamics, focusing on the proportion of the human body.

Paintings (dance))

Since the 1940s, Ye Qianyu has gradually turned the focus of painting to the topic of dance figure painting. The refreshing and freehand pen and ink language shaped the image of the vitality and beautiful and dynamic characters. Many works can be called the contemporary model of "writing gods and image with both image".

In the theme of dance figure paintings, he has attracted the aesthetic ideals and the life feelings of the characteristics of the times, so that the work has achieved the high degree of unity of the new content and the new form, and enriches the connotation and artistic conception of Chinese painting figure paintings.

He is unsolved with the opera

Ye Qianyu was obsessed with drama since he was a child. He recalled: "I was born in a small county in Zhejiang Province. There are a temple (Taiping Temple) at dozens of steps away from home. There is a stage in front of the temple. The show is greatly attractive to me. A cousin would cut the ribbon paper to play with Huadan. I also learned to do it, and it expanded and made a wide robe and martial arts wearing a jersey. "In the process of watching the drama for a long time, he also understood the different tones and acting skills of local dramas. Later, he had the opportunity to travel to Beijing. He was sitting on the theater every night and watching the famous drama of Peking Opera's name. During the period, he drew a lot of sketches. This made him paint Chinese figure paintings in the future, and he also claimed to have a certain understanding of the personal expression style of Peking Opera's famous corner in the article, so he would not be outrageous. In retrospect, this also has a certain relationship with his life of small drama fans in his childhood. The dance drama figures he created after the 1940s can be said to be affected by the early experience.

Extra

Peking opera, also known as Ping Opera and Peking Opera, is the most influential opera drama in China. Chinese Peking Opera, Chinese martial arts, Chinese calligraphy, and Chinese medicine. Over the place. The Peking Opera does not originate in Beijing. Since the 55th year of Qianlong (1790) in the Qing Dynasty, the four emblem of Sanqing, Sixi, Chuntai, and Chun, which were performed in the south, entered Beijing one after another, and Han from Hubei from Hubei The artistaries cooperated, and at the same time accepted some dramas, tunes and performance methods of Kunqu and Qinqiang, and absorbed some local folk tunes. Through continuous communication and integration, a new opera style was formed. The reason why Peking Opera is called "Beijing" drama is mainly because of formation and development in Beijing.

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Author: Wu Shuangying

Editor -in -chief: Li Yang

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