Painting drama | Lu Yishao: The sea of ink maritime changes thousands of
Author:Cultural Tourism China Time:2022.08.05
"Painting" is a cultural column of the Chinese original brand of cultural tourism. It integrates calligraphy, painting, drama, and opera. While listening to the drama, the painting is rewarded. As Su Shi's "Chibi Fu" said: It is the endless collection of the Creator, and the consequences of the creator is the endless collection of the creator.
Shanghai opera famous song "Mrs. Butterfly -New Marriage"
Landscape painting master: Lu Yishao
He is good at a stroke to the end, and it is a must in the painting world. Relying on a pen, he created a unique style "Lu's Cloud Water" in a little bit, blocks, black and white, dry and humid, and thick and light. He is the creator of modern paintings. —— Lu Yishao.
Personal profile:
Lu Yishao (1909-1993) is also known as the word. Shanghai Jiading people. Since childhood, he studied landscape from Feng Chaoran. Lu Yue is good at landscape painting. In his later years, he was good for the "white" and "ink blocks" method to express the thousands of weather in the mountains and rivers. Between plum blossoms, there are high ancient and steep charm. He also worked poetry and good calligraphy. He is a well -known master of Chinese landscape painting.
Qishan Xiushui in Nature Master Law
"Painted the realm of the free kingdom." - Li Keran
Landscape paintings are undoubtedly the most good at Lu Yishao. His landscape paintings have their own unique features whether they are large or small. The painting is particularly happy since childhood. He has a pen and pen. Because of the situation of the situation, the pill is endless, the chapters are strange and dangerous.
As we all know, the composition of the average painter is always from large to small, and Lu Yishao's composition is exactly the opposite, with unknown. He once said, "As soon as I oppose this method, but from small to large, the pen is born, there is no fixed manuscript at the beginning, and the small surface is large. It's a new realm when you are born. "
He is good at painting the surging and vast trend of clouds, rivers, and lakes and sea, and the most exciting in the dynamics of expressing clouds and water, especially vividly. It can be said that Lu Yishao is a master of rare clouds and water since ancient times.
The integration of the integrity shows the atmosphere of literature
"That is, the masters of the Tang and Song dynasties, and it is not enough to be the enemy of me." - Xie Zhiliu
Lu Yishao is an important representative of the maritime painting school. In modern landscape paintings, he is known as the "Lujia landscape" with its own trendy "Lujia landscape". He combines traditional painting ideas with the characteristics of the times, and his works are extremely echoed, giving people a refreshing feeling.
He is humble and kind, low -key and easy. It is the so -called painting like him. Lu Yishao's paintings have an extraordinary aesthetic taste. In his ups and downs, he often shows a sense of fun.
Lu Yishao "New Marriage Farewell"
In addition to landscape paintings, he is also a character, flower, good at calligraphy, and poetry. On the one hand, he has a tradition and solid foundation, because he always adheres to four -point reading, three -pointers, three -pointers drawing paintings, three -pointers drawing paintings. The attitude of attitude, this kind of painting with calligraphy as a bone and poetry, exudes a unique and fascinating charm, making his painting deeper and timeless.
Extra:
Shanghai Opera is a local drama in Shanghai and one of the national intangible cultural heritage. It originated from the "small mountain songs" in the rural areas of Jiangnan. After long -term artistic practice and wide collection, it has gradually formed its colorful tunes and unique styles. It has the artistic beauty with a strong atmosphere and true feelings. In 2006, it was approved by the State Council of the People's Republic of China to be included in the first batch of national intangible cultural heritage lists.
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Editor: Yuan Ming
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