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The paintings are all dramas | Wang Lei exhibition

Author:Music club Time:2022.08.05

Exhibition Date: August 7, 2022 to August 31st

Open formula: Sunday, August 7th at 2 pm

Watching time: Tuesday to Sunday 11: 00-18: 00

Curator: Liu Yan Exhibition Title: Li Xiangyang

Organization agency: Greater Shanghai United Art Space

Co -organized agency: House of Dahuyshe's Biography

Exhibition address: No. 1, No. 1, Maoming South Road, Huangpu District, Shanghai

Drama State 90X120cm Flat Oil Painting 2022

Drama twist 90x120cm cloth oil painting 2022 2022

Waiting for Gado 50x70cm cloth oil painting 2022 2022

In 2019, I read a few scripts of Kitt, Pinte and Jonfu Se, and then wanted to rehearsal. It was just a row and simply rehearsing. There was no agreement related to the task.

Therefore, from the beginning of 2020 to the summer vacation, I made some preparations. I just rented a pretty room after entering the summer vacation. A few graduate students who studied the drama and the same as the teachers with the same interest in the first ten days before started, they started to start. Do drama training and revention.

I call the rehearsal space as "the beauty of the drama" Sha Yan, and I have rehearsed the short drama "Coming and Go" and "Footsteps" in the beauty of the drama with my friends in the beauty of the drama. Later, Si'an showed me the drama "Dream of Autumn" and "I am ⻛" translated by Mr. Zou Lulu.

In the script of Jonford's "I am 福", I read such two dialogues (just two paragraphs selected in this text):

... ...

one person

Yes, beautiful

And ugly

(Extremely a short static field.)

Gray is a bare small island and reef

Look

Look at that ⼉

Did you see those small islands and reefs?

They are all gray

Another beautiful

(Extremely a short static field.)

And ugly

A person is beautiful and ugly

(Extremely a short static field.)

Gray is a bare small island and reef

Look

Look at that ⼉

Did you see those small islands and reefs?

They are all gray

Another beautiful

(Extremely a short static field.)

And ugly

one person

Yes, beautiful and ugly

(Extremely a short static field.)

Gray is a bare small island and reef

Look

Look at that ⼉

Did you see those small islands and reefs?

They are all gray

Another beautiful

(Extremely a short static field.)

And ugly

one person

Yes

Someone else

Yes, like fog

one person

Yes, a bit

Yes, it's like you can see at the sea in the distance

fog

A bit like fog

(Extremely a short static field.)

Not as gray

Not like fog

(Extremely a short static field.)

But

Someone else

What is

one person

(Then said.)

Yes, maybe

Maybe it's like a mud wall

Someone else

It's as if everything is a mud wall

one person

I am a mud wall

Cracked

Someone else

And injured

one person

Yes, I hurt

Another person hurts very seriously

one person

Yes

Someone else

Actually you are just

(Extremely a short static field.)

One blocked mud wall

Cracked

one person

And collapsed

(Extremely a short static field.)

Become broken

Someone else

You become broken

one person

Not just cracking

No broken ⽚

Someone else

Just shaken

one person

Yeah a little 点

(Extremely a short static field.)

Maybe

(Extremely a short static field.)

Maybe I'm shaking

Someone else

You are shaking

one person

Yes

(Extremely a short static field.)

Perhaps

(Extremely a short static field.)

This is just a sanctuary

Just declare it

... ...

(The following is another paragraph)

Someone else

What do you mean by saying that

one person

No mean

Someone else

Means nothing

What you must have something to do

one person

That's just a sanctuary

Just declare it

I don't have anything to do

I just declare it

Someone else

Just declare it

one person

Yes

(Extremely a short static field.)

Yes, that's just a word

Someone else

What about the head

What about the word ⽯⽯

one person

Just declare it

Someone else

yes?

one person

Yes

(Extremely a short static field.)

Yes

(Extremely a short static field.)

⾔的 is unrealistic

(Extremely a short static field.)

What do you want to say in a sanctuary

It's always counterproductive

Someone else

Because of the truth

Can't say

one person

yes

(Extremely a short static field.)

Yes, this is true

(Short quiet field.)

Someone else

That's just a sanctuary

one person

⾔⾔⾔⽌⽌

(State field.)

After I watched this script three or four times without pause, I read it aloud again, and I was deeply attracted by the music of Jon Fushe's script. Then I returned to the first 到 of the script. Jonford wrote in the tips of the drama: "The scene of" I am a ⻛ "occurred on a imaginary ship, so there is no need to present it. It only exists in imagination, so it only needs to be presented without specific execution. "Moreover, Jon Fushe repeatedly appeared in this script that" just proves it, and the words are unreal ". It is such a erratic uncertainty that makes the play full of attractiveness, which has inspired the desire to risen.

As a result, my friends and I started the drama rehearsal without producers and task constraints.

I am wind-118x24cm cloth oil painting 2022 2022

I am wind-518x24cm cloth oil painting 2022 2022

I am wind -318x24cm cloth oil painting 2022 2022

Jonford, like Katt, has his own world and small universe. In this drama world of Jonford, once again in the form of minimalism and space -time, it has shaped the "end of the world and the end of the world and the end of the world. "Cruel Wonderland", in such a situation and scenes, Jon Funfase's thinking and expression of the most true desire for "people" with its unique aesthetic style and "poetic".

I have two ideas for the presentation of this scene. One is in the black box, and the other is in the visual art space, such as suitable art museums or galleries.

I understand that there is no realistic meaning of doing so, and even the drama is not inferior to this, that is, playing, just like the state and appearance of my painting, the same is not in the flow of flow, not in the trend, this way, so The advantage of doing is freedom. If you do not follow the flow, you can avoid the same flow.

My friends often "cross -border", I just laugh and nothing. In fact, my heart does not agree with the "cross -border" statement. I don’t even want to enter. How can I enter a certain realm? Essence So there is no cross -border saying. It just coincides with what happened at the time. For example, the director made a movie, such as the acting and the director, such as planning the light transformation of the ancient town and the canal, and for example, a few interesting buildings were designed. It's quite happy to have fun. I think art is only different from the media. Art practice is not learning. There is not much knowledge. Some are almost "spiritual experience". Understanding the same knowledge of the media is equivalent to interpretation of the manual, so as long as you have the opportunity to be interested, you can practice. Self -cognition of art. But anyway, after all, my favorite is painting. The painting revolves around the creation of "statue", and "like" is the intercept of all cognition. Only "statues" in my heart can be considered a real cognition, only this. Of course, the most fundamental thing is the character and natural preference.

Step Sound 18x26cm Paper Set 2022 2022

Come and go -318x26cm paper color 2022

I am Feng 18x26cm paper color 2022 2022

The painting is all the improvisations when discussing the name of the exhibition with Mr. Liu Yan, but it reveals the truth of my painting. A "drama" is the prescribed situation of behavior performance, so "drama" temporarily leave the realistic realm; the painting that originally painted was not the real world, and the two of them left temporarily. The departure of art is upward, and the "departure" here is to obtain a longitudinal distance; only by this distance can we realize "viewing". The view is downwards. Only "viewing" can become "image". It is clear to have "image". When I invited Mr. Li Xiangyang to write a book album and the name of the exhibition, Li Xiangyang said that "the paintings are all dramas" and "painting are all dramas" are good. One refers to form and the other refers to the result. Mr. Xiang Yang is always able to observe and point to the essence of things, which is a rare force.

During the spare time, when you wait, you can draw some small paintings when you are here. Painting and drama, painting scenery, no thoughts, no presets, no excess technology, no genre, no ownership of any doctrine, and some are only recognized "statues".

In fact, painting and me are such a relaxed and natural thing. "Self" is part of nature, but with the harmonious harmonic, natural burning, and the sun. Under the sun, it is the most comfortable way to "rest" by yourself. Eyes, nose, nose, and mind, breathing gently, is the most natural.

Scenery on the beach 18x24cm cloth oil painting 2022 2022

Scenery opposite the Academy of Drama 18x24cm Flat Oil Painting 2022

Wukang Road in the evening 30x40cm cloth oil painting 2021 2021

A small oil painting box. Three or two cooked brushes, a handful of hard -elastic oil painting knife, a small bottle of cooked linen oil, and a few colors of paint; most of the paintings are painted on the cardboard with flax. It is extremely convenient. There is no burden on the painting process. The scene and content of the painting in this situation are not important. Just pay attention to how to draw and how to draw it.

Slowly I know, in fact, this is what I like. There is no intention to pursue the design, there is no grand narrative, or even the sadness or joy that needs to be expressed. Everything seems to use the eyes and heart to speak and speak in a quiet state. Naturally returning to the "image" in the heart. In the first year of the new crown epidemic, I bought two small shelves that were slowly dried away in oil paintings. In fact, there were many wooden strips that opened a lot of grooves, which was a bit like the main cricket on the body. Put seven or eight or eight paintings. The process of waiting for the painting reminds me of the mood and mood when I was waiting for the letter.

In the past few years, the paintings of sketching have gradually accumulated much, and it has also achieved this exhibition. Because the size of the painting is small, the painting does not need to arrange a room to make a warehouse. A bookcase is enough to store a lot of paintings. It doesn't take any week to read painting. Take it out of the bookcase. Holding a meter distance, there is no shortage of details as a whole. This kind of comfortable service looks like the posture and situation of the ancient literati and the hands of the ancient literati, it is really a long time! Everything today is urgent, and this kind of posture and attitude. It's really a long time.

Antigne 50x70cm cloth oil painting 2022 2022

Victoria Station 50x70cm cloth oil painting 2022

Out of the window 50x70cm cloth oil painting 2022 2022

In November 2019, the Shanghai Oil Painting Sculpture Academy Art Museum made an exhibition, named "Mountains and River". After a few years, except for acquaintance's works, others do not really remember much. Instead, several small scenery paintings of Mr. Guan Liang exhibited at the exhibition often appeared. Mr. Guan Liang's paintings are the calmness and the most realistic appearance after washing the lead; it's good! In the truth, goodness and beauty, it is really fundamental. It's right. In this painting of temperament and appearance, you will think of the true meaning of "Yige" pursued in ancient times. Ni Yan can be called a model of pursuing Yige.

This character's paintings are mostly painted in Song paintings, more paintings of Xia Gui, ⻢ Yuan Yuan, more paintings from Shen Zhou, and more paintings from Ba Dashan people. David Hocky's painting. As an aesthetic academic term that has been violated for a long time, it should refer to this kind of work. Because there is no conflict in culture and aesthetic habits, people always feel comfortable.

And now there are many people who want to break Shu Shun. There is a view that appreciation is only applicable to classic art, and contemporary art is the interpretation of text and has nothing to do with appreciation. A lot of artists always think of art to assume social mission, and think that criticism is the duty of artists and art. I respect artists and critics holding this view. I also agree that all progress is always accompanied by critical and negative. And I choose a transcendent state in the practice of art. In short, just do their own way, just be happy. Do not let the flowers be folded into empty words.

In addition to the works of those painters mentioned earlier, Guan Liang, Chen Junde, and Ding Yi's paintings are also paintings.

Poet and Garden 30x40cm cloth oil painting 2020

Intersection 40x50cm cloth oil painting 2020

Wukang Road 80x80cm cloth oil painting 2021 2021

Although the environment of humanities and geography is different, the times are different, and the ideological existence is different, but there is not much difference in the standard of artistic works "capable"; aesthetic has a high degree of commonality, which is the result of civilization.

My painting content and 在画 are at both ends of rationality and sensibility, but whether it is rational or sensual paintings, it is improvised and drawn at one time. This may be my perception of art and the "image" that I deposited in my heart.

From the perspective, I especially love the expressionist painting in the eight major mountains and the modern art of the Fang Fang, so I will consciously explore that the painting method I choose is compatible with freehand. This is probably my personality. Temperament is related to writing with rich emotional painting. It has both indulgence and details.

In recent years, especially after the epidemic, I seem to have entered a state of post -epidemic, which is getting more and more away from the so -called "meaningful task". Whenever I do art, I will move closer to the "Yige" direction. During this period, I read the classics and Plato of the pre -Qin Dynasty, and recognized "the unity of heaven and man" under the situation of contemporary society. The aesthetic ideals of "Cheng Huai Guan" are viewed naturally and the society in which it is, and the "image" of the lost "image" is also included between the clarity and cover, and it also includes the loss of the lost "image".

Whether it is painting or scenery, I prefer to paint in a sketch. In nature and artificial nature, immersed in the performance of artistic conception and interest, and stay away from ideology's erosion of art.

The years have passed and the vision of the times is updated. I am still willing to draw, do drama, and do other arts in the state of no task and pursuing "Yige".

There are no magnificent movements in the art world that uses "capacity" as a aesthetic cognition. Discrimination and non -istant disputes; some are only the differences between the grids, the differences between grammar and rhetoric, and some are just the evolution of the silentness of the object, just like nature, silent and eternal.

Wang Lei

July 2022 Anfu Road apartment

At the beginning of 2020, Tiekou 24x30cm cloth oil painting 2022 caratp.

Krap.

Wang Lei, artist, painter, drama director, film director, part -time professor of Shanghai Academy of Drama, Wang Lei famous team studio in the Shanghai Academy of Drama Institute of Continuing Education; Member of Shanghai Artists Association.

Wang Lei is a scholar -type artist and art activist. He has traveled to France, Italy, and American museums for many years as a visiting scholar.

Recent visual art creation:

In 2016, Taihu Stone Series Oil Painting was selected as the annual exhibition of the oil painting sculpture institute "Move the Mountain".

In 2019, the contemporary image "Gazhi Forever Gazhi" was selected into the contemporary art exhibition "Castle Castle".

In 2021, the series of oil painting works participated in the exhibition of "Youyin" at the Museum of Art in Luoyang.

Recent drama art creation

2020 "Antigne".

Baker's drama "Come and Go" in 2021.

In 2021, Slavilmurocek's "on the vast sea".

In 2022 Beckett's drama "Clarp's Last Tape".

In 2022, the drama "I'm Wind".

Recent movie creation

In 2016, the film "In addition to seeing" was produced, and the license was taken in 2019. In the same year, he went to the organizing committee of the Venice Film Festival. After obtaining the issuance permit, he could enter the exhibition unit.

architectural design

From 2011-2013, the overall solution of the Suzhou Canal renovation plan was undertaken. After the design of the plan was designed, the French Park of Life Art was built, and the total scale of construction was 210,000 square meters.

From 2012 to 2015, he served as the general consultant of the protective development and construction of Xinchang Town, Pudong New District, Shanghai, and the planned development and construction scale was 1.6 square kilometers.

From 2016-2021, the overall planning and design of the "Urban Renewal" of 531 Arsenal in Jiyuan City, Henan, with a scale of 16 square kilometers. The completed project "Those Town" has become a recommendation project for the Ministry of Culture.

Wang Lei, Artist, painter, theater director, film director, adjunct professor of Shanghai Theater Academy, academic host of Wang Lei Famous Artists Team Studio of Shanghai Theater Academy Of Continuing Education, member of Shanghai Artists Association.

Wang Lei is a Scholarr-Type Artist and Art Activist. He has ben a visiting school at universities and musicums in France, itary and the united states for many Years.

Recent Visual Arts Creations:

2016, The TAIHU Stone Series of Oil Paintings WAS SELECTED for The Annual Exhibition of the Oil Painting and Sculpture Institute "MOVING MOUNTAINS".

2019, TheConTemporary Video Work "Forever Gazhi" WAS Selected for the Contemporary Art Exhibition "a City within Easy Reach".

2021, The Series of Oil Paintings PARTICIPATED in the Exhibition of "Yuluo Youyin" at the Luoyang Guanjian Art Museum.

Recent DRAMA Projects:

2020, Rehearsal of a Fragment of the Sophocles'Splay "Antigone"

2021 Rehearsal OFSAMUEL BeECKETT's Play "Come and Go.". 2021, Rehearsal ofa Fragment ofShawomir Mrozek's "On the Vast Sea".

2022, Rehearsal OFSAMUEL BeECKETT's Play "Clap's Last Tape".

2022, Rehearsal ofjon Fosse's Play "I am the Wind".

Recent Film Creations:

In 2016, He began to produce the documentaryfilm "Beyond Seeing", obtained a shooting license in 2019. In the same year, he went to the organizing committee of the Venice Film Festival toproposedand was invited to apply to participate in the film festival screening unit WhenThe Film get the distribution livense.

Architectural Design:

2011-2013, Undertook the overall plan design of the transformation of Suzhou Canal, and after the design of the plan, it was built into the French Park of Living Art, with a total construction scale of 210,000 square meters.

2012 -2015, Served as the general consultant of culture and planning,design of the conservation development and construction of Xinchang Town, Pudong New Area, Shanghai, with a scale of 1.6 square kilometers.

2016 -2021,Undertookthe overall planning and design of the "urban renewal" of the 531 Arsenal in Jiyuan City, Henan Province, with a scale of 16 square kilometers. After the completion of the project "Those Years Town", it became a recommended Project of the ministry of culture and tource.

Exhibition hall

Exhibition address and traffic route

About the Great Shanghai United Art Space

It was founded by the Shanghai Architectural Designer Association "Dahu News Agency" and opened in March 2019 to build the concept of the living room of the city, promote and inherit Shanghai culture, and organized many art exhibitions and space aesthetics in the past three years. Activity. The Greater Shanghai United Art Space was shortlisted in Shanghai's most beautiful public space in 2019, and became a wonderful site for punching in Shanghai's urban culture.

This content has been authorized by the Greater Shanghai Art United Space