[High -end product reading] "Contemporary Xinjiang Poetry Poet Theory" preface and post -copy

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Wang Youfu, a second -level professor at Xinjiang Normal University, experts from special allowances of the State Council, National Outstanding Teacher, Chief Expert of the National Social Science Fund, Consultant of the Chinese Ethnic Literature Society, Xinjiang Poetry Society, Literature and theoretical Society. Master doctoral students, published more than 10 types of books.

Express the patriotism, the song of the group

——The contemporary Xinjiang Chinese poetry creative theory (preface)

Wang Youfu

I am just a bystander in poetry creation. Learn some common sense because of professional reasons, and occasionally write comments. As a result, with the shallow thoughts on the creation of contemporary Xinjiang poetry, a brief statement was made.

The creation of contemporary Xinjiang Chinese poetry, starting from "Kaige into Xinjiang", chanting continuously, increasingly prosperous. In particular, since the new era, the patriotism is expressed, the songs of the group are clear, the themes are clear, the achievements of the publishing works and the number of personal poetry collection are considerable, and the Tianshan poetry school with a status of the national poetry is formed. It was first proposed in 2006. See the article "The Moon Out of Tianshan -Slightly Commented on the Xinghan" Tianshan Rhyme> ", which contains" Published on China ", No. 4, 2006. ], And the new border poetry created by the new Chinese poem created by the earlier contemporary Xinjiang Chinese, there is a doctrine. Unfortunately, the words of criticism and research of contemporary Xinjiang poetry creation are only seated in newspapers and periodicals, mostly books and book reviews, no research monographs, and rare special papers. A corner of the "Wild Flower on the Road". Do you know that "Tang Xian reads three thousand volumes, Lema returns to writing old poems" [Species and hearing one more "Six years of waste poems, reciprocating lead and prosecution" ("To the Liang Shiqiu" in April 1925), see Volume 1 of "The Complete Works of Wen Yiduo", Hubei People's Publishing House, 1993, p. 289. ]. This is the case, as is it outside the Guan. The ancients Liu Ye said: "Books are also Guohua, playing Ze Fangmei. [Liu Ye, Zhou Zhenfu Note: "Note of Wenxin Eagle Dragon · Zhiyin", People's Literature Publishing House 2002, p. 518. ]

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Bai Xue cover Qilian, Wuyun cover the top of the mountain, the grassland is mad, and Kaige enters Xinjiang. [Wei Zhanhu: "Wang Luobin and" Kaige Entering Xinjiang "," Silk Road "1997 Issue 06. ]

In mid -September 1949, Wang Zhen led the Jilu army to cross the snow -capped Qilian mountain peaks, and a magnificent poem made from Wang Zhen's freehand and Ma Hanbing was born, composed by Wang Luobin, and became a bright song that advanced to Xinjiang. In November, the song fluttered over Dihua (Urumqi) with the five -star red flag. General Tao Yeyue, commander -in -chief of the Xinjiang Police General Command, led the uprising, and wrote a quatraint of "General Wang Zhen's Entering Xinjiang": "General talks to the Tianshan Mountain, and then leads the spring of the spring. At the same time, the pot pulp meets the face. "

A song "Kaige entered Xinjiang", the history of Xinjiang unveiled a new page, and also opened the prelude to the creation of ancient Xinjiang Chinese ancient style poems. Some long -standing generals, senior scholars, and party and state leaders who inspect Xinjiang, they use their own Chinese ancient cultural traditions Chinese ancient style poetry, enthusiastically praise Xinjiang peaceful liberation, national unity, reclamation and sideways ; The thick ink depicts the new life of the northwest border, the new appearance, the new mountain and river. These works are scattered in newspapers and magazines. The strong sense of true feelings, distinctive political colors, and fresh and exciting style are its basic characteristics, and those who run through it are their documentary expressions and feelings. That is, the academic community is known as one of the contexts unique to the Western Regions. The general poet Zhang Zhonghan's "Old Soldiers Song" (Chapter 30 of the Gufeng) is quite representative. Although its artistic accomplishment is compared with the "slightly inferred" and "a little coquettish" in the Western Region Poetry, it has 640 words, which are colored. The land depicts the history, current status and future of the Xinjiang Production and Construction Corps. The language is flat, the narrative is clear, the magnificent, and the emotional is strong.

From 1966 to 1976, the Chinese poetry of Xinjiang in Xinjiang remained the truth of history, expressed specific emotions, and reflected the light of life: "It is a long time to pity the people, and the beacon is shocked and spring. "Township and Wanfu" [Yuchen Sun Zengli "Urumqi Send", see Hui Huimin's note "Modern Western Region Poetry", Xinjiang People's Publishing House, 1991, p. 280. ]; "The world's abnormality is slightly changed, and why is the crime of the people be dead? The sorrow is lingering in the eyes, and I want to look back at the soul." The wrong case of the mountain visits the victims of the herd ", see Hui Huimin's note" Modern Western Region Poetry Copy ", Xinjiang People's Publishing House, 1991, p. 282. ] Although these poems are not many, although they are not seen, they also have a lot of room for search and inspection. It is worthy of the corresponding efforts.

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Hei Yun recalled the past, and the cinnamon was burned by the bell. Heroes are undefeated, and it is difficult to collect the snow and snow. Tianshan Ziyan Shu's long sleeves, Hanhai Yellow Yingyu's throat. I asked the monarch Jia Yuyong, and the poems were so thousands of poems. (Liu Xiaowu's "Express in 1978")

In the late 1970s, the "four harms" was removed, and Yu Yu clarified. Liu Xiaowu, an old military poet struggling from the abyss of the Cultural Revolution [Liu Xiaowu (1913-2004), a Beijinger, was the chairman of the Xinjiang Federation, Deputy Minister of Propaganda Department of the Party Committee of the Autonomous Region, Consultant of the Chinese Poetry Society, Xinjiang Poetry Learn Chairman. He is the author of "Selection of Liu Xiao Wu Poems" and so on. ] It is also the flag who is also the flag of Xinjiang literary world. He was excited and shouted. He wanted to lead the show, live to the old, and write to the old. At the time of the brake, the spring breeze and the Yumen Pass. Those poetry experts who served Xinjiang society before the founding of the People's Republic of China, and were mostly the libraries of Xinjiang Cultural and History Museum. Rong, the name is blunt, and the old is boring, the poetry prisoner in the Western Regions. Tianjin Yangliu Qingren. Graduated from the Huangpu Ninth Campus. In 1943, he served as He Jing County. He has successively served as the librarian of Xinjiang Literature and History, the first consultant of the Xinjiang Poetry Society and the Chinese Poetry Society. He is the author of "Selection of Poems". Wang Mengyang (1913-1989), Hui, Beijing, former librarian of Xinjiang Literature and History, consultant of the Chinese Poetry Society. Ouyang Kezhen (1916-1999), a native of Weiyuan, Sichuan, a former librarian of Xinjiang Cultural and History, Deputy Secretary -General of the Xinjiang Commission of the People's Republic of China, a Chinese teacher in Urumqi No. 1 Middle School, Honorary President of the Xinjiang Poetry Society, author of "Burning Fucao "Cold Lantern Poetry" and so on. Tao Tianbai (1916-2008), a native of Changfeng, Anhui, a consultant of the Xinjiang Poetry Society, and the former secretary of Zhang Zhijie, New China. ], Began "Singing Singing the Border City" [Speaking of Wang Mengyang's "The Needle of the Nephew in 1977". ]; Editor's Note "Modern Western Region Poems", Xinjiang People's Publishing House, 1991, p. 160. ]; Those who stood up again to develop Xinjiang to build Xinjiang, officials and small officials, Zuo Qi and Ren Chen, "Jiejia's ambitions, and fell with the iron pen to cultivate" [Watching the Elder Soldier Feelings ", see Bai Yingdong's "Selection of the Silk Road Poetry", Xinjiang Youth Publishing House, 1987, p. 94. ]; Mainland poetry masters who came to Xinjiang's cultural exchanges, Feng Qiyong, Huo Songlin, Yang Chunqiu, Wuzhangshu, Ding Mang, Cai Houmou, etc. See "The Collection of Poems of Tangyin Pavilion", Hebei Education Press, 2000, p. 283. ]. With the gratitude, the hearts of joy and the psychology of the creators of these poems are the pursuit and interest of the creators of these poems. Bring new opportunities in the new period. The Xinjiang Poetry Society was established, organized poets, condensed strength, and continued to appear in the author of Sri Lanka and even born in Sri Lanka. Including the creative teams of many ethnic groups such as Manchu, Mongolia, Hui, Kazakh, Uyghur, etc., the army emerged. At the same time, open up positions. Because general newspapers and publications are basically not published in classical poetry, it stays at the level of self -entertainment and self -entertainment, and has restricted its creative development for a long time. Therefore, it is particularly necessary to create a publication. Therefore, it was called "Kunlun Poetry". It not only provided the author with a garden, but also dedicated a spiritual food to more readers. As the Internet enters millions of households, the authors, authors, authors and readers of traditional poetry also use this platform to create a broad interactive space that belongs to themselves, competing with other sibiic literature.

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The god of heaven passed the border court, and he fell into the sky. The ancient woods have been ugly for thousands of years, and Qingquan is empty. The leisure and clouds are hot and rainy, and the widen is scattered on the mountain. I and my shoulders were flying birds. (Xinghan "Ding Hai Summer Tour Tianshan Shenmu Garden") [Editor -in -chief of Star Han: "Chinese Poetry Literature · Xinjiang Poetry Volume", 2012 Edition of Chinese Literature and History Publishing House, p. 207. ]

Since the new century, the creation of contemporary Xinjiang poetry creation with Xinghan as the leader, Ling Chaoxiang, Wang Aishan, and Yu Zhongzhang has gradually entered its mature period. Most of them have a "year -old year" writing career. The starting point of creation is no longer a simple political summons and rules, but that the awareness and subject consciousness are becoming increasingly conscious. As Mr. Ling Chaoxiang swores: "The poetry creation is transferred from personal leisure activities to the requirements of the times, and strives to create good works with the atmosphere of the times and the characteristics of the border. Blowing Sheng. "It is their common mission for the people, for the times, and for the border. "North Deng Altai, Huiyuan City in the west", "Sanju Tent Star Fighting", the ambitions are high, the birds fly together, and they are active inside and outside the country. The lightness of the youthfulness of hands and feet covers the vicissitudes of their eyebrows. It is the real rate of "two high white hair in the snowy mountains and white hair", and it is "how is Lao Tzu's danger in life? Poetry Library · Xinjiang Poetry Paper ", 2012 edition of Chinese Literature and History Press, p. 225, pages 206, pages 208. ] The pride. "A group of white pigeons chase on the clouds, a few trees peach blossoms are driving in the rain", "Guangmo Fluttering Sand Trees, deep mountains and snow lotus" "no longer the walls are swaying this body, and the desert is Ren Ren." Write mountains and water; "After the spring breeze is full of sorrow, laugh at the children Sun Jump Dis", "The desert is full, Toyota rice wheat is thick. Gao Song Blazers, laugh at the prince with a smile", write the daily life, write the great cause of the country, and see the great cause of the country. The new intention is revealed in the object of the object, and the predecessors have not been words, and the common theme highlights the commonality. "Gan is a border, not a gold -plated person", "Lao Junyan said that Xichuan is good, but recognize his hometown as his hometown." "Gao Ke", they are patriotic, love Xinjiang, and the nation blends bright colors. "It was not the Mongolian bag that year, the old things of the Western Expedition, the dream of He Yao" [The above -mentioned verses were seen by the editor -in -chief of Xinghan "Chinese Poetry Literature • Xinjiang Poetry Paper", the 2012 edition of Chinese Literature and History Publishing House. ], The historical thickness of the work is continuously enhanced, the group style is being formed, and from the tragedy of poetry in ancient Western Regions to the majesty of Xinjiang poetry today. Contemporary Xinjiang poetry creation has achieved remarkable achievements. There is no doubt, but it is rare and unforgettable. "Chicken and duck full courtyard pork fat circle, the flavor of the pear is more fresh" ("picking pear"); Chinese and Western. Qin and Han dynasties are incense, revitalizing today ("Title Silk Road"); Ten years of feeling "), so, etc., the poetic flavor is faint. For many issues, articles are divided into: some stay in the plane of daily life, and lack the deserved poetic and paintings; some stay on the surface of the age, and lack deep insights towards the times; some stay in history of history Looking back, the lack of inner true search; some stay in a narrow space, and lack a wide mind; some stay on both ends of the beauty of consciousness, and lack the excavation of the philosophy of life; some stay in Abstract confession and lack of image beauty; some stay on the strong words, and lack the shocking power of art; some stay in the old words of Chen Yu's old words, and lack new words. As for the operation of poetry creation art, most of the authors stay in the "professional" craftsman production stage. The lack of "professional" art training, even more personalized or stylish. Criticism and research with creativeness are far from being unfolded. The development of contemporary Xinjiang poetry should establish its own value concept after deep self -knowledge.

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Kunlun Snow, Western Moon, hanging in the mirror. At the development of the western region, Haojie Gather Loulan. Zhishi Gao Fengliang Festival, the old horse knows the way, the good deeds are always fate. People are expensive and strong, and no dreams are difficult. (Wang Aishan's "Water Tuning Song Head · Bosteng Lake" below) [Deng Shiguang, editor, "Selected Edition of Poetry of Contemporary Western Regions", Xinjiang People's Publishing House, 2009, p. 54. ]

Crossing the eternal time tunnel, staring at Tianshan Mingyue, the heavy and unique history of the history gives Xinjiang's rich, profound and distinctive area and the times. The sustainable development of contemporary Xinjiang poetry creation, one of the literary patterns, which obtains the important part of culture, is the first to understand the ancient and modern, inheritance and change of Xinjiang culture, establish a correct view of cultural knowledge, and have a wide range of historical knowledge. Xinjiang is a multi -ethnic settlement area. In the historical process of multi -ethnic integration, it takes the traditional Chinese culture as the main trunk, forming a unique and colorful multicultural complementarity and coexistence. The soul of society is culture, and the core of culture is values. The value orientation of the theme of contemporary Xinjiang poetry creation is logical in Xinjiang's spirit of "patriotic love, unity and dedication, hard work and mutual assistance, openness and aggressive". At present, Xinjiang, the people of all ethnic groups have never emancipated their minds, passionate, and enthusiastic about creating their own beautiful life and creating their own spiritual world. Poets should take root in Xinjiang's great social practice, facing life, facing the times, and maintaining the spirit of never stagnation, and expressing their cultural identity and value demands of the people of all ethnic groups in Xinjiang with their own life experience and deep feelings of the frontiers. Ideal vision. Sing for Xinjiang and singing for Xinjiang. Give full play to the functions of poetry to cultivate sentiment, wash the soul, purify the soul, enhance the spiritual realm of people, and lead the social style. Poetry is a aesthetic reflection of culture. Classical poetry is a poetic style expressed in specific time -empty thoughts formed by the long -term accumulation of Chinese culture. It not only has its own strict form system, but also has its unique lyric paradigm. For example: "The method of the queen must be euphemistic to return to the ring, delete Wu, the sentence is simple, the sentence is endless, mostly the third sentence is mainly, and the fourth sentence is issued. Related, positive and anti -opposite, corresponding to counter -corresponding, one call and one response, the palace business is harmonious. All in the third sentence, if it changes well here, the fourth sentence is like a boat. " Society, 1991, p. 99. ] We have to take care of the common sense of Chinese poetry and poetry, peek into its Olympics, and follow its aesthetic norms. This does not mean to adhere to the tradition. In the ancient law, on the contrary, it must be inside, keeping with the times, and constantly "new changes". , Zhou Zhenfu Note: "Note of the Dragon of Wenxin · Time", People's Literature Publishing House 2002, p. 476. ]. In the contemporary context, with the contemporary perspective, feelings and strong life consciousness, we deeply understand the unique history and culture of Xinjiang; continue the Chinese poems of the Western Regions, and absorb the expression of "contemporary". With the rich imagination of "Thinking Thousands of Lances" and "Viewing Thousands of Miles" [Liu Ye, Zhou Zhenfu Note: "Note of Wenxin Eagle Dragon · Time", People's Literature Publishing House 2002, p. 295. ], Use a lively language that flows with time and constantly generates. With sadness; or the aesthetic value of the fate of life, life and death, and death, "Wang Youfu's" Long Shui Changtian Ji · Preface ", the 2012 edition of the Xinjiang Production and Construction Corps Press, p. 4. ], Thus giving Chinese traditional Chinese poetry with distinctive regions and multi -ethnic characteristics. Strong direction, creation and criticism. Confidence, diligence, wisdom, and use, founding a "Tianshan Poetry School", which stands in the forest of contemporary Chinese poetry. [Cao Yu's "Theory of Classics · Thesis", see Xiao Tong's "Selection of Arts", Shanghai Ancient Books Publishing House, 1998, p. 435. ]

(This article originally contains "Appreciation of Nature", No. 10, 2019)

"Contemporary Xinjiang Poetry Poet" postmoder

Confession

The Xinjiang Poetry Society agreed at a executive council last year that the "Contemporary Xinjiang Poetry Poetry Theory" was included in the publishing plan. I am an executive director of the Society and listed as the deputy editor -in -chief. For this work, I did not resign.

The Xinjiang Poetry Society was established in 1988. For more than 30 years, a large number of poetry works have been published, and there have been many poems and albums. However, the research and comments of Xinjiang poetry lag behind the creation of poetry.

The selection of this book requires that the article must be published in journals, books, newspapers and other publications; the second is that the article must have strong academicity. The more than 30 articles we have screened have basically reflected the poetry creation of poetry creation since the establishment of the Xinjiang Poetry Society.

The old predecessors of Xinjiang poetry and ores, such as Xu Rongzhang, Wang Ziyuan, Wang Mengyang, Li Ximu, Ouyang Kezhang, Sun Gang, Wang Yanling, etc., all of which are superior to poetry. Or introduce their articles in the themselves, it is regrettable. This research work is in the future.

The creation of poetry of Xinjiang young people, both in terms of quantity and quality, has a considerable achievement. There are many "winning" in various poetry events across the country. However, there are no comments on them as of now. If you have the next assembly, try to make up for this shortcoming.

The poems of the two Mr. Xinghan and Wang Yaping of Xinjiang poetry are the leadership of the poems of the two gentlemen. Xinghan, Yang Yiming, and Wang Yaping have published a line of "New Elastic Collection". Mr. Liu Zheng, the poetry industry, believes in the preface that "Xinghan is bold, Ying Qingqing, Yaping Sao Ya", Xu Zhi is the "New Three Friends" in the poetry. In the process of collecting information, I found that the number of articles from Mr. Xinghan has a large number of articles and high quality, but it is limited to the length of this book. This book is synthesized by the special research of Xinjiang poetry and poet reviews. The focus is on the poet review;

Mr. Wang Youfu drafted this book style and title. Mr. Xinghan cares and helps. Teacher Xiaoyun and I collect information, participate in the selection of articles, and do all the work. Limited to the field of vision, the selection of articles may not be comprehensive.

Confession

March 22, 2020 at Xinjiang University

Introduction to the postship

Harmony, Tai'an, Shandong, a professor of Xinjiang University, a doctoral tutor, a master of Tianshan Cultural Masters and the "Four Batch" talents, and the leading talents of philosophy and social sciences in the autonomous region. The third prize of the Thirteenth Award of Philosophy and Social Sciences, Shaanxi Province Excellent Doctoral Degree Thesis Award. Published more than 50 academic papers, published 7 specialties, etc., and presided over a number of topics of the National Social Science Fund, the Ministry of Education and the Autonomous Region.

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