"Art China" focuses on recommending contemporary outstanding artists -Liu Dianzhong

Liu Dianzhong, the word Chu Nan, No. Yunfu. Male, Han nationality, born in 1943, was born in Huangshaping Street (formerly Taihe Town), Guiyang County, Hunan Province. Teachers, public teachers, teaching and researchers, primary and secondary school and vice president, chairman of the school district union. In 1962, he was published in small poems, edited by books such as "Chinese Contemporary Mysteries Dictionary", "Thousand Tiger Contest" (Lantern Ils), and "New Century Poems) and other books. It is a member of the Chinese Couplet Society, the Chinese Calligraphy and Painting Association, the Chinese Science Poet Association, the Hunan Writers Association, the Folk Literature and Art Association, and the Society of Miscellaneous Literature. Chinese Localist Writers Association, Director of the Chinese Contemporary Folk Literature and Artists Association, Lifetime Honorary President of the Chinese Poetry Development Research Association, deputy dean of the Chinese Poetry Research Institute, researcher of Huaxia Poetry Painting and Calligraphy Academy, Guide Professor and Art Instructor of the National Museum of China, National first -level calligraphy master. In 2007, he was rated as the highest honor award for contemporary traditional culture creation. In 2008, he was awarded the honorary title of "Republic Artist" by the Chinese Literary and Artists Federation. Personally compiled more than 200 species such as "World Celebrity Records", "Chinese and Foreign Celebrities Dictionary", "Celebrities of Chinese Contemporary Literature and Arts" and "Chinese Contemporary writer Dictionary".

There are six bodies, and Liu Dianzhong's body is good at books. His scriptures are beautiful, the structure of the structure is neutral, and the accomplishment is deep, and he has become a beauty of the era that leads the ancient style.

The work of "Wonderful Erotic Paintings and Reading Wordless Books" reflects Liu Dianzhong's unique artistic style. The works of the work of the work and the integration of Dayao and Xiaoyu, eliminating the meaning of the over -withered knife pen, and tamed Xiaoyan's too weak ink. It is not tender, and it becomes Liu Dianzhong's special texture of clear beauty and clear beauty.

In addition, strokes have unique fun changes. In terms of horizontal painting, there are straight and songs. The straight pen is used for the Qiankun, and it is used for stability. For example, the horizontal strokes in the words "good", "none", "book". The pen and pen are reflected in the sun and the moon, and the sense of painting is obviously strong. For example, the horizontal stroke in the "word", the curved up and down correspondence, the birthday of the birthday, vivid and pleasing to the eye. Because of its unique temperament, this work was included in the "Ancient Dan Qing Qing Painting Volume" as an important example of its work.

Look at the self -titling book "Ze Yurun Four Sea East Wind and Warm All Things" to commemorate Mao Zedong's birthday, and the artistic conception is naturally available. Combined with the aesthetic perspective of the golden mean and beauty The blending has formed a very typical one. Since the Qin Dynasty, the scripture chapter has been highly ancient and vivid. Liu Dianzhong's scriptures, based on inheritance and creativity, calligraphy mood is combined with standard brushwork, so that the style of the scriptures has a spring -like temperament. The work was collected by Mao Zedong's descendants.

Seeing a self -cultivation book "Ji De Xingxing and Longevity", in front of him, he was immediately unusually talented by Liu Dianzhong, and he was convinced by Liu Dianzhong. In this work, the armor style before the maturity of the French script, re -concentrate on the turtlewen, reproduce the dragon scales, collect the handwriting in the script, and then leapfrog the regular script to the ancient body method in the script, so that this picture The work has a significant neutralizing aesthetic tendency. The charm and beauty of the scriptures from a single width and multiple contrasts produce a more diverse element of the scholarship.

Liu Dianzhong is good at using the ancient and ancient scriptures to present the flow of modern culture and make Gao Gu and modern compatibility. His script works have a fresh cultural connotation in the old pen and ink form. For example, "Being a Man's Moist Inspection", the ancient ancient place lies in the skillful inheritance of the old rules. Liu Dianzhong's work is not only ancient and ancient, but also uses the essence of traditional Chinese culture. Dao Zhi, with Confucianism, has profound meaning, philosophy, teaching people, and intriguing. It is a rare motto. The work will be able to go away according to Qin Shu Xiaoyu's dense chapters. Black is ink, and it is white as black, ink and white, and the ancient meaning is handsome.

The freshness is that his content of the book can always cleverly grasp the secret cultural needs of modern people's hearts. Touching, my heart follows the book, and I am very interested.

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