I love Quanzhou and I love this land in Quanzhou. Yang Xinrong, a writer painter "cross -border": Pen ink is a media freehand Quanzhou

Author:Quanzhou Evening News Time:2022.08.04

"I love this land deeply!" Yang Xinrong, deputy director of the Cultural Working Committee of the Quanzhou Municipal Party Committee of the Quanzhou Municipal Party Committee, said firmly. From the well -known essayist Cai Feiyue, he extended the tentacles of his creation to the local customs and customs. The nostalgia overflowed between the words, and the essay collection "Picking a Purple Leaf", "Silk Sea Listening Tao" and "Meet". After that, its fusion paintings showed the "Quanzhou: The World Marine Business Center of the Song and Yuan Dynasties" in Chinese painting, making the ancient house streets, ancient temples, cultural relics, and heritage beauty. His paintings have been publicly released by Chinese Postal Memorial Edition Memorial and Postcards. Recently, the reporter interviewed Yang Xinrong. □ Quanzhou Evening News reporter Wu Lijiao text/picture

"One Painting" out of love

Reporter: In recent years, your prose and paintings have a strong native atmosphere of southern Fujian. Why are you falling in love with such subjects?

Yang Xinrong: Because of love, I love this ancient and new land in Quanzhou. She has both the world's attention and the trend of the trend of the world. Attract me deeply. When I was a child, I lived in the Model Lane of the ancient city. I often ride a bicycle to walk on the streets and talk time and space. I am very happy in my heart. I especially like the ancient dumplings of "warm winter and cool in summer" and "wearing gallery wind".

At first, I wrote prose to express my inner love. Before I write, I will visit on the spot and carefully grind their origin and story, so some articles can resonate and evoke the nostalgia of the older generation. However, the cultural connotation of Quanzhou is too deep, and the text can no longer fully express its charm. For this reason, I was once confused, and the scene I saw at a local art exhibition gave me inspiration -an old overseas Chinese who returned home with his old house standing in front of the old house with his old house. Since 2020, I have regained the skills of Chinese painting that has been interrupted for more than 30 years, penetrated into the sketching of wind and sketching all over the Quanzhou. Under the encouragement and guidance of my friends in the ink painting industry, I shifted from the creation of flowers and birds and landscapes to the local style. In the year, he has created more than 100 works that you are satisfied with, such as West Street Two Tower, Ancient Street Chenqu, and Old Pavilion Residents. The red in the work has become a distinctive feature. I insist on "painting the old and not painting", avoiding the dilapidated mottled, showing vitality, and showing the spirit of "love to win" in Quanzhou people.

Such a Minnan red has moved the heartstrings of the travelers in foreign classics. On one occasion, a Quanzhou from a company in Beijing, when I saw my paintings, immediately collected, and at the same time collected the two words "呷 呷 有". I think he is looking at the nostalgia and good meaning passed in the painting.

Do live video promotion Quanzhou

Reporter: From the cross -border of the writer to the field of Chinese painting, and as an anchor, you can tell, interpret, show the beauty of Quanzhou in a live broadcast and small video, and let more people know and understand Quanzhou. What kind of harvest?

Yang Xinrong: In the creation of rural prose, I found that the complementary length of text and painting can complement each other to achieve the effect of "there are texts in the painting and painting in the text". This is a kind of enjoyment and release of the soul. It makes the creative life open a bright window, and it also allows more people to discover, walk in, understand, understand, and fall in love with Quanzhou through my works. The reason for this is because some passengers came to Quanzhou to experience after seeing my work, such as commemorative postcards, postcards or Chinese museums.

With the change of the times, the era of meling media has come. I am in my 50s now, I also keep pace with the times, catch up with fashion, shoot small videos, and do live broadcast. Among them, the small video "Rong Axueli" (using the southern Fujian dialect), about 3 minutes each, tells the traditional etiquette and folk culture of Lao Quanzhou in Quanzhou dialect, and strives to present the ancient Quanzhou "Yunshan Baiyue Road," The style of the Shijia people in the city. Some friends see the error message in my small video or the live broadcast, and I will send the correct answer in private. Some encourage me to continue to persist and don't give up lightly. These are the motivation to move forward. Our traditional culture must be well protected and inherited, and we are integrated into the daily life of Quanzhou people, especially young people and Xinquan people, and make the path of inheritance more stable and farther.

Persist in the story of the original heart "continuing" the story of the thorns

Reporter: I saw that there was a blank rice paper shop on the table, and quietly waited for the inspiration to burst out. In your future, is Quanzhou element still a source of creation?

Yang Xinrong: I plan to open a personal art exhibition named "Quanzhou Seal" in August. Recently, it is planned to create a painting with the theme of West Street Qin Buddha, and integrates specialty folk customs such as makeup cakes. In the future, it will still not change the original intention. It will continue to live in depth, dig the materials of creation from the community and the countryside, and use literature and brush to show the traditional culture of Lao Quanzhou.

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