Tang Bohu's calligraphy, innocent, gentle and peaceful, subverting the image of "romantic"

Among the ancient artists, Tang Bohu's fame was one of the biggest. This was not because his calligraphy and painting were widely circulated, but because the story about him was interpreted too much.

Tang Bohu in the film and television drama

In the legend, he is romantic talent, but the true history may not be the case. His calligraphy may subvert our consistent cognition. After the efforts of Song Ke, Shen Zhou and others in the early days, the development of Yunming, Wen Zhengming, Wang Chong, Chen Chun and others in the middle of the Ming Dynasty had become prosperous. "China".

Tang Yin's "Flowing Flower Poetry Book" part of the part

Wen Zhengming, Zhu Yunming, and Wang Chong were known as "the three people of Wumen calligraphy" by later generations. Tang Yin is closely interacting with him, but in the field of calligraphy, it is difficult to resist whether he was in or later.

Even when Zhu Yunming, who intersects with it and appreciates it, is a grave -aspiration, has a high evaluation of his poems and paintings, but he does not mention his calligraphy.

Tang Yin's "Flowing Flower Poetry Book" part of the part

The reason is that Tang Yin is more dedicated to painting and poetry, so that his book name is the name of the painting and the name of the poem.

Furthermore, Tang Yinying died early. Although many works have no lack of talent, it seems that they have not been in the state of "the conference and the books are old".

In addition, the warm style presented by the main body of the calligraphy is a bit incompatible with its wild and unruly character, which makes it difficult for ordinary people to understand.

Tang Yin's "Old Rap of Xizhou dialect"

In addition, Tang Yin made a living with painting. The calligraphy works were relatively small, and the bodies were relatively single. They were mainly practical and mostly readable books. Later generations' research on Tang Yin's calligraphy was mainly from his inscriptions. Expand.

However, it is undeniable that Tang Yin's calligraphy has his chic personality and the characteristics of the times pursued by the "Wumen Book School".

Tang Yin's "Self -Book Poems"

If you put aside poetry and painting, it is difficult to really appreciate the true meaning of art from the perspective of calligraphy and painting, especially at the level of technical techniques.

Looking at Tang Yin's calligraphy work alone, it always gives people a sense of unpretentiousness. However, seeing the paintings of poetry works, it contains a special charm that is difficult to tell, which makes people feel a kind of transcendence of Wu Men's school and even the mid -Ming Dynasty in the middle of the Ming Dynasty. Elegant weather in the book.

Tang Yin's "To Shi Jing Pavilion"

First of all, this is due to the true meaning of and expressed in the creation of poetry and calligraphy. For example, Yuan Hongdao said that he "expresses his spirit, eclectic, and does not flow out of his chest.

Secondly, Tang Yin first painted, then poetry, end words, or poetry, then painting, then painting, and final title creative model made these three artistic creations, which are intertwined and progressive in the expression of imagery and realm. As for the increasingly non -restrictions of its works, it is more intuitive to express its most authentic psychological activities.

Tang Yin "Yuhua Terrace Sensi Shizha"

Calligraphy is obviously more abstract than poetry and painting. Tang Yin's inadvertent creative model obviously makes his calligraphy creation more innocent and natural.

Furthermore, although Tang Yin's calligraphy book is not rich and often appears in small lines, it is perfectly fit with his style of painting and literati painting in a furnace. It lacks some hearty and happy, but it also has a bit of natural natural nature.

Tang Yin's "Pingkang Lane Mosque Banner"

It is particularly worth mentioning that the so -called calligraphy style is inconsistent or inconsistent with the unruly character and the shocking manners after experiencing major setbacks in life. Is this a bit subverting its "romantic" image?

People are always accustomed to letting Xu Wei's life like "畸 藤 藤" after the frustration of the life of Xu Wei's life, and use the most expressive grass to vent his anger in his heart with the most expressive grass. Or the sigh of emotion and impression of Chen Chun's character is very different from the style of the book in the past, from the gentle and elegant script to the shock of the crazy grass.

Tang Yin's "Moxing Ink"

People always want to take it for granted that Tang Yin's calligraphy should also be as wild as "Green Tengto and Baiyang". However, the author thinks that this is exactly the embodiment of Tang Yin's unique talent, romance, and wisdom. Although he has suffered in his life, he also lamented the unfair fate. It was more reflected in poetry. Always retain the innocence and innocence of the teenager.

Historically, Tang Yin is often positioned as a "second -rate" bookwriter, but the innocence, willfulness and nature in his calligraphy can be described as his true life and art portrait, which is enough for us to study it carefully.

Tang Yin's "Wumen Avoiding the Summer Poem"

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