The book is not far from being not far -Liu Xunfu Beijing Hanmo Yanyuan Calligraphy Lecture

I am lucky to get together today and talk about the calligraphy of calligraphy. Not much to say, combining what you see in your eyes, what you wrote, thinking in your heart, talking about understanding and experience, and asking Fang Jia to teach.

1. How many diseases are in the book:

For a period of time, the book world can be described as mixed places and sediment. On the one hand, with the accumulation of social material wealth to a certain stage, the calligraphy of culture is increasingly valued. The land of Shenzhou, the style of book style, and the scholars are quite spring. On the other hand, there are many bubbles on the surface of the trend. Some people, some people, shallowly, and unbearable, causing artistic dust.甚至 毁坏传统，玷污艺术，贻误后学，忽悠百姓------种种病象令人扰心。 List casually, common ones:

1. Bobby eyeballs on the side of the door. Some of them will write a few words. Based on the book skills, they dare not show off in front of people, and then walk on the left side of the door to make an alternative writing brush to make the gun stick -some who weigh dozens of pounds of iron pens, some take a mop as a brush, Those who have fingers and toes, hairstyles, and the art of calligraphy art are used to write ink with my tongue dipped in ink, and it is written on the girl's carcass. This is the guise of calling calligraphy at all, making a strange show.

2. Great work. For example, a calligrapher has been copied into four masterpieces for many years, and a calligrapher tens of thousands of "Shou" presented gifts of the Beijing Olympic Games, or 100 meters long rolls, thousands of people in the same book. It's right. In fact, it is a gimmick, using "quantity" to cover up the lack of real levels.

3. The sword walking tilted in reverse. If you are not writing well, you can write it back. You can show off your eyes and get rid of the layman. There are also empty characters on the back of the long cloth strip, and so on. Such people often have a catwalk and a TV show or performing activities with low styles. The words they write are separated from tradition. They do not talk about strokes, do not talk about lines, and each time they write the same words, they can shook the city with carved insects.

4. Innovation is the name random graffiti. Calligraphy is based on "True Cao Zhi Xingxing". Some people can't get a kind of really good at these five books. , Or rigid. The left side of the traditional essence and learning methods is never possible to enter the highest hall of art. To make a show on the spot, at best, it is a scammer who sells plaster.

5. Exhibition winning the prize. In the media era, large and small calligraphy competitions and exhibitions are endless, and large and small calligraphy organizations are mixed. As long as they participate, they can win the award. Many calligraphy enthusiasts are happy to participate in these competitions and organizations, especially in areas where information is relatively occluded. This bad calligraphy and cultural environment confuses people's direction of the exploration of art.

6. Celebrity calligraphy is enchanting. Calligraphy celebrities generally refer to people who are well -known and well -known in calligraphy majors, and celebrity calligraphy is different. It is just to enhance the popularity of calligraphy with the fame of the celebrity in other industries. There are stars, with various officials and officials. Originally, everyone loved calligraphy is a good thing. However, you have to understand how many pounds and a few pounds. Even the official habits of the officialdom were brought to the book world, and the people who were concentrated on writing could not play according to the level and fame.

2. Dialectical cause of pulse:

Strictly speaking, those people just mentioned, those people, are by no means scholars, although some titles may be very scary; those things, most of them play some farce by the name of calligraphy, the audience also knows like monkey drama, ignoring him.

What is really worthwhile is that there are many calligraphers in the contemporary book, but good work is good. Lack of master -level characters, it is a flag -level, leading the wind direction. Compared with senior scholars, several leaders are also difficult to have a glorious world. Speaking of the scriptures, the urgency, impetuous hustle and bustle, shallowness and nobleness, no innovation, lack of criticism, I believe everyone will not think it is alarmist.

1. Emergency work. The ancients learned, and the bench was sweet for ten years. The kind of cold window was lonely. The hard work of wearing iron pupa was rarely set up. After a few days of mentioning the pen, a book was not written in. If you can't control it, you will pursue the award and win the award, and you are famous; some famous teachers, relying on the hills, are not for the growth of the book art, but to mix the circle and pull the flag to make tiger skin. Once a little fame is a bit fame, he has reported his name on the book, rushing to live money, and then drilled around, and competes for the title of the director and chairman (vice chairman) of the association in order to see the fish jumping the dragon door and worth hundreds of times. How can I have a mind and energy to refine in the book skills.

2. Strange hustle and bustle. On the one hand, I want to make a fortune and want to make a fortune, but I do n’t have enough kung fu. Some people have a speculative heart, and the sword goes out of the front and blogs, and the eyeballs are popular with ugly books and strange books. Nothing later. It even uses the influence of power as the choice standard for the exhibition awards. It is endless and harmed. Individuals who go into the demon, such as writing with that thing, wrote in naked women-it is even more Swen to sweep the ground, and the traces are nearly hooligans.

3. Shadow and not. In the past, the famous calligraphy artists, the content written was their own things. Most of the scholars now copy their predecessors. The same "tranquility and remote", "Chao Emperor Bai Emperor Cloud" ---------- No own thoughts, without your own knowledge, this is a prominent manifestation of the book. As the saying goes: "Pen and ink pass love". The book writer does not enrich his thoughts, does not express his mind, does not write his own poems, only copys the things of his predecessors, which is "passing love"? The scholar wrote in a pen, but not his own ideological feelings and knowledge, can you have the value of retaining? Where is the essence of calligraphy? Is it only reflected in the skill and skills of writing? The book is not a common phenomenon in the book world. It reflects the skills and skills of the scholars who only write down, and ignore the refinement of ideas and the inheritance of Chinese studies. 4. Innovation. Nowadays, there are no shortage of innovation as a guise, and innovation as a shame in the book world. This is not pure. Such people know that they are insufficient and knowledgeable, innovation and him, but they are just a means of deceiving the world. Another type of belonging to self -esteem is very high, and the talents are mad, a bit of talent, can't sink, can't do it in ancient times, relying on the wisdom, arbitrarily play, the work seems to be ingenious, but under the fine product , Lack of connotation, unable to stand after all, difficult to hand in the world. In the third category, the public of the book world can also work hard. For decades, I am tireless. Do nothing, no demeanor and meaning.

5. Criticism is absent. The problem of creation has a lot to do with the criticism community. To be seriously speaking, there is almost no real artistic criticism at the moment. The analysis of the kind of peer, the criticism of the three -pointer of the wood, the trial of the high house and the pointers of the sticks of the gangsters have long been absolutely stubborn. What you see, either tout the praise, and some even reached the point where it is numb; or it itchy, you can't speak your ideas; or make it high, borrow some ancient words, make some Western concepts, and you are not very good. After all, it is not very good. After all It was drowsy.

All of the above are different. The reasons are in the business society and the market pusher, causing many people to lose their original heart. It is only a picture, but also impetuous and impatient. Not enough reading, not enough learning, not enough posts. The superficial vulgarity is inevitable, and some of the original intention is also worthy of recognition. However, there is no origin, no source, not far; in the end, it is inevitable that painting tigers can not be a anti -dog. Then he tried to decorate, and thought about it, nothing more than keeping fame and fortune. It is like an addiction of opium poisoning, unable to break free, indulge in it, and want to stop.

Third, the integration of poetry books is a good recipe:

In addition to calming down the impetuous disease, in addition to calming down, the hard work is unscrupulous. It ’s time to say it with the book industry who played a show monkey. A scholar really wants calligraphy as the meaning, and wants to have achieved something in this art, or has a big dream, a big pursuit, and ambition to form his own style, unique, innovative, and innovative. Far enough. The more important the kung fu outside the book, the more important it is.

We say that calligraphy is art, and the mission of art is not only with the objective world, but more importantly reflects the subjective spirit of people. In the essence of calligraphy art, as the main body of art, the scholar is the most fundamental and core. Because only the perceptual impulse from the artistic body can the gorgeous life flowers -art. Therefore, art, including calligraphy, is the product of the perceptual impulse of human life. Therefore, the creation of calligraphy art also finally decisively determines the ideological feelings, aesthetic tastes, aesthetic ideals, and the beauty of objective reality. Conversely, the text that carries emotions, thoughts, and will can produce touching power.

Liu Xizai said that the book, such as the same, as their talents, such as their own, as their will, in short, as their own.

One word, the true meaning of calligraphy art.

Objectively speaking, after a few years of basic skills training for decades and decades, the techniques and methods in the book should be almost the same. What else can you change from the form?

What is really changing is a person, a scholar. Your inner world is infinitely rich, your understanding of the world is constantly deeper, and your personality endowment is unique. Can you express yourself, isn't it innovation? Isn't it just a style? Isn't it just a personality?

It is true that the subjective world of people is complicated and diverse. From the emergence of human aesthetics to development, it is necessary to go through a period of twists and turns, but we can peek out his unique aesthetic consciousness from a scholars' unique Chinese character image image. And most of this aesthetic consciousness and calligraphy style are mostly reflected through its artistic conception, and eventually appeared with a relatively stable and general face, such as elegant and vulgar, strong and charming, vigorous and beautiful, old spicy and childish, wild and blooming, wild and blooming, wild and blooming and blooming. Quiet, depressed and elegant, rich and ethereal, and so on. The "book is like a person" often said in calligraphy, and the requesting scholars to show their mental or emotional feelings in the production of the work. The "character" is revealed from the "book product". This is the truth from the personality of the book.

In the final analysis, calligraphy art is created by people, and it is the manifestation of human aesthetic psychology (emotion, interest, imagination, etc.). To understand the aesthetic roots of calligraphy art, only to find in the hearts of calligraphy. Chinese calligraphy theory has always attached great importance to the "meaning" of calligraphy entities in calligraphy creation. Calligraphers such as Cai Yan, Wang Xizhi, Mrs. Wei, Yu Shinan, Sun Guoting, etc. all advocated calligraphy in "shape". That is, the infinite, infinite and deep spiritual sense or emotional messenger with limited paintings and rich changes. In terms of creating artistic conception, poetry is the best channel. It takes you to feel the mood of beauty, feel the mind of the person, help you cultivate sentiment, accumulate learning, cultivate temperament, and express emotions. Looking back at history, which handed down book writer is not good at poetry? Wang Xizhi, Yan Zhenqing, Su Shi, Huang Tingjian, Mi Yan, Wang Duo, Zheng Banqiao, Qi Baishi, Guo Moruo, Qi Gong ------ From ancient times to the present, which scholars have rely on the writing of other people's words to stand in the book world?

From the perspective of art work. A good calligraphy work must have the beauty of rhythm, beautiful rhythm, beautiful mood, beauty, and style. How harmoniously and unified this is the beauty of poetry. An excellent calligraphy is like a beautiful poem. It is deeply emotional and rich in meaning, making tastes like immersive, as seeing them. For example, when we appreciate Yan Lugong's book, we will feel that he is ancient and profound, and the magnificent book style of proud shore is quite masculine. When we appreciate the cursive cursive script of Huai Su and Zhang Xu, the artistic conception in Li Bai's poem "Falling the Sands in the Suns Tomorrow, Bo Shao Shi Water Back" will also emerge, as if entering a world of wind and snakes. And when we see Dong Qichang's book, the fresh and distant taste of it has a quiet, peaceful, and calmness of its own "bright moon pine, and the flowing stones flowing on the clear spring stones". It can be seen that although calligraphy and poetry are not the same nature of the same nature, they are naturally revealing of the thoughts and sentiment of the author, and have strong lyric, aspirations, and intentions.

Since ancient times, the poets have been sentimental to poetry. Cai Yan's "Writing": "For the book, first embrace the embrace, let the sentimental nature, and then write it." Liu Xizai's "Equipment · Book Proposition" also said: "Writers, write aspirations." It can be seen that although the calligraphy is not It seems that poetry expresses the chest through language, but its artistic line combination and pen love rhyme, which also sends the artistic taste of the author.

Secondly, calligraphy and poetry pay attention to the rhythm of frustration in creative methods, emphasizing the chapters of the convergence, and the intriguing charm. And many of the calligraphy in the creation of poems, or the bookmakers make poems, to add the artistic charm of calligraphy. High -level people will even adopt different brushwork, books, lines, and rhythms according to different content, and strive to achieve the unity of the two.

From the perspective of personal creative practice, I think that my poetic literacy does have a sublimation effect on the improvement of calligraphy. For a long time, I have been alone for classical poetry. I know as a calligraphy enthusiast, the proportion and status of cultural accomplishment and poetry creation in my art career.

In the creation of calligraphy, I feel that writing my own poems is very free to grasp the rhythm of the emotional rhythm. At this time, the lines of the pen and ink are like a soul, naturally vivid, and form a high degree of unity with the artistic conception of the poem. Since then, I think that calligraphy has found myself, shows personality, has spirituality and style, and has won everyone's affirmation and love.

All in all, the contemporary calligraphy must be corrected and the peaks are created. Books must work more on poetry and take the road of poetry and books. In this way Love, showing the face of personality, becoming unique style, realizing new in -law, promoting the art of calligraphy art to keep up with the times, innovative development!

In a hole, power to attract the bricks of jade, please correct me. thank you all!

Introduction

Liu Xunfu China as a member of the Chinese Calligraphers Association, a member of the Chinese Calligraphers Association, a member of the Chinese Poetry and Calligraphy Committee, a director of the Chinese Poetry Society, executive director of the Chinese Poetry Society, editor -in -chief of China Poetry, Calligraphy and Calligraphy Network, Deputy Dean of the Chinese Academy of Painting Arts, and Beijing Normal University National Academy of China. Guest professor, executive vice president of the Chinese Poetry Creation Research Institute, national first -class artist, Dean of Beijing Oriental Chinese Poetry and Calligraphy Institute.

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