"Export" art exhibition landing in Guangzhou, interpret space and the world with different media

On July 29, the "Export EXIT" of the Chinese Pioneer Art Group UFO Media Laboratory was opened in Guangzhou K11. This exhibition is the largest annual art and cultural event of the "Cultural Retail" pioneer K11 -K11 Art Karnival's Greater Bay Area Heavy Art Project. The exhibition will last until November 6.

As the earliest new media art laboratory in China, the UFO Media Laboratory has participated in many important multimedia art festivals and exhibition projects at home and abroad. His founder, Wu Yanhui, is one of China's most representative new media artists. He is active in the field of new media art at home and abroad. Link. It was invited to create a giant multimedia art device "Time Tower" created for Guangzhou K11.

exhibition site

Reset the space and landscape reset with the digital screen

The "Exit EXIT" exploring the thinking and creation of the potential "interface" between the art and technology, the body and the media, the thinking and creation of the artist, the exhibition, the designer, the engineer, etc. The multi -experience of sensory attempts to expand the boundaries of media art, combine the combination of art and technology, and use new media art language to expand a new narrative of mobilizing multiple sensory and emotions.

"Exit" is the interface of time and space. It is both the exit of this place and the entrance to the other side. The exhibition uses light and shadow, sound, and architecture as a clue to interact with a nearly 500 square meter composite road roaming space. It tries to subvert the traditional exhibition construction logic, reset the relationship between art, space and body Among the metal fans.

In the new media art, the screen plays the role and identity of architectural components, images presenting medium, etc., bringing the audience to provide a new viewing experience and exploration perspective. This exhibition space surpasses the form and expression of previous image display, using a variety of states and size screens -panoramic screens on all sides, crushing screens distributed in scattered dots, screen devices or image sponge ponds with unlimited mirror reflection. ... to deconstruct the building space, try to break the cognitive dimension to create a sense of perception beyond daily experience.

exhibition site

Multi -roof road design, re -examine the border of false reality

Guangzhou K11 and the UFO Media Lab designed a composite exploration path like a maze to create an experience with a very high sense of adventure, looking for the exit belonging to the heart. Through the "export", the audience has completed the conversion of space and the transformation of identity here, and finds the inspiration and thoughts of escaping from the material world from daily life.

The first part of "Exit EXIT" consists of a metal structure that is staggered. The screen fragments and devices of the dotted distribution are hidden, attracting the audience to explore and walk through this multi -level corridor structure, and encounters the works scattered. Through the metal jungle, a "rabbit hole" appears at the end, and the audience who drilled into it will come to a rectangular square wrapped in the screen. The images and sound fields on the curtain wall are constantly changing, making people in the space of another dimension, and it is difficult to identify the boundaries of reality and illusions. At the top of the curtain wall, a steel -structured bridge runs in, and the pixels of "crushed" are scattered in the venue. It seems to break through this illusion and guide people to enter the next narrative. The third section of the field is composed of curtains. In this theater -like closed space, the audience can set foot on the circular illusion of the high platform exploration center area, cross all their experiences, and open the new exit of the other side. Unknown Dimension.

It is worth mentioning that the concept of the "potential interface" between the body and the media, the artist Wu Yanhui presents the charging device of "Electronic Blood Station" on the third floor art gallery bridge. In today's visual pixels, our lives are gradually electronic. Various electronic devices have parasitized our bodies invisibly and become extended organs of body and consciousness. Electronic organs' dependence on electrical energy is like the body's dependence on blood. The audience can feel and think about the tight connection of contemporary people and technology here in a state of mind.

【Text】 Ma Yuke

【Picture】 Organizer provided

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