Entering the Hangzhou National Edition Pavilion to experience cultural vitality: Jiangnan Wenmai, flowing into a river in front of the eyes
Author:Zhejiang Daily Time:2022.07.31
Zhejiang News Client reporter Zheng Wen/Wen reporter Wei Zhiyang/Photo
The Hangzhou National Edition Museum opened on the 30th and launched the "4+1" opening exhibition: "The River of the Tide -the Essays' theme Version Exhibition", "The State of the Literature -Jiangnan Edition Cultural Overview", "The prosperous age" Zhejiang Xue -Zhejiang Cultural Research Engineering Achievement Exhibition "," Eternal Ride -Zhejiang History and Cultural Celebrity Exhibition ", and a digital exhibition hall, the digital hall of the Hangzhou National Edition Museum. The total area of the exhibition is 7,000 square meters.
On the eve of the development, the reporter walked into the Hangzhou National Edition Pavilion and was immersed in this grand world built by the ancient and modern version. It observed the powerful cultural vitality behind the version and the continuous cultural river carried by the version.
Tracing the Cultural Long River
It was too late to admire the buildings of the Hangzhou National Version Museum. We walked into the museum and was deeply attracted by a journey of traceability.
In the vertical showcase, a bouquet of lights softly hit the "Yongle Ceremony" returning from overseas. The audio and video tour on the side of the wall tells the legendary journey of the important donor of the Hangzhou National Edition Museum to let these two precious ancient books go home. Stopping and thinking deeply, the story of the homeland of the Chinese version of the resources, the condensed cultural blood, and the national ideal of the ethnicity, at this moment clearly appear in front of us.
Walking on the exhibition hall, each exhibits are telling us: the version is the context, the version is the era, and the version is life.
In the "Tide River -'Important Window' theme version exhibition", more than 1,200 vivid and vivid exhibits carry a deep era, let us feel the rapid development and change of the river. The precious version of the 8 different languages in "Zhijiang New Language", 57 family accounts of Dong family, hand -painted epidemic prevention and control thinking map, 8 versions of Shangyang Village "Village Regulations", 158 poverty alleviation cadres in Lujiang District Poverty alleviation notes and other real objects have witnessed the comprehensive, deep, and historic changes brought by the "August and Eight Strategy" to Zhejiang to the land of Zhejiang.
Taste "The State of the Literature -Jiangnan Edition Cultural Overview", from the decoration of Liangzhu Jade, the inscriptions of the Bronze Sword of the Warring States Period, to the engraving of the Song Dynasty, the New Year's paintings of the Republic of China ... Civilization is the mark of these engraving in 5,000 years. Flowing into a river in front of you. "The exhibition is the basic display that reflects the professional characteristics of the Hangzhou National Edition Museum and the positioning of the Yangtze River Delta region." Yu Liangfeng, the person in charge of the Hangzhou National Edition Museum Exhibition, said that the boutique of the exhibition includes Wenlan Pavilion's "Siku Quanshu" and the five generations of Wu Yue. During the period of the country, the "Leifeng Tower Scriptures", Song Ke Tianlu Lin Lang's book "Taixue Newly Added the Lianlianzhu Wanjuan Tonghua Huanji", and 3 Yue Wang bronze swords.
"Zhejiang Cultural Research Project" is a major academic research project implemented by Zhejiang Province. Since its launch in 2005, it has initially formed a contemporary "Zhejiang Xue" brand with Chinese style and Zhejiang characteristics. The "Shengshi Zhejiang Xue -Zhejiang Cultural Research Engineering Achievement Exhibition" with about 1,300 precious version resources, comprehensively presenting the fruitful results achieved by this major academic research project and an extraordinary journey along the way.
The Zhejiang people are well -established and have deep accumulation, breeding many historical and cultural celebrities. "Eternal Romance -Zhejiang Historical and Cultural Celebrity Exhibition" curatorial team proposed "Zhejiang painter painter painting Zhejiang celebrities", and organized 72 Zhejiang painters to create 182 Zhejiang historical celebrities, artificially showing their life deeds and ideological connotations, connected in series Zhejiang Junci Xingchi and humanistic psychological maps.
Edition will tell stories
"What we do is not a simple cultural relics exhibition and ancient book exhibition, but a large -scale version exhibition." The relevant person in charge of the curatorial team said that the rich collection has laid the foundation for creating a boutique exhibition. It is a greater challenge to fully dig out and to show it to the audience kindly and vividly to the audience. To this end, the curatorial team tried to make the version of the "storytelling".
When preparing the "Zhejiang Cultural Research Project Achievement Exhibition", the curatorial team has been thinking: the direct results of this major academic research project are mostly monographs. How to make the exhibition richer and more intuitive?
Now, we see that there are many small small drawers in the exhibition hall on the wall, which are clearly marked on the date and events clearly, which constitute a major record of research projects. Gently open the drawer, and you can also find an old document, old newspaper and other versions of the event. On the other side, the manuscripts of scholars who participated in the project over the years were displayed. Some of them specially copied research notes and experiences for this exhibition. At the same time, in conjunction with a series of research themes such as Zhejiang's modern history, it also exhibited old objects such as invoices, stocks, receipt orders, contracts, land ownership, etc. during the Republic of China. These versions of resources and academic research results Fair.
Everyone is a producer of the former version, and everyone is the creator of the current and future versions. The "Jiangnan Version Cultural Overview" specifically set up the "version around", which concentratedly presents various certificates left by ordinary people in their lives. The tens of thousands of life stories flow behind them.
In addition to portrait painting, "Zhejiang History and Celebrity Exhibition" also corresponds to nearly 300 versions of ancient books, extensions, manuscripts, letters, etc. Mao Dun Xinzha ... The historical basis of these conclusive letter of literature, rich and diverse versions of resources, make Zhejiang historical and cultural celebrities more fresh and three -dimensional.
The opening exhibition has been planned shortly after the launch of the Hangzhou National Edition Museum project. For more than two years, the curatorial team has worked hard and strives for excellence. In order to ensure that the content of the exhibition is accurate, the curatorial team often discusses details with experts at the scene. During an interview with the reporter, I saw that some experts in the industry pointed to an exhibited text and made suggestions to the staff of the venue.
The "Zhejiang History and Celebrity Exhibition" of the four people of the Southern Song Dynasty of the Southern Song Dynasty was created by Chi Shahong, a consultant of the Zhejiang Artists Association. He is very familiar with the paintings of these four people. Before the creation, he carefully learned about their life deeds, and the paintings were in one go. "The overall ink is the main characteristic of the painting of the Southern Song Dynasty." Chi Shahong put Li Tang's "Wan Yan Songfeng Picture" as the leftmost side. The characters show the image of the painters and dignity.
The exhibition hall is "alive"
Integrating digital technology to rejuvenate version resources is another highlight of this exhibition.
The Hangzhou National Edition Museum Digital Museum is a version of the digital exhibition hall, which integrates culture, art, and technology to show the Chinese version connotation in the form of "digital version+immersive multimedia space".
Entering the digital exhibition hall, in front of the eyes is a large "naked eye 3D+immersive light and shadow" system. The virtual and digital version of the treasure is presented. In the Yuan Dynasty Longquan Kiln blue porcelain boat -shaped drip, transformed into a flexible porcelain boat floating above the blue waves; the five generations of Leifeng Tower scripted, and the text that crossed the thousands of years traveled in front of the light and shadow.
Not only in the digital exhibition hall, modern scientific and technological methods such as the entire exhibition hall, multimedia, digital interaction and other modern technology can be seen everywhere. The immersive experience makes the version "live".
In the "Jiangnan Version Cultural Overview" exhibition hall, there is a "last name wall". The audience scanned the QR code and entered their surnames. A light of lights flashed on the background board, and the corresponding Chinese characters were lit. There is also a two -meter -high floor screen. Between click, the history of the library building such as Wenlan Pavilion, Tianyi Pavilion, and Eight Thousand Volumes. In the historical and cultural knowledge quiz interactive area, 4 touch screens can provide 4 audiences to answer interaction at the same time.
The Kunqu "Fifteen Grand" was once known as "a drama to save a drama". The curatorial team felt that it was not enough to show the relevant historical materials. The folding drama video specially recorded for this exhibition allows the audience to be immersed in it.
The curatorial team also studied and developed historical celebrities, including 500 celebrities who made important contributions to the development of Zhejiang's social history, and tapped 40 of them. Map map, evaluation of previous ages, etc.
The version is the "flash memory" of historical memory, and it is a frame of "screenshot" in the flow flow. Taste the opening of the Hangzhou National Version Museum, and we amazedly deeply touched by the profound version culture -continue to create and innovate the version in the current practice of life. The mark of this generation.
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