Chen Chunhua: The charm of subversion and transcendence is not "breaking", but in "construction"

Ancient culture, integration and nourishing today's life. In a place of carving time, it conveys the abundance of creativity in life.

Bloom in spring

According to the picture, I called the three rooms of the first courtyard as the three rooms of the middle of the middle of the middle.

The designer said that the best explanation for design is "Creative Privem Solving." I like this explanation.

Joseph Schumpeter explained a metaphor when he explained innovation: "No matter how large the number of post -road carriages or posts are added, you must not get a railway."

The railway is a brand new design that also interprets Xiong Peter's definition of innovation. Innovation can be simply defined as a new production function, that is, "the re -combination of production factors".

He clearly put forward his own point of view: "From the perspective of development trends, the free market economy will continue to re -gain the vitality through creation and destruction. Production system. "

I also understand according to the definition of design and innovation. When Lin Yifu, Haiwen, Zhou Qiren, Zhang Weiying, Yi Gang, Zhang Fan, Yu Mingde and other scholars set up a China Economic Research Center, it was a creatively re -combined element to solve the problem.

Sometimes, I will choose the line of the Gate of the Middle Palace to enter the courtyard just to experience the feeling of crossing the Langrun Garden. The three rooms of the Gate of the Palace of the Central Palace run through the green lacquer copper ring gate and Zhifuxuan, spanning the threshold of one heavy and one heavy.

After many times, I slowly associated the building space with the factor, and I really realized that the connection between the two was so clear. They are naturally blended together. Yizhen's reform was not successful, and its internal cause was that it did not really combine the elements of the new era.

As Xiong Peter said, it was not the owner of the post -road carriage to build the railway. The railway was just a negation of the post -road carriage. Therefore, the new combination means elimination, which means to break the original combination method and adopt new combinations of different elements and conditions to produce new species, and even the value reconstruction and subversion.

Although it is difficult to get rid of the background of the times to talk about changes and innovation, I still think that those real innovation must break through the self -limitations and gain vitality under the new perspective and elements. Many times, people always want to find a way to regain their new life without giving up their existing things.

The fact is that the things that refused to give up just made the situation at stake and weakened the opportunity to be new. Jumping out of the familiar comfort zone, giving up some things, and accepting new elements is the clear entrepreneur duties of Xiong Peter.

The founding professor of this yard gave up in the existing comfort zone and built a new research center from scratch; the scholars who followed them also chose to transcend themselves.

In my eyes, they are also real entrepreneurs. They are the entrepreneurs who have realized some kind of "new combination" -have feelings given by the times, down -to -earth literacy, global perspectives, and wisdom of understanding China. You can say that this is the most global, or it can be said that this is the most localized.

The yard has a combination of combination in the tranquility, red windows, gray tiles, soft colors and time and texture, both appease and motivate.

Teacher Gong Yuzhen once said: "In today's impetuous heart, Langrun Garden is persistently adhered to the value and dignity of the Chinese scholars for thousands of years."

Several teachers of Hu Dayuan, Liang Neng and Yang Zhuang created the 16 -character principles formulated by BIMBA in the early days- "Peking University tradition, Chinese characteristics, international standards, and world -class", which means that the business students here have created the spirit of thought, soul, and innovation.

Teacher Ma Hao even sighed: "The world is really wonderful. In the courtyard led by this economist, there are also" alternative strange "that we call self -proclaimed management scholars. Of course, there are also people, politicians, environmental scholars , Cross -border miscellaneous family, and various types of economists who do not belong to the economics community. "

History and innovation were combined, and I couldn't help reminding me of a ceramicist Bernede Lichi. He once said that he was born in an "ancient culture", and this "ancient culture" laid his artistic concept. "In the depths of the land, the root cause of culture is still flowing. It is beyond intelligence and gives the work form, mode and color."

Some people refute his point of view and believe that this is the possibility of innovation. But it was this British ceramics, and from the enlightenment at the Japanese clay art gathering in the early 20th century, a new pottery technology was issued, adhering to the concept of restraint, practicality, and harmony, and built "standard utensils".

Ancient culture, integration and nourishing today's life. In a place of carving time, it conveys the abundance of creativity in life.

The charm of subversive and transcendence is not to break, but to build, not to lose tragedy, but laugh for the new life. In the foundation of beauty and life, it updates history and surpasses ordinary. (End of this article)

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