Mr. Zhu Nanshan: Regaining traditional temperatures in modern context

my country's traditional Chinese painting is the crystallization of comprehensive literature and art. It is condensed from the essence of history, philosophy, religion, calligraphy, dance, music, boxing, qigong and other colorful art categories.

The charm of Chinese paintings often comes from, one line, one point, and a piece of ink, which often contains the author's accumulated skills and temperament and mood during the creation.

"Painting and calligraphy that practice at least two hours a day" is the most basic requirement of Teacher Nanshan for his daily life. It is such a accumulated practice that has achieved the status of Teacher Nanshan today in the calligraphy and painting industry.

Zhu Nanshan: Former name (Zhu Shaonan) House Number: Wuxiantang (poetry, calligraphy and painting) Wanghetang.

He is the grandson of the 21st generation of Ming Taizu Zhu Yuanzhang, a famous poetry and painter, and the painter with the calligraphy and calligraphy master: the eight major mountains (Zhu Xi) and Shi Tao. He is currently a member of the Chinese Book Association, a member of the Chinese Literature and Art Association, a member of the preparatory group of the Queensland Painting and Calligraphy Exhibition in Australia, Honorary Dean of the Yunnan Branch of Lao Tzu Painting and Calligraphy Institute, a member of the Jiangsu Book Association, a member of the American Association, deputy editor of Jiangnan Poetry Magazine, member of the Yunnan Literature and Art Exchange Association , Spring Spring Poetry Society.

He is the novel "Half Business", the collection of poetry "Green Leaf", and published works: "Harvest", "Self -Portrait", "Cicada Sound", "Ask Hometown", "Answer", "Not only regret", " Many works such as remembering you ...

Teacher Nanshan was born in Shuxiangmen. His parents are famous Chinese medicine medicine. His brother is a painting and painting teacher. It is due to family cultural blood and family art. Teacher Nanshan has used writing brushes to practice writing. At the same time, he has strong interest in painting. This laid the solid foundation of Teacher Nanshan, and then so far good at calligraphy and painting, can be painted and well -known.

Mr. Nanshan's literary literacy is extremely high, and the language is often expressed by poetry creation. This also provides rich nutrients for his calligraphy and calligraphy creation. His calligraphy and painting works have a high position in today's poetry, calligraphy and painting art world, especially calligraphy works On the basis of inheriting the ancient law, through decades of hard work and hard work, it finally formed its own unique style.

The word "pen and ink" has always been the artistic skills of painting writing and passing in Chinese calligraphy and calligraphy. Pen refers to the use of brushes with different techniques such as hooking, Le, 皴, Point, etc. to express endless lines of lines; ink refers to the use of the ink's thickness, slowness, dry and humidity, etc. Methods make it rich and subtle color changes, showing the excessive effect on the rice paper.

The word "calligraphy and painting" cannot be distinguished by home. He is entered into paintings with books and is hard -to -free. This classic form of reality is lifelike, and it has inherited the elegance from ancient times to the present.

Teacher Nanshan introduced all the outstanding freehand painters, and most of them are also excellent calligraphers, so the freehand drawings are actually written and not drawn.

Each stroke in the freehand drawing is inseparable, and the changes in those thick and moisturizing and ink rhymes are obtained in diligence. Perhaps from thousands of strokes, one or two successful lines were obtained, and then they were consolidated by continuous proficiency.

Therefore, many times when we see the master masters seem to be a creation in just a few tens of minutes, but in fact, it contains the accumulation of several years or even decades. Fortunately.

Teacher Nanshan introduced the capitalized painting, but it was not easy to draw. Even if it came, it lost the "God". Instead of reading paintings, it is better to experience the inner spirit and pen and ink charm, and integrate the observation of natural objects on the basis of both work and writing. In addition, the cultivation of calligraphy and literature is created.

In the work, "writing" is the lead, "meaning" is the soul, "pen" is unreasonable, and "shape" is virtual. He emphasized the same source of calligraphy and painting, pursuing the writing rhythm and abstraction between writing and strokes in the process of calligraphy and painting, and the combination of lines of lines, integrating poetry, books, and painting into one, forming a simple and clumsy screen.

Teacher Nanshan has always believed that "the pen is bone, the ink is the body, and only the bone body is the foundation of Chinese painting." The pursuit of "gain" when painting is the overall concept. At first glance In a moment, it is necessary to be "muddy", without having to find all, boldly fall in ink, and take care of it carefully. There is no need to deliberately ask for work. As a result, it will only cause work injury and easy to enter the board.

A good painting is a reflection of the comprehensive cultivation of a painter. The work presents not only painting, but also "meaning", otherwise it will look empty and boring; That is, the creator of the art, the fickle person, the old and the old man; not only in terms of skills, but also the skills also change. Create a realm of nature.

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