"Life Event": Tender and light comedy exploration serious propositions

"Life" draws on the perspective of "Entering the Division", and aims at the "non -mainstream" mysterious occupation of "funeral", a light comedy technique, reveals the bitterness and sweetness of the practitioners, and uses their perspectives to use their perspective. The exploration of the grand and profound topic of death, thus stimulating the desire to live, warmth, and companionship, reflects the philosophical thinking about "how good life is, how hard to die".

■ Snow Forest

"There is no major thing in life except death."

The film "Life" starring Liu Yilong starred in the screenwriter and directed by Liu Jiangjiang was released for 29 days. The cumulative box office exceeded 1.5 billion, and the cumulative viewers reached 37.301 million. 9.5, cat eye 9.5, Weibo score 8.9, Zhihu netizens' recommendation of 89%, Douban score 7.3, has become a well -deserved dark horse in this summer.

The opening of "Life", strong colors, shaking shots, frequent close -ups, and rapid rhythm. A strong Hubei dialect laid the tone of its rough rivers and lakes.

The story is not complicated. The ancestors are Mo Sanmei, a grandchildren of the funeral division, who is called the third brother. During an out of the time, he met Wu Xiaowen and was entangled by this little girl since then. He couldn't get rid of it, and he couldn't leave it. This brought a series of life problems to the trouble. After laughing and clutch, the special "father and daughter" collided with wonderful friendship in the day and night, unexpectedly changed the attitude of the third brother to career and life.

Death, everyone knows that everyone has met and everyone is familiar with, but what is the meaning of alive, many people are hard to say clearly. In the film industry, the discussion of death has a long history. The film beads and jade about this proposition, such as "Entering the Master", "Kamakura Story", "Our Seeing in the Heaven", "Benjamin Barton Wonder", "List of Wishes", warm list, warm list, warm Warm, deep and deep, tearful tears, it is not easy to make breakthroughs.

"Life" draws on the perspective of "Entering the Division", puts the lens to the mysterious profession of "non -mainstream" of the "funeral", and applies light comedy techniques to reveal the bitterness and sweetness of the practitioners, and use them to help them help them. Perspective, bid farewell to life on the road, and expand the exploration of the grand and profound topic of death. This story stimulates people's desire for living, warmth, and companionship, reflects the philosophical thinking about "how good life is, how hardship is death". This attempt is successful. The audience can quickly substitute. When they smile, they also realize that they are a little heavy and sprinkle with tears.

In the film, the third brother of the righteousness, the small text of the elven, the stubborn Mo Mo, the funny Jianren, the kind white snow, the poor little text mother Hai Fei ... the characters are full of flesh and blood, the characters are bright, and the people are bright. Don't forget.

The most colorful is that the third brother and Xiao Wen have no blood but better than loved ones.

The third brother played by Zhu Yilong, compared with the long -sized affectionate young grandfather in "Knowing whether it is, know not, should be a green fat and red and thin", he was sentenced to two people and the bottom layer of a life of life, but the bottom layer of a thin cloud and the sky. The little man performed wonderfully, and the proper "drama throw his face". In terms of appearance, a "edge person" looks, stubborn, bearded, and sturdy; his personality is not pleasing, his eyes are low, and he has nothing to do. But he is kind and soft. Especially a series of shots on the scene are worthy of fun: the wind and fire enter the door, the burning paper money lits, and it is unwilling to cross the flames, and I don't care about the life of the deceased. "Image.

The little text played by Yang En again, the ancient spirit and weirdness, the chaotic two -shattering buns, a red gimbrin without leaving, exactly like Nezha. She was pitiful, abandoned by her family, had a hard temper, was not afraid of it, and she couldn't pull back.

Xiaowen's grandmother's death was a burial sent by the third brother. Xiaowen had a tendon. I wonder what "dead". I couldn't understand "grandma in the box", nor could they accept "grandma being burned into smoke". Follow the third brother to ask for grandmother. Such a "hard touch" combination came together and did not hit Mars into the earth.

Originally, the little girl handed over a unmarried young man who was giving up and was unmarried in real life, but in the world of light and shadow, this absurdity had soil. The film shaped the third brother to the image of Sun Wukong under the sofa that is pressed in the "Five Finger Mountains", and Xiao Wen is the Nezha of the Sea. In most scenes, they maintain the conflict mode of "Nezha Battle Sun Wukong". A fugitive, a naughty, and a stubbornness, dilute the audience's concerns about pseudo -taboos. Coupled with the addition of Jianren and Bai Xue to adopt Xiaowen after marriage, and Xiao Wen's mother -in -law joined the "Funeral Team" bridge, it realized the self -confidence of logic and morality. In the story, I believe that the "enemy and daughter" is doomed and destined.

The tear bridge in the film is also quite interesting-

For example, don't care about the previous suspicion. Before the third brother entered prison, there was a girlfriend. After coming out, he hoped to wash his mind and live again. Unexpectedly, love rivals rushed out of the sword to win love, and became nothing. Unexpectedly, the rivals suffered a car accident, and their bodies were broken and terrible. The ex -girlfriend was cheeky, and came to ask him to help him to make up for his body, so that the deceased had a dignity to finish the last journey. The third brother wanted to get up his heart, and finally couldn't bear it. My father took this opportunity to teach him his life. In the end, the relatives admired the peaceful legacy of the deceased, and she was grateful that they also bowed deeply for themselves to give themselves a "complete son". This paragraph not only indicates that this is the starting point of the third brother who really embarked on the career of the funeral division, but also not only about atonement and forgiveness, but the far -reaching meaning is to let more people understand the funeral industry and learn to respect the "people who plant the stars". I know the meaning of "decent departure".

For example, Xiaowen lost and returned to the door of the "Shangtian" store. Seeing Xiaowen's small figure flashing now, the third brother was angry and anxious, loved and pity, wanted to fight, and couldn't bear it, suppressed the anger, and yelled, "How do you run around? What should I do if I lose it? "Xiaowen cried, crying with tears, and shouted hard work:" My father is Mo Sanmei, and my family lives on the heaven No. 73, Hua'an Road, Yuhua District, Yanjiang City, I will not lose. " The third brother taught her to her mother and taught her to practice again and again. As soon as this remark came out, the inside and outside the screen was full of tears. After some bumps and difficulties in common, they have become dependent, unpacking, and unable to scatter their loved ones. Xiao Wen has a warm home, and the third brother has also completed self -redemption.

The most impressive is the end. Before his father died, he told the third brother to arrange a simple, particularly decent funeral. He grabbed his father's ashes from his sister's hands, stuffed it into the firecrackers, drove to the Han River, ignited the lighter, and burned the lead- "Father" turned into a bright firework, illuminating the entire river. This grand farewell is far -reaching: a person's life, but in a hurry for a century, it does not bring to life, and it will not be brought to death. Essence

Of course, "Life" is not perfect. For example, in terms of depth is not as good as "Entering the Master", the story is too dependent on coincidence, the plot is too dense and compact. But in general, it is still a tender work. Looking forward to the future funeral and funeral films, there can be more tension and deep benchmarking works, convey a healthier and open -minded view of life and death, and lead people to better interpret the eternal and profound mother of "death".

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