Liu Daxian: Write the article on the land of the motherland

Liu Daxian's recent photos Guangming pictures

[Close to literary artists, young and middle -aged moral art workers]

He is called a "bird -style scholar", with a wide range of academic vision and a wide range of research fields; his publishing books cover the fields of film criticism, cultural research, literary reviews, ethnic literary research and other fields; Test the water "Literary talk show"; he knows the theory of Chinese and Western literature and art, and has also invested in field investigations with great enthusiasm. Talking about how to constantly refresh and break through his own academic research border, he said: "Based on academics, we must go out of books."

Speaking of scholars and critic Liu Daxian, those who are familiar with him will say that this is a person who can write big articles. As a peers of reform and opening up, he has won the honor of Lu Xun's Literature Award, the Outstanding Scientific Research Achievement Award of the Chinese Academy of Social Sciences, the annual comment award of the Chinese Writers Association, and the 4th Tang Tao Youth Literature Research Award. In March of this year, he won the title of "National Middle and Middle -aged Middle School of Education".

"'Deyi Shuangxin' is a heavy word, and it also represents a glory and responsibility. This is a great encouragement for me, and it also makes me trembling and as thin as ice." Liu Daxian said. His main work is concentrated in literary reviews and research. The combination of theory and practice, inheritance and innovation, field and text is his research ideas. Pay attention to academic knowledge and deeds. The identity of the family is his research characteristics.

Those who often pay attention to literary research will find that Liu Daxian's new work will emerge from time to time on academic journals, newspapers, or networks. In the past two years, he has published "From Later to New Humanities", "Eight Banner Hearts: Flag Ren Literature, Emotional Emotions, Emotional Emotional, With the Society (1840-1949) ", three books," Board of Chari -Contemporary, Literature, and his words ", it is amazing that its physical strength, energy and creativity are amazing.

"My hometown is located in the hills, mainly rice work, mixed with water and drought, and the farm is very difficult. In the winter and summer vacations in memory, my brother and I have never had time to study. There are all kinds of farm work every day. This kind of refining is strong. My physique, exercising my will, coupled with curiosity and curiosity, formed a personality that I can't be comfortable for a long time, but unknown and difficult things can cause my great excitement. "Liu Daxian said," There is no kind of spontaneity such as this kind of spontaneity The excitement, it is impossible for self -discipline to engage in the academic work that has been deserted for a long time and it is difficult to get reward. "

In 2003, Liu Daxian graduated from the Institute of Ethnic Literature of the Chinese Academy of Social Sciences and became the editor of "National Literature Research". "At that time, I knew nothing about ethnic literature, and everything could be cultivated from scratch. Interests can be cultivated." Slowly, he found that ethnic literary research lacks independence in academic concepts and methodology. Often only the objects and materials are provided, so two long articles "Critical Critical Critical Critical Critical Critical Critical Critical Critics: Reflection and Rebuilding" and "Inspection of Chinese Minority Literature Discipline" tried to reflect and construct theoretical, proposed "multiple symbiosis" Research concept. Subsequently, his monograph "Modern China and Minority Literature" proposed "as a study of ethnic literature in Chinese research", which was considered "bringing national literature research to version 2.0"; The path to examine multi -ethnic literature: three -dimensional view of history and region, comprehensively examine the different text forms of tests, sounds, pictures, and texts, and cross the barriers of verbal and written, fields and literature, society and literature. Since then, "Thousand Lights Mutual Photo: New Century Ecological Creation Ecology and Criticism" and "Eight Banner Hearts: Banner Literature, Emotion and Society (1840-1949)" are also two books along this interdisciplinary comprehensive research idea Walking, showing extremely elastic thinking ductility.

"In my eyes, the ideal picture of multi -ethnic literature can be described as" thousands of lanterns, Vientiane and common day, and from him, dependence with each other. "Looking back on history, there are constant collisions, exchanges, and integration among Chinese ethnic groups. Identification and identity have never been fixed and consolidated, which is also the vitality of Chinese culture. "Liu Daxian said.

His views, from the static research of climbing and combing historical materials and research theory in Shuzhai, are even more thanies to continue to be in -depth field investigations. Since joining the work, Liu Daxian's footprint has been left in Tibet, Xinjiang, Hainan, Hubei, Guangxi, Sichuan, Gansu, Yunnan, Shanxi and other places. He said: "I do a national survey and field operations, and the footprints are all over the country. This kind of experience in walking and journey is unable to replace the indirect experience. , Body, intention, the whole unity is complete. Text, pictures, audiovisual and even real things cannot cover the whole understanding of the characters and its culture. "

Critics Cong Zhichen once commented that Liu Daxian was "a righteous literary youth". In addition to the research of ethnic minority literature, he had a strong interest in movies, music, and travel, and put forward quite insightful insights. The standard temperament of this kind of literary youth drives him to write the essay collection of "Mummy in Time" and "The Feelings of the Ruthless World", talk about the "Sleeping Book", and talk about the "Far Book" and other works on the field investigation.

"Perhaps because these books were noticed, at the end of 2012, I was hired as the second batch of guest researchers in the Chinese Museum of Modern Literature, which is very important for me." Liu Daxian said, "Visit researchers require contemporary literature for contemporary literature. Especially the frontier phenomenon and text of the current literature tracked regularly. As a result, I must learn to walk with two legs. The production, dissemination and evaluation involved in the scene. "This transformation gives him the deepest feeling is that academic research and specific criticism are not necessarily impossible, but it is possible to form a benign interaction. "The on -site criticism of the focus of literary production has brought more vivid materials and inspirations for in -depth research. Academic theoretical and methods accumulate supplemented the full vision for criticism." With experience, Liu Daxian proposed a "six arrival" saying- "Eye, ear, heart, brain, hand, and foot." Eye is just to read or see, the ears are to hear or hear, the heart is to invest in feelings, the brain is to think and judge, and the hand can turn the "bamboo in the chest" into the expression of "bamboo in the hand". Ability, you need to explore and intervene in person. "The best state is‘ Six to Six ’.”

Author: Zhang Pengyu, a member of the People's Daily Overseas Edition, a member of the Chinese Literary Critics Association

Source: Guangming Daily

- END -