Wenrun Oriental · Hangzhou National Edition Museum 丨 Song Yun style collection book building

Zhejiang News Client Reporter Lin Jing Yan Yan Grain Design Lin Jing

From the two abandoned pit into the Song Yun style collection, a building with a heavy responsibility of continuing Chinese texts should be matched with charm?

"The Song Dynasty culture was recognized as the peak of Chinese culture in the world." Wang Yan, the main creative designer of the Hangzhou National Edition Museum, and the winner of the Pritzker Architectural Award, said that it is necessary to create a "modern Song Yun" with a very Chinese style and Zhejiang recognition. Essence

Song Yunjia's modernity is intended to combine ancient and modern. The architectural design of the Hangzhou National Edition is revolved around the theme of "Contemporary Book Building of Garden in the Song Dynasty".

Why is the Song Dynasty garden? Hangzhou is the capital of the Southern Song Dynasty. The Song Dynasty was a climax in the history of the development of classical gardens in China. The development of political, economic, and cultural development has contributed to the prosperity of gardens. According to the books of "Tokyo Menghua Records", "Yuhai", and "Song Book", there are more than 150 names of the Royal Garden. In addition, there are temple views and public gardens.

The garden art of the Song Dynasty is undoubtedly an important turning point in the development of Chinese classical gardens, and has achieved stability in art forms and constituent elements. The creation of artistic conception is generally valued in the gardens of literati in the Song Dynasty, and they are good at using the "poetic" of the Scenic Title Department to gain unexpectedness. Jian Yuan, sparse, elegant, and natural literati style characteristics have a profound impact on the gardens of the Song Dynasty.

However, the gardens in the Song Dynasty did not have any direct references, which was a three -dimensional, three -dimensional landscape painting. So how do you turn painting into architecture?

Liang Sicheng has a metaphor: watching Western architecture is like watching an oil painting, and he can complete its full income of eyelids from one perspective; and watching Chinese buildings is like watching a scroll painting. As the scroll gradually unfolds Covering the eye.

As the master of the architectural master said, the perspective of the view in the museum determines the scenery you see. The Hangzhou National Edition Museum series of buildings along the middle axis, stacked from south to north, south gates, south study rooms, main study, Wenrun Pavilion and mountain warehouses such as monomers, etc., through the wide exhibition with exhibition functions The connection between the gallery is the building group that is convenient to communicate. The inside and outside of the building are converted from the eaves corridor, and the garden space that experiences the changes in the gardening of the scene is changed; the venue is dotted with the buildings such as the South Pavilion, the Mountain Corridor, the Changqiao, the Wenrun Pavilion, and the North Pavilion. , The curvature is quiet, which can be used as an important place for research and communication. Essence

In terms of material construction, the Hangzhou National Edition has both the concrete and steel structure commonly used in modern buildings, as well as the wooden structure and rammed earth walls of traditional buildings; Oriental charm of bamboo -grained water concrete, and there are traditional wood grain water concrete in the West.

The building follows the mountains and the layout is dense. In the Hangzhou National Version, the "South Park North Pavilion and Pavilion One" is the charm of Jiangnan; the garden scene is integrated and the multiple courtyards are the "beauty of cover" of Song culture.

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