Zhan Zhongxiao and Jincheng Joint Exhibition appeared at Harbin, showing lines to describe contemporary thinking and practice

On July 24th, the "One Line • Two People -Zhan Zhongxiao, Jincheng Line Art Federation of Arts, Jinsheng Line Art Association "The opening of the Yushun Art Museum, Heilongjiang.

The exhibition is based on the linear art of 96 black and white colors, and selects the new works of Zhanzhong's classic works and the "minimalist girl" series of "minimalist girls" series of Zhanzhong effect, showing two artists from the traditional veins to the modern form of creation. And practice.

exhibition site

In Chinese painting creation, with pen and ink and lines as the skeleton, the combination of realism and meaning, emphasizing the artistic conception and charm of the painting, therefore formed the unique style of Chinese painting. The lines are the essence of Chinese painting. It is the skeleton of an expression structure. It is the most basic, most concise, and most general artistic language in Chinese painting, and has a unique artistic charm.

As the creation of Chinese painting, Bai Shao completely uses lines to express the image of the image. With its simple, generalized, colorless and colorful artistic characteristics, it has been firmly rooted in the history of Chinese painting for thousands of years, becoming a traditional Chinese painting and becoming traditional Chinese painting. The pioneer and symbol. Zhan Zhongxiao is the inheritor of Chinese white painting art.

In the early 1970s, Zhan Zhongye's comic "Arc Flash" was born. The characters are exquisite in style, rich in the language, especially good at creating the emotions and atmosphere of the characters, pursuing the resonance of emotions and souls, and the character's expression is meticulous. Even contemporary abstract painting ideas have become a model for art creators and teachers and students of major arts and academies to learn white painting. It is also known as "iron painting silver hooks" and "Zhan Yi" by Jiang Zhaohe, Wu Zuoren, Yang Zhiguang, Feng Yuan and other arts.

Lu Yushun, the dean of the Chinese Academy of Painting, believes that Zhan Zhong's results are dealt with with moderate exaggeration, moderate lyricism, and moderate symbolic techniques. Essence And pioneered his academic philosophy of "tradition, the times, the times, keeping with the times, and innovating new".

exhibition site

In the process of inheriting traditional techniques, how to use technical integration and reconstruction to use lines to express colorful real life and express the spiritual style of contemporary people, Jincheng made a lot of attempts.

As a student of Zhan Zhong's effect, the masterpiece of Jincheng's masterpiece "Ming Girl" was seen in the cover and headlines of the "Commercial Movies" in the May 1983 issue of "Comics". deep impression.

In the 1990s, Jincheng participated in China's original animation industry and founded the "China Animation Golden Dragon Award" that influenced the original animation industry. Important push hands. Two artists who grew up in different times encountered in the mid -1980s. After 2010, Zhan Zhong results returned from New York. The two established a teacher -in -law relationship, colliding with countless ideological sparks, and turning the "innovation" in line drawing art inheritance. Teachers and students have also become a good story of the art world.

exhibition site

During the new crown epidemic in 2020, Jincheng did not leave home for three months, creating a series of "minimalist girls" series. The simple and stylish character shape, the picture of the pest of the gold, left a space for people. It is also described from the traditional line. The lines of Jincheng are not only freehand, but also carrying the mission of shaping to form a unique artistic language. He cleverly borrowed the current trend culture, "dynamically" production of the work, breaking the limitations of traditional paper painting, letting people re -understand the life and vitality of "line", and form the complementary effect of each other's aesthetic aesthetics.

Lu Yushun said that he hopes to explore the tradition and contemporary value of the art through this exhibition. While not only retaining the traditional Chinese line shape, line structure, and line performance, it can also follow the aesthetic orientation of the contemporary people to get out of a new way to serve the public and elegant and vulgar appreciation.

【Text】 Ma Yuke

【Picture】 Organizer provided

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