Tang Wenxuan · Tangli Flower and Bird Painting Exhibition opened at the Chinese National Painting Academy Art Museum

Some guest photos

The opening ceremony of the exhibition

On July 20th, hosted by the National Academy of Painting, Hubei Province, Hubei Provincial Culture and Tourism Department, Hubei Provincial Federation of Literature and Art, the Chinese National Academy of Painting Art Museum, the Chinese National Painting Academy Flower and Bird Painting, the Institute of theoretical Research of the Chinese Academy of Painting "Oriental Image -Tang Wenxuan · Tangli Flower and Bird Painting Exhibition" hosted by the agency opened at the Chinese National Painting Academy Art Museum, exhibiting more than 120 large freehand flower and bird paintings of Tang Wenxuan and Tang Li's father and son.

Former Minister of Culture Cai Wu, Sun Anmin, former Standing Committee of the National Committee of the Chinese People's Political Consultative Conference, former deputy mayor of Beijing, Zheng Xinmiao, former deputy minister of the Ministry of Culture, former Dean of the Palace Museum, Qin Zhigang, Vice Chairman of the Chinese Federation of Literary and Art Federations, former Secretary of the Chinese Federation of Literature and Arts, and Chinese Literature and Art Review Xia Chao, Chairman of the Home Association, Liu Li, president of Beijing Language University, Xu Li, vice chairman of the Chinese Artists Association, Lu Yushun, Dean of the Chinese Academy of Painting, Cheng Dali, former editor -in -chief of the People's Fine Arts Publishing House, Lin Yang, former editor -in -chief of People's Fine Arts Publishing House, China Xie Xiaofan, deputy dean of the National Academy of Painting, Xu Lian, deputy dean of the Chinese Academy of Painting, Wang Qingyun, Deputy Secretary of the Party Committee and Secretary of the Discipline Inspection Commission of the National Academy of Painting, Yu Wenjiang, Deputy Dean of the Chinese Academy of Painting, Chen Yusheng, former deputy director of the National Museum of China, and the affairs of the Central Military Commission's organs. Wang Chengzhi, former political committee member of the General Administration of Management, Chu Shui, chairman of the China Popular Art Research Association, former deputy director of the theoretical committee of the Chinese Artists Association, Wang Zhong, former editor -in -chief of the Arts of Fine Arts, Director of the theoretical Committee of the Chinese Academy of Arts, and President of the Art of Fine Arts Editor -in -chief Shang Hui, Tao Hongjia, deputy director of the Hubei Provincial Department of Culture and Tourism, Xu Fushan, Dean of the Freehand Painting Academy of the Chinese Academy of Arts, Wu Yueshi, a researcher at the Chinese Painting Professional Committee of the Chinese Academy of Painting, and Li Shenghong, former vice president of the Chinese Court of China, , Guo Shifu, member of the Art Committee of the Beijing Academy of Painting, Li Heqing, Secretary of the Party Committee of Hubei Provincial Academy of Fine Arts, Ding Mi Jin, former dean of the Academy of Fine Arts of China, Yu Yang, Director of the Scientific Research Department of the Central Academy of Fine Arts, and the heads of various departments and artists of the Chinese National Academy of Painting The opening ceremony.

At the opening ceremony of the exhibition, Zheng Xinmiao, Xu Li, Lu Yushun, Tao Hongjia, and Tang Li delivered a speech. The opening ceremony of the exhibition was hosted by the Cultural Museum of the Executive Deputy Museum of the Art Museum of the National Academy of Painting.

Zheng Xinmiao's opening speech

In Zheng Xinmiao's view, the characteristics of large freehand flowers and birds are the combination of poetry, books, and painting. Promoting traditional culture must work hard in poetry, books, and painting. The painter must have painting accomplishments, literary cultivation, and calligraphy. Only when high standards are required to make breakthroughs in the combination of poetry, books, and painting, and better promote traditional Chinese culture. Tang Wenxuan, Tang Li Nengwen, and Poetry, in his paintings, poems, poems, books, and painting are integrated. This is rare in the current art world.

Xu Li's opening speech

"Now we really need those works that truly firm cultural self -confidence, show the spirit of Chinese culture, reflect the value of Chinese cultural value, and represent the true culture of China. From Tang Wenxuan, Tangli flower and bird painting exhibition, we can feel the strong Chinese cultural atmosphere from the works And the two generations of father and son artists inherit the innovation in the process of traditional culture. "Xu Li said in his opening speech.

Lu Yushun's opening speech

In his speech, Lu Yushun said that as an important position of national art creation and research units, as an important position of inheritance and development of Chinese art, promoting and displaying Chinese culture, the Chinese National Academy of Painting has always regarded "talent and excellent products" as a working center. It is continuously promoting and improving the talent legislature, work legislators and academic establishments. Among them, to promote academics and exchanges with strong collection, it is an important task that we carry out normalization. In this exhibition, we selected the works of the representative painter Tang Wenxuan, the representative painter of the freehand flower and bird painting from the collections, and the works of Mr. Tang Li, the son of Mr. Tang Li, and showed it at the same time through the two -person freehand flower and bird painting works. The inheritance and innovation picture of large freehand Chinese paintings. Taking the "Oriental Image" as the topic, on the one hand, it aims to focus on cultural self -confidence and cultural consciousness, emphasizing the unique aesthetic characteristics of Chinese paintings, especially large freehand flower and bird painting; In a more magnificent and open field of vision, examine the important value and significance of the East and the West, Tradition and Modern problems, and think about the free freehand painting in Chinese painting. The two painters exhibited this time are outstanding representatives in the field of freehand flower and bird painting. In the creative practice of traditional Chinese painting to modern transformation, they not only inherit and promote national culture, adhere to the value of Chinese culture, and demonstrate the spirit of Chinese culture. At the same time, in the development of the times, it continued to seek breakthroughs and innovation, and wrote a new chapter in the development of Chinese freehand flower and bird painting art during the period of cultural transformation, and made outstanding contributions to the development of Chinese painting art and the expansion of the international influence of Chinese culture and art.

Tao Hongjia's opening speech

As one of the organizers of this exhibition, Tao Hongjia thanked the National Academy of Painting at the opening ceremony for their care and support for Hubei Province for their care and support.

Tang Li's opening speech

The opening ceremony of the soil host exhibition

Tang Wenxuan was a modern figure painter who had an important influence in the 1950s. He was a pioneer who explored "Oriental expression of sexual image painting". After the "Simplicity and Qifang" of the Badashan people, Wu Changshuo's "Ancient Hulk and Pu Mao", and Qi Baishi's "Wonderful Nature", do not open the new style of "Big and Shen Xiong".

Tang Wenxuan's son Tang Li has a wide range of vision. He once held a personal art exhibition in many countries in the world. The unique natural endowment and artistic talents keep a distance from every family. His works have a lot of cooperation, and you have a lot of modern awareness in inheriting the tradition and breaking through the tradition. It is an influential artist in the field of free freehand art. After Tang Wenxuan and Tang Li's father and son were inherited, the spray of the trees of the trees wrote the era of Chinese freehand flower and bird painting art during the period of great transformation of modern culture, and reached a new height and made to the world to highlight China's freehand art art. contribute.

exhibition site

In Wenjiang, deputy dean of the Chinese Academy of Painting: "In the creation of Chinese painting, the creation of large freehand flower and bird painting is extremely difficult. It is required that the painter uses a concise and summary line to express his chest and vent his emotions. Representative figures, he studied traditions, facing nature, his work is very interesting, and at the same time, he also has elegant, inherited, ancient meaning, and has a literati temperament. Learning and ears, on the basis of the teacher's tradition, combine the form of modern painting in the West, to break through the tradition of Chinese painting to explore the innovative path of freehand flowers and bird paintings. "

exhibition site

"Tang Wenxuan and Tang Li Painting exhibition demonstrated the inheritance of the veins of the get freehand flowers and bird paintings. As an excellent capitalist painter, Tang Wenxuan inherited the traditional essence of Wu Changshuo, Qi Baishi, Pan Tianshou and other everyone, forming his own face. In summary, there are these: First, the freehand spirit is very strong. Large freehand drawings are used as a tool for expressing feelings. It is the credentials of Zong Bing's so -called "Chang Shen". The image shows his most unique feelings through the high degree of refinement and generalization of life. Second, he pays attention to the coherent momentum of pen and ink, and it is in one go, just like Su Dongpo's "pen that has not been swallowed." Third, Tang Wen chose to choose from The works are literary quality. Large freehand works should be based on literary and ink, with philosophical thoughts, literary backgrounds, and context of poetry. "Cheng Dali, former editor -in -chief of People's Fine Arts Publishing House, summarized.

exhibition site

Fang Tu believes: "This exhibition presents a characteristic feature of Chinese freehand flower and bird painting from an academic perspective. It is difficult for freehand flower and bird paintings to paint. It is mainly difficult to point out. It has two shapes. One is the objective reality we know; the other is the shape of the pen and ink. It must have the spirit of the image and the temperament. Facing the current situation of the freehand flower and bird painting style of the Chinese painting scene, it seems that this exhibition is very good at this exhibition. Significance, let everyone feel the possible and necessary for the continuation of the traditional pen and ink. "

exhibition site

Qiao Yinan believes: "This exhibition puts forward the academic view of" Oriental Image ". I think it is very important. From the image of the image, talking about pen and ink may be an academic entry point. Therefore, the original source is clear, which attracts everyone's attention to the positive attention at the same time as innovation. Another point is the inheritance of traditional Chinese culture and art. The two generations of artists use their own works to explain the different expression of the spirit of the times.

exhibition site

In Li Honglin's view, Tang Wencai's paintings were thick but not dead, prestigious but not fierce, strange but not dangerous. He has obvious Chinese traditional literati spirit, as well as excellent character, firm will, deep skills and skilled techniques, which makes people very admirable.

exhibition site

For Tang Li, "This exhibition is a dialogue between our father and son, but also a dialogue of Chinese contemporary freehand flowers and birds. As early as 33 years ago, I held a dialogue exhibition with my father in the UK. At that time, my father was my father. The traditional Chinese ink painting is painted, and I paint a contemporary art that combines Western factors. This should be a clear Chinese and Western dialogue. Today, my father Tang Wenxuan is one of the important artists in the field of freehand flower and bird painting in China. His creation has developed, created, and innovated on the basis of inheriting the tradition of his predecessors. And as a follower and participants of the 85 art trend, I decided to return to the freehand after visiting various art genres in the West, and returned to the traditional Chinese culture. Instander, draw ink painting, practice calligraphy, and paint out of freehand. I have worked hard with my father and continuously discuss it. New development in the field of freehand flower and bird painting. I hope to expand the development space of freehand flower and bird painting. The same weather. On the basis of inheriting the predecessors, it reflects the spiritual style of the times. "

exhibition site

Academic Symposium site

Li Honglin hosted a seminar

Wang Zhong's speech

Cheng Dali Speaking

Shanghui speaks

Yu Yang spoke

Fangtu speaking

Qiao Yinan spoke

Wang Ping spoke

Chen Ming spoke

Zhang Peng's speech

Wei Yuncheng speaks

After the opening ceremony, "Oriental Image -Tang Wenxuan · Tangli Flower and Bird Painting Exhibition Academic Symposium" was held at the Art Museum of the National Academy of Painting, former deputy director of the theoretical committee of the Chinese Artists Association, Wang Zhong, former editor -in -chief of the Art of Fine Arts, People's Art PublishingChief Editor -in -Chief Cheng Dali, Director of the theoretical Committee of the Chinese Academy of Arts, the president and editor -in -chief of the "Art" magazine, Shang Hui, Yu Yang, director of the Scientific Research Office of the Central Academy of Fine Arts, Fang Tu, executive deputy curator of the Chinese National Academy of Arts, and the Chinese National Painting Academy flowers and birdsDirector of the Painting Institute, Qiao Yinan, Wang Ping, president and editor -in -chief of the China Art News, Chen Ming, deputy director of the Institute of theoretical Research Institute of the Chinese Academy of Painting, Zhang Peng, a professor at the Academy of Fine Arts of the Capital Normal University, and two in the Public Art Research Institute of Beijing University of TechnologyExperts and scholars such as Wei Yuncheng and other professors attended the seminar.The seminar was chaired by Li Honglin, Director of the Institute of theoretical Research Institute of the Chinese Academy of Painting.The exhibition will last until July 28.

(Source: China Art News WeChat public account. Painter Tang Li is a member of Beijing.)

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