Exhibition Trailer | "Infinite Belle -Literature and Female Image in Ming and Qing Characters" "

Belle

In the Ming and Qing character painting

Literature and female image

2022.6.23—10.30

The second hall of the special exhibition on the first floor of Xiangbo

Full -price ticket: 50 yuan/person

Preferential ticket: 25 yuan/person

The Hunan Provincial Museum will launch a special exhibition "Infinite Belle -Literature and Women's Image in the Ming and Qing Dynasties" on June 23, 2022. The exhibition spans the summer vacation and National Day golden schedule.

The exhibition is co -organized by our museum with Changsha City Daguancang Art Museum. It is an original exhibition created by the rich women's theme cultural relics (collections) of the Museum and Changsha Daguancang Art Museum. The exhibition will exhibit more than 120 cultural relic exhibits (sets) of various cultural relics exhibits collected by our museum and Changsha Daguan Cangs Art Museum. ), Changsha Daguancang Art Museum participating in more than 90 exhibits (sets).

The exhibition is divided into four units: the first unit expresses the contribution of ancient women to the family, and the second unit shows the realization of the social value of ancient women. The third unit conveys the impact of women's spiritual forces on the world. Concentrate the multiple social roles played by ancient women and their own cultivation and family consciousness, and show the literary and female images in Ming and Qing figure paintings. We hope to show the audience through this exhibition to show the vivid, tough and three -dimensional image of ancient Chinese women.

Show Reading

The first unit

Who can be like Erxian -holding a family with a good way

"Zhou Yi" has a cloud: "Dao Dao becomes a man, Kun Dao becomes a woman. Human history is a script of the two sexes of men and women. However, due to the historical and social environment, the functions of ancient women are mostly restricted in the family. They are trapped in the small world and are regarded as the vassals of men. And with the characteristics of spiritual show, tolerance, and tenacity, they not only deepened and widely fulfilled their family functions, but their virtue also had a profound impact on family members. This unit is divided into three chapters: "Grandma Qingfen", "Xuantang 劬 [qú]," Huiyin Xianyang ".

In history, women have been in the girlfriend for a long time. The creation of family life atmosphere and the maintenance of interpersonal communication have more effort than men. Those beautiful, artistic life, and a warm and tolerant interpersonal environment are often separated from separation. Open a woman. "The Book of Songs" has a cloud: "Mourning parents, giving birth to me." Although the parents of love are the same, women must bear more women. Family affairs, cooked u [cuàn] trivial, weaving and hard work, women can be appointed with their tenacity. That is, or forced to be in a position, women have contributed unique value. Most of the traditional mainstream society commended filial piety, wives and good mothers. Women can only attach themselves to men in the family, especially their husbands and sons. Self -awareness, but women also show their virtue, courage and broad minds in their family functions. Their virtue has changed the people around them, shaped and spread a good family style, and brought a profound impact on the future generations of the descendants. Essence

Ming · Anonymous · Garden Playing Picture

Silk color

184.2 × 105.2 cm

Hunan Provincial Museum Collection

The painting depicts a boudoir childcare scene with a very interesting life: the mother's left hand lifts the sleeve, and the right hand holds the grape and throws it towards the pomegranate branches. The three children around them are different and childish. It is reminiscent of the poetry of "hitting Huang Ying'er, Mo teaching on the branches".

Qing · Wang Qifeng · Wufu San Duoyu

Paper color

100 × 48 cm

Changsha City Daguancang Art Museum Collection

There is a mother and five sons in the picture. The children in the back of the picture hold the heavenly painting halberd, the halberd hanging on the halberd, and falling into fish -shaped ornaments, indicating "Ji Qing is more than there"; "". The pomegranate in the flower pot also has a blessing.

Qing · Yu Tang · Red Sleeve Tianxiang Map

Silk color

12.1 × 10 cm

Hunan Provincial Museum Collection

The title of the picture: "Red sleeves and incense night reading, Brother Shouquan, Master Jian Jian, Ding Yichun Yu Tang." "Red Sleeve Tim incense Night Reading" is the longing for traditional scholars, which also reflects the silent support of women in her husband.

Second unit

Do not teach the napkin to make the eyebrows

"There are people in the calendar in the boudoir!" Although the outstanding women in ancient China, although in the barriers of the family and society, there are still many people who have obtained from all aspects of politics, economy, culture, art and other aspects. After huge achievements, it has an inestimable impact. For example, Wang Zhaojun, who marries the Xiongnu and his pro -relatives, the women who dressed as the men's clothing of the men's fellows, Yang Yuhuan from the darling harem, the red line girl of the chivalrousness, and the thirteen girls who cut the evil and eliminate evil, etc. The rich female image and stories are virtual or real, but they are the shadows and traces of their participation in social activities. They silently tell the world: "No eyebrows are allowed, and Hongyan is better than Erlang." This unit is divided into three chapters: "Knowing the Book Da Li", "Inner and Outside of the Palace Wall", and "the distance of the rivers and lakes".

Although talented women were popular in ancient society, women at that time were limited by many women's participation in cultural and artistic activities. I am willing to be mediocre, but to eliminate all difficulties, read literacy like men, and bravely pursue knowledge. In traditional society, women's expectations of "husband and husbands" are mostly available, so women usually live in and unknown, but there are still women who are full of stories in the palace walls such as Wang Zhaojun and Yang Yuhuan. The influence of the national affairs, regardless of right or wrong, or good or bad, in the vortex of traditional imperial power, there are always many well -known women's figures. In the repeated penetration and interweaving of Chinese literature and painting art, in addition to the talented ladies who live in the temple, there is a group of heroes who can be "unhappy in the world". These are about them. The descriptions and stories are often the metaphor of irregularity and irradiation of ancient Chinese women. Qing · Anonymous · Fan Fan Lady Picture

Silk color

167 × 87 cm

Changsha City Daguancang Art Museum Collection

The picture is a small fan lady who has resting in the shade of Tongyin. His costumes are luxurious, have a degree of manner, and have a lot of flow of flowing. The female book is holding the book box, and she is cute and cute. Under the sycamore tree, strange rocks, flowers and plants are everywhere, there are fences around, and the whole environment looks quiet. The whole painting color is bright and elegant, and it is quite old.

Qing · He Baolin · Ming Fei coming out

Silk color

124 × 40 cm

Hunan Provincial Museum Collection

The drawing in the picture is the scene of Zhaojun. The center of the picture is the concubine, and there are four people surrounding the servants who are riding on horseback. One of the ladies carrying the piano, and the other three male servants each hold the flag and follow, and the color is in a hurry. The format is bright, and the characters are painted, and they fully show the scene of Zhao Jun as the country to go to the Huns and pro -pro -relatives.

Qing · Anonymous · Han Gong Chun Xiaotu

Silk color

125 × 334 cm

Changsha City Daguancang Art Museum Collection

The picture vividly reproduces the life scene of women in ancient China. There are many works in the Ling Ming Dai Qiu Ying's "Han Gong Chun Xiaotu", and this screen is one of them. "Han Palace Chun Xiaotu" is now in the Palace Museum of Taipei. It is a silk heavily colorful lady painting created by the Ming Dynasty painter Qiu Ying. It is a proud work in her life. It vividly reproduces the life scene of the Han Dynasty palace girl with a long scroll. It uses the pen to clear it, and the colorful and elegant, the forest, the strange stone, and the gorgeous palace are interspersed, and the magnificent scenes are like a fairyland. The ability of the ability to reflect the humanistic thoughts of the author's positive and love life, and also express his praise for the gorgeous and beautiful life of the court. Later generations have a lot of works like "Hanyong Chun Xiaotu". This book is the work of the Qing Dynasty. It was originally a combination screen of ten sets. The work is quite considerable.

Third unit

Just treat the eyes of all beings -the blessing of the goddess

In traditional Chinese society, women are usually attached to men and are weak and difficult to leave home. However, the maternal glory of life, the dedication of good self -dedication, the understanding of affinity, the compassion of saving the suffering and rescue, but the weak women appear on the altar, not only the "mothers" of blessing women and children, but also become ten thousand. Qian Shan men believe in the strong spiritual pillar of a beautiful life. This unit is divided into three chapters: "Tianxian Sending Zi Zi", "Give Shou Yannian" and "Protect All Lives".

The social responsibility of blood inheritance is attributed to the women, and the function of blessing for fertility is given the goddess. During the Ming and Qing dynasties, many goddesses such as Guanyin Guanyin, Bixia Yuanjun, Mrs. Jinhua, Jiutian Xuannu, Hua Niang Niangniang and other goddesses such as Guanyin, Bixia Yuanjun, Mrs. Jinhua, Jiutian Xuan Nu, Hua Niang Niangniang became the object of worship. The image of the longevity of life, full of traditional humanity, and the long -term view of the elderly, the prayer and demands of the length of life, is the visual presentation of China's longevity culture. In the Ming and Qing Dynasties, the intention of Zhu Shou's theme painting composition was simple and compatible, with characters, as well as animals, plants, etc., no matter what style, the female gods such as the love of the love of love and the beautiful appearance have always occupied the important seats of the birthplaces of wishing life. Essence In addition to the stretching of life, women's kindness, love, giving, wisdom and other qualities have given the goddesses such as Guanyin, Mazu and other goddesses to save danger and protect all beings.

Qing · Anonymous · Luo Shen Tu

Paper color

112 × 78 cm

Changsha City Daguancang Art Museum Collection

Luo Shen is the concubine, which is the place of the Luohe River in the Chinese pre -Qin myth. In Cao Zhi's eternal famous "Luo Shen Fu", Luo Shen was the incarnation of the ideal beauty god.

Qing · Anonymous · Qunxian Qingshou Map

Silk color

187 × 284 cm

Changsha City Daguancang Art Museum Collection

The picture depicts the third day of March of the lunar calendar. The Queen Mother West was under the grand scene of the Antarctic fairy, Lao Tzu, Shouxing, Valentine, Eight Immortals, Heshi Erxian, Liu Hai and other grand scenes. Surrounded by Yaotai Xiangyun, Cangsong Curma, flowers and plants, and ganoderma, Shou Tao, Bao Ping (Ping An), bergamot (blessing), pomegranate (multi -child), gourd (Fu Lu), bat (Fu Shou ), Lotus Box (Hehe) and other congratulatory gifts were embellished, a gorgeous fairyland scenery.

Unit 4

Since the first leaky of flowers -the style is me

The structure of the traditional society is dominated by men. Until the ideological liberation movement of the Ming and Qing Dynasties, women began to have the sprung up of the subject consciousness. At this time, the number of women's theme paintings and the number of female painters far exceeded the previous generation. The extension of the theme of the work continued to broaden. The existence of the women's own aesthetic and value judgment system should be allowed to show women's increasingly rich social identity and role. This lays a preliminary foundation for women to walk out of the girlfriend in the future, break free of ideological constraints. This unit is divided into three chapters: "Flowers Zero Zero", "who only shades to whom" and "not afraid of people to guess". Women should have been carefully taken care of from birth, growing, marriage, breeding, and aging, but they have been ignored in the male world for a long time. The female groups are stubbornly to withstand the limitations and narrowness of the times with their unique delicateness and tenacity. Self -esteem and self -love, grow silently, and fragrant. Whether as a group or an individual, facing the prejudice and injustice of a patriarchal society, they have had confusion and doubts, but there are always some women who are gentle and firm, unwilling to fate, dare to publicly reveal themselves, write women's life consciousness , Explore an independent and complete spiritual individual. In the painting of women in the Ming and Qing Dynasties, the role of women who pursued themselves, released themselves, broke the ritual and religion, and struggled with the fate occupied a certain proportion, such as historical figures such as Zhu Shuzhen and literary images such as Cui Yingying and Shi Xiangyun. These brave individual experiences continuously superimposed and accumulated accumulated. It is a historical nutrient that promotes and generates the consciousness of women's subjects in the future, and helps deepen our awareness and understanding of the sexual and human society.

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Qing · Feidanxu · Four Seasons Beauty Picture

Silk color

126 × 32 cm × 4

Hunan Provincial Museum Collection

Buddhist temple

Red blame Zhang Sheng

Corner

Huiming Jianjian

Zhang Sheng went to a banquet

Qianqianjie

Qing · Anonymous · "West Chamber" story map

Silk color

30 × 60 cm × 6

Changsha City Daguancang Art Museum Collection

The "West Chamber" story 记 is the six plot fragments, and roughly judge the full set of dozens of pages. For the two books in different periods, two of them are "Wen Zhengming" pseudo -seal.

Figure 1 "Buddhist Dian Qi Feng" Zhang Sheng lived temporarily from the abbot of Pujian Temple, and was appointed by Cui Yingying by Mrs. Cui. Essence

Figure 2 "The Red Responsibility Zhang Sheng" Zhang Sheng explained to the elder to Wenshu in the temple. Elder Ying Yun lived in the temple and met the lady's maid and matchmaker. He took the opportunity to introduce herself to the matchmaker.

Figure 3 "Corner of the Corner" Cui Yingying and the matchmaker burn incense to worship the moon, sighing in their future. Zhang Shengli couldn't help himself, and then he sowed: "The moonlight melted the night, and the flowers of the flowers were silent. Ying Ying heard that Fang's heart was touched, and the poem said: "Lan Liang is lonely for a long time, and there is nothing to do with Fangchun. Zhang Sheng and Ying Ying deepened their understanding through the syntax, and they felt the feelings of being cherished, laying the emotional foundation of similar fun.

Figure 4 "Huiming Jane" Zhang Sheng wrote a letter, and the monk Hui Ming was siege and gave it to General Bai Ma Du, let the friend lead the soldiers to solve the siege.

Figure 5 "Zhang Sheng went to the banquet" Zhang Shengjie's siege of the temple, the old lady made the matchmaker recruit Zhang Sheng to the banquet. Zhang Sheng thought that the old lady would make an appointment with his relatives, and good things were about to achieve.

Figure 6 "Qiao Qiao Qiao" Yingying went to Zhang Sheng's study room, and was discovered by Mrs. Cui. She called the matchmaker to torture and blame her to insult the reputation of Xiangfu. Followed by the matchmaker, Mrs. Cui finally got married.

Exhibition date: June 23, 2022 -October 30, 2022

Exhibition address: Second Hall of Special Exhibition on the First Floor of Hunan Provincial Museum

Full -price ticket: 50 yuan/person

Preferential votes: 25 yuan/person (undergraduate and below of all -time university, 60 to 65 years old, and minimum guarantee households enjoy preferential prices with valid documents)

Ticket -free object: children under the age of 14, old people, disabled, disabled, active soldiers, and retired cadres of the army can visit for free with valid documents

In

Open time:

Every Tuesday to Sunday 9:00-17: 00 (stop entering the museum at 16:00)

Every Monday is a closed day, and the statutory holidays are postponed

support hotline:

0731-84415833 / 84475933

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Manuscript Source | "Infinite Belle" curatorial team

Editorial | Data Center

Review | Chen Bin Chen Xuliang

Final Trial | Duan Xiaoming

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