There are newcomers in non -heritage | Zhang Feiyang: Blade point is 绛, lacquer becomes

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General Secretary Xi Jinping emphasized that "we must strengthen the protection and inheritance of intangible cultural heritage, actively cultivate the inheritor, and let the intangible cultural heritage bloom more charming glory." Litchi News launched the bilingual micro -documentary "Non -Heritage" of the "Youth Shouteller" series, through thousands of years of context, trek thousands of mountains and rivers, recorded the traditional non -heritage renovation story, and listened to the voice of youth inheritance. After a while, the images retain memory, cultivate spiritual contexts, cultivate cultural self -confidence, and present a gorgeous and continuous Chinese civilization to the world.

Yangzhou lacquer ware originated from the Warring States Period. It was prosperous in the Han and Tang dynasties. It was flourished in the Ming and Qing dynasties. From various types of screens, cabinets, tables and chairs, etc. to the four treasures, jewelry boxes and other spermatic tools such as the four treasures, all of which are in the Yangzhou lacquerware. Writer Li Yu once praised its "A in the ancient and modern times, the crown, the crown, the crown, the crown" " No. 5 Yinbai Road, Yijiang Economic Development Zone, Yanjiang District, Yangzhou, Jiangsu, is located in the Yangzhou lacquerware factory in 1955. Although its appearance is stable and low -key, it has given birth to countless reputation at home and abroad at home and abroad. The famous lacquerware has gone out of the outstanding Yangzhou lacquerware jewelry craftsman. Zhang Feiyang is one of the younger generations.

Similarly, you can take a shot

In 2008, 22 -year -old Zhang Feiyang faced a major life turning point. At that time, he just graduated from the art education major of Yangzhou Education Institute and entered a elementary school as an art teacher, and lived a comfortable life. However, in introverted personality, he always sweats nervously on the podium. He couldn't say a few words. One or two went, he had the idea of ​​transferring career. It happened that the Yangzhou lacquerware factory posted a notice to recruit apprentices. Zhang Feiyang was fascinated by his student. A little lonely and lucky. He signed up to participate in the recruitment. With the artistic skills, he passed the Guanzhong and celebrated the Summer of the 2008 Olympic Games.

After entering the industry, Zhang Feiyang introduced Zhang Laixi as a teacher. Zhang Laixi was a provincial representative inheritor in Yangzhou lacquerware. During the time when Zhang Feiyang entered the industry, Zhang Laixi did not immediately take him to learn the Yangzhou lacquerware decoration skills. Instead, he threw him with a knife and let him polish every day. One grind was 5 months. For nearly half a year of grinding knife life, Zhang Feiyang learned about nearly a hundred "old guys" that made every day in the future: big knives, small knives, machete, sharp knife, tile knife ... Among them, Zhang Laixi saw that the sister -in -law could teach, and began to formally teach its lacquer ornaments. It wasn't until I started that Zhang Feiyang understood that Master was painstakingly: "The knife is well grinded, and the cutter is red; otherwise, the cut surface will be white or yellowish, and it will be reduced to a secondary product."

The introverted Zhang Feiyang found his own world in the Yangzhou lacquerware factory. He does not love to talk, and the lacquerware does not love. The interaction between the two sides comes from the knife and the mind: between the ups and downs, the mountains, the lake, the flowers, birds, and fish jumping. Zhang Feiyang enjoys this feeling of condensing and concentrated on something. It bluntly stated that "it seems that I have chosen the lacquerware, but it is the lacquerware to choose myself." Every day and night, 15 years of fingering fingers for a moment. Now Zhang Feiyang swept the students and recklessly, the bottom of the Pingtan Lake in the eyes, and the eyes were stained with the light ink. Seeking artistic, becoming one of Master Zhang Laixi's most proud disciple.

The blade point is forgotten to be proud

Modern Yangzhou lacquerware decorative skills are divided into ten categories such as snails, carved lacquer, carved lacquer jade, carved lacquer, flat -grinding snails, painted painting, and painting painting. Among them, the process of carving lacquer is the most complicated:

The carving lacquer is also called "red red". It is necessary to first have multiple thick lacquer on the tire of the instrument, as small as dozens of layers, as many as hundreds of layers, until it is quite thick, and then dry until half -drying. Out of the pattern ... After more than 100 processes including drawing, lacquer, lacquer, carving, and polishing, the production cycle is less than several months, up to several years, and it is called "the art of time". Zhang Feiyang compared it to a child, "no three or five years can not be made."

Zhang Feiyang, who has already brought "Child" for his father, is quite patient, but it was only a time that "the painting draft is embossed" made him difficult: it turns out that the carving paint is divided into "starting" and "starting", "getting started" specializing in relief, "starting" main attacking brocade brocade Jin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jinjin Jin Jin maintained Jin Jin. The pattern is set off. The former is mostly roof tile railings, forests, landscapes, flowers, birds, fish and insects, which are all -encompassing, and they need to use their imagination according to the drafts; the latter uses back pattern, cloud patterns, squares, and many triangles. Zhang Feiyang remembered the scattered perspective, parallel perspective, and even a little perspective in the previous class, and cleverly used it to the tip of the knife to enhance the carving level. Practicing the knife method under the first working position, "The lower knife is unified at 45 degrees, and the tens of thousands of knives are engraved." Finally, I barely touched the door and planned to draw a little manuscript.

However, the carving lacquer pays attention to "both shapes and gods". After a few years of hardcutting, Zhang Feiyang found that his works could not get out of the strange circle of "tangible gods". He competed with himself, and he did it all night, but the carving knife in his hand could not express the charm he wanted. At this time, Master Zhang Laixi woke him in time: might as well look at it again.

Zhang Feiyang then put down the knife, paced to a garden breathable 600 meters away from the studio, and one of the four famous gardens in China, the bamboo forest with the cool wind, the swaying late lotus, and the gentle birds made it. The restless heart calmed down. He stopped looking at the grass and trees in the garden, and inspired at first glance, and suddenly woke up: he has always been persistently attached to the painting in front of him, neglecting the natural details, but lost his trueness. After returning, he was free to find a knife and find the truth. Since then, visiting a garden has become Zhang Feiyang's daily life. He even runs a tourist year card. He came here everywhere and observed all things. Carefully backup your mind and wait for the opportunity to inject the charm for the carved works at hand.

Although there are high -tech technologies such as 3D printed on the market, Zhang Feiyang still believes that the beauty of Yangzhou carving is the existence that the machine can never reach, because "each knife, every moment with the temperature of the creator, and the awe of nature" Essence

The lacquer becomes new after the lacquer becomes new

There is an old saying in Yangzhou called "Lacquer", and now Zhang Feiyang is really a "instrument" because of the lacquerware.

He has carved more than 20 works that have been carved so far. In 2015, Zhang Feiyang won the Silver Award of the 16th Chinese Arts and Crafts Master's Works with his work "Lotus", showing his first sharp edge in the industry; and in the 2019 National Painting Art Invitational Tournament, he won the first prize of the sculpture group, and then 2020 Jiangsu craftsmanship At the Fine Arts Expo, Zhang Feiyang led his brother and his brother to win the gold award with the lacquer jewelry box "Coming Clouds", and the large artifact gradually became.

Lacquer art jewelry box "Coming Clouds"

But compared with the gains of skills, Zhang Feiyang believes that the spiritual gain is greater. The carving lacquer is like a window, which makes him see a vast traditional art world. In this "world", there are both carved masters such as Master Zhang Laixi, as well as other technical masters such as lacquer workers and painters ... … Open it with it, Zhang Feiyang has benefited a lot. He always remembers that Master Zhang Laixi when he first entered the industry, "doing this is to use 200 % of the strength", and project his full spiritual world at this moment. stand up".

After being promoted to Master, he did not forget to use himself as a mirror. Under his teaching, the two disciples under his men were able to take one side alone, and one of them had earned the title of the arts and craftsman early.

Zhang Feiyang and Master Zhang Laixi

Master Zhang Laixi is full of confidence in the status quo of Yangzhou lacquercraft decoration skills: "Let the lacquerware enter millions of households, it is not a problem." This confidence comes from the process innovation of Yangzhou lacquerware factory and the times. Practical lacquerware lighter, lacquer ware bracelets, lacquerware pens ... are favored by young friends; the development of lacquerware production talents in the factory is more orderly: At present The name has formed a relatively complete talent echelon.

Zhang Laixi even wished. Yangzhou lacquerware decorative skills "not only do one person, but also drive a group of people, and even the entire society to participate." Compared with it, Zhang Feiyang's wish is much simpler. Will continue. At the end, he smiled and shared a niece to go to school:

A few days ago, the niece of the junior high school learned the chapters of the traditional Chinese crafts on lacquer wares. The students did not know much about it. The niece who had been in his ears since he was a child stood out and explained that he said, "I will tell her these." Zhang Feiyang's smile was a bit pleased, but more proud and expectations.

(Director of this issue/Jiang Hongyi Wang Hairong Manuscript/Fang Wenhao Camera/Zhang Runsen Wang Jingyi Summer Editing/Liu Xiangnan)

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