The three major exhibitions joined forces to present an art feast

In the midsummer season, the Galdite Art Center, located in the "Forbidden City -Wangfujing -Longfu Temple" Cultural Golden Triangle, ushered in three major exhibitions, making the audience full of eyes. Today, the three exhibitions of "Chongwei Yaide -The Tibetan Martial Arts Exhibition of the Palace Museum", "Eternal Mu Xia -Magic of Line" and "Five Sensing Architecture -隈 隈 今天 今天 今天 今天" are opened to the public to the audience A feast includes the treasures of the Forbidden City's martial arts cultural relics, the new art sports giant work, and the art feast, including the exhibit of the international architectural designer experience exhibits.

The opening ceremony of "Chongwei Yaide: The Palace Museum's Tibetan and Qing Dynasty Martial Arts Exhibition".

The first time the Qing Dynasty sword came out of the sheath

Emperor Qianlong's "Little God Feng" appeared

The Qing Dynasty martial arts cultural relics are the epitome of military and court life in the Qing Dynasty. Most of them are the royal supplies of the emperor of the Qing Dynasty. There are also things of royal family members, guards, and eight flag soldiers. They have both etiquette, practicality and artistry. In the exhibition hall of nearly 2,000 square meters of the Garrd Art Center, more than 150 exquisite martial arts cultural relics appeared on the exhibition. This is also the first large -scale presentation to the public in the Palace Museum's Tibetan Qing Dynasty martial arts cultural relics. The sword cultural relics rarely "out of the sheath" in the previous exhibitions, and the exhibits of the martial arts exhibition have "brightened the sword".

The first cultural relics in the exhibition are the Golden Sheath God Sword of the Qianlong Shark Skin (wàn), also known as the Emperor Qianlong Emperor's "Little God Feng". It is the close -fitting object of the Emperor Qianlong. It is usually placed next to the throne, and Qianlong travels by the guard. This "Little God Feng" is made in the style of Tibetan knife in the Jinchuan area. It is 63 cm long and is decorated with red corals, turquoise and green stone. Experts at the Cultural Relics Hospital of the Palace Museum have carefully maintained and maintained it. This is the first time that Emperor Qianlong's "Little God Feng" went out of the Forbidden City after restoration.

The Emperor Qianlong's "Heaven and Earth Man" series of swords is the total name of 30 swords and more than 90 waist knives created by the 13th to sixty years of Qianlong to Qianlong. The exhibition exhibited 12 "Heaven and Earth" waist knife and sword, the best in previous exhibitions. 10 of them have left the Forbidden City for the first time, and most of them have never been disclosed. The exhibition also selected more than 30 arrows from nearly 10,000 arrows collected by the Forbidden City.

The largest scale Mu Xia Shin

Nearly 300 exhibits interpret line magic

In the second floor exhibition hall, through the arch of the changing lines, come to the "Eternal Mu Xia -the magic of the line" exhibition area. Alofeus Mu Xia is the European New Art Movement Giant and Master of Czech National Treasure -level art. His works not only inspired the graphic artists of the same era, but also had a profound impact on the art design and comics of later generations, forming a "Mu Xia style" that was popular around the world. The exhibition is the largest Muxia work exhibition in the Mainland to date, combing the magic of the painting lines of Alofeus Mu Xia with nearly 300 exhibits.

The first exhibition area of ​​the exhibition mainly presents the books, arts and crafts treasured by Mu Xia himself, and explore the important elements that affect the "Mu Xia style". Among them, the 19th -century Chinese embroidered tapestry, traditional Czech glass paintings, and Japanese Ukiyo -e -painting. Mu Xia put these things in the studio and observed them carefully, sometimes drawing sketches as a source of inspiration.

In this exhibits, one of the most well -known works was the theater poster "Gis Meng Yan" in 1894. This is Mu Xia's famous work. At that time, he was a small insertist. He was a sensation in Paris. The people even secretly scraped off the poster from the advertising version and took home. The poster draws the gorgeous female image on the stage with the lines of lines, elegant and soft colors, and harmonious composition.

The first "five senses" architectural experience exhibition

Close to the master of international architecture 走 筑 建 走 走

The "Five Sensing Architecture" of the famous Japanese architectural designer 名 的 日 日 日 日 日 日 日 日 日 日 日 日 also opened at the same time. The large device "Bamboo" at the entrance of the exhibition hall is composed of more than 10,000 bamboo strips. It is connected to the renewable and repeated assembly components, showing the philosophy and ecological environmental protection of "natural architecture". The flexibility and gravity of bamboo are ingeniously balanced. The audience can enter it to feel the treatment of points, lines, and noodles in the building in the building.

Walking in the exhibition hall, the audience can smell different odors, including the aroma of wood and the taste of green grass. The seven -stage music work in the exhibition hall was jointly created by the team of Kana Research and Tokyo University of Art, accompanied by the audience to change the scene to interpret the connotation of different attribute buildings. The exhibition takes a series of diverse sensory experiences as "seeing, listening, touching, smelling, and taste", allowing the audience to connect and dialogue with the building field.

For the first time, the exhibition exhibited the work and life scenes of Yama Rean, and recorded the situation of Yamano's work on the project site in China and Europe with a lens. The exhibition will last until October 30. (Source: Beijing Daily)

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