Experience science and technology exhibition conveys humanistic care

Author:Cultural Tourism China Time:2022.07.21

The exhibition display is the core of the work of Wenbo venues. The design of the exhibition is also a complex comprehensive art. It needs to be combined with architectural space, materials, lighting, technology and aesthetics. With the development of the Internet, how Wenbo venue adopts more advanced exhibition concepts and scientific and technological means, etc., planning high -quality, thoughtful, and attractive exhibitions to better serve the public. focus. In the summer, let's follow the reporters to enter the exhibitions with both ornamental, interesting and intellectual, and feel the wonderful combination of technology and humanities.

Read this city from Changsha History and Culture Display

Zhang Ling

▲ Changsha Museum Changsha History and Culture Display "Hanqu House" real scene

Picture of Changsha Museum

Recently, Changsha City, Hunan Province, has ushered in summer tourism. Under the hot sun, tourists from all over the country have entered the Changsha Museum in the Binjiang Cultural Park in Changsha. In this cool Changsha "City Conference Living Room", through the "Xiangjiang River north, the midstream of water -Changsha Historical and Cultural Display" Learn about the historical and cultural accumulation of Changsha for more than 2000 years.

The "Xiangjiang River north · Zhongliu Rap -Changsha Historical and Cultural Display" is the basic display of the Changsha Museum, with a total area of about 5,000 square meters. From May 2017 to the end of June this year, more than 4.8 million audiences have received. As the first system to display a large -scale public history display of the historical and cultural development context of Changsha area, the exhibition brings together more than 1,250 cultural relics (sets) reflecting the historical and cultural connotation of Changsha. More than 80 places for the use of scenes, artworks, and new media exhibitions. The construction of the system, the design of the artistic image, and the intelligent exhibition of the system show the concept of the Changsha Museum's "let the cultural relics speak and be responsible for history" everywhere.

Tell the story of Changsha in the language of cultural relics

"As a city museum, the Changsha Museum allows the public to understand the history of urban history, experience urban culture, and explore the humanistic spirit of the city, thereby enhancing the public's sense of identity and belonging to the city. The important carrier of this mission. "The research librarian of the Changsha Museum and Wang Lihua, the former director of the museum, said," In the process of planning and design, we conducted the theme content, chapter structure, and exhibition style of the entire display according to the characteristics of Changsha history and culture. It has a reasonable planning and design, with major historical events, famous historical figures, and urban development as the main line, supported by special cultural relic exhibits, and strives to achieve the unity of content and form. It tells the story of Changsha in the background of China's great historical background. "

Changsha History and Culture Display is divided into two chapters: "Go to the north of the Xiangjiang River -Ancient History and Cultural Display of Changsha" and "Mid -flowing Water -Changsha Modern History and Culture Display" in 1840. The poem named. The ancient Changsha part of the ancient Sands said with the history of things and the history of physical evidence. In the modern Changsha, the history of people with people highlights the status and role of Changsha people in Chinese history. Two chapters consistent in time, closely linked in content, but they are relatively independent in space, each of them.

There are nearly 50,000 collections of Changsha Museum and nearly 7,000 precious cultural relics, covering various historical periods from the Stone Age to modern times. The Changsha History and Cultural Display Study Group thoroughly studied the historical development and characteristics of Changsha's urban city, and selected the cultural relics that best reflect the local characteristics in the process of urban history, such as the treasures of the town hall, the largest and heaviest bronze instrument in the Shang and Zhou dynasties- The elephant tattoo big bronzes, the earliest bronze editor of the Shang Dynasty, the sword, Ge, and spear of the Chu Kingdom dominated the heroes, the Changsha kiln porcelain that presents the charm of the Tang Fengmiao, as well as the five that empirical of the history of Changsha City construction in 2,500 years. A square section of the square, the burial of the tomb of Changsha King's Mausoleum, and the five generations of docks, the Song Dynasty Hanqu and Fangshi have demonstrated the murderous relics of urban archeology over the years. In the end, the display exhibited 1250 (set) cultural relics.

The theme of the exhibition of art presentation is clear

In the preface hall of the "Midflow Streaming Water -Changsha Modern History and Cultural Display", the large artistic device "midflow strike" is combined with several tons of steel pipes with different specifications. Coupled with the accurate cooperation of the lights, the visual tension is extremely visual and shocking, reflecting the mainstay role of modern Changsha people in the wave of changes in previous reforms.

In addition, large -scale creative sculptures such as the pioneer of Westernization, the Victorians, the Huaxing party, the founding of the party, and the autumn harvest uprisings highlight the spirit of the outstanding figures of the modern Huxiang character that promotes the process of Chinese history. During the War of Resistance Against Japan, the city was tragic and fierce.

In Wang Lihua's view, a good exhibition can only extend the content accurately and vividly through the perfect art form. Through the re -creation of formal design, the aesthetics of the order of the exhibition space can be highlighted in order to make the theme and content of the exhibition clearly expressed.

As a "narrative exhibition", Changsha historical and cultural display adopts the narrative method of chronicles, in order in the era, and the development of important historical nodes or major historical events, famous historical figures, and cities. The narrative takes into account aesthetics, artistic presentation presents a large historical background and a combination of cultural relics. It uses minimalist space forms, different colors to echo the sensory emotions between the content and form. At the same time, the form of historical plus topics makes the display form richer.

In the color language, the exhibition hall uses Youlan to show the long -town of Changsha civilization during the pre -historical period, copper green shows the thick history of Changsha in the pre -Qin period, and the red shows the luxury of the Changsha country in the Han Dynasty. The blood of the iron, the red shows the new life of the Changsha city, has a clear color and clear context. The visual image design of the layout is also beautiful and unique. The ancient history used the circular shape of the starry sky, showing the softness of the ancient historical and cultural ancient history and culture of Changsha. temperament. Smart exhibition Chen to let the audience immersed in

The use of the latest information technology to promote the interpretation of cultural relics information and the spread of display exhibitions is the development trend of modern museums. According to Wang Lihua, the basic display of the Changsha Museum is based on the newly -built smart museum platform, supported by the new technology of the "Internet+" era, and the latest achievements of information technology to achieve the audience -centered information dissemination and humanized service model It has played an important role in achieving museum education functions.

▲ Children experience Changsha History and Culture Display "Hanqu House" wearing mirror video games

The educational corner of the "Hanquoya" educational corner of the "Kingdom of the Han Dynasty" exhibition hall is one of the most popular areas in the exhibition. This space with an area of about 40 square meters is briefly arranged into a corner of the Han Dynasty. Here, the audience can experience the pots and wearing the Han Dynasty aristocratic games and wearing through the electronic interactive game, shot cover and dressing mirror; Perspective interpretation of the origin of Changsha's place name Ding Wangtai; Han Dynasty Waidang Gaocai experience allows the audience to experience the beauty of the technique and culture of Han Dynasty; "Just" let the audience understand the study of the Han Dynasty and the encyclopedia at the time.

This display introduces the "Cloud Views AR Smart Guide" system, which is the first domestic application software in the field of AR technology. The audience can take the mobile phone to scan the cultural relics, and they can use audio, video, pictures, text, and 3D interaction. Wait for a variety of means to liberate the cultural relics from the explanation card, and understand the story of cultural relics in a more humanistic way.

Changsha historical and cultural display also selected the most representative 60 boutique cultural relics for high -definition three -dimensional scan. Through high -precision combinations and image processing, the 4K HD touch screen provides exhibits virtual exhibition and touch experience. The audience can observe the cultural relics from different perspectives and accuracy through touch interaction, make up for the shortcomings of the lack of appearance of the Chinese relics of the physical exhibition, and can also enlarge and reduce the three -dimensional image of the cultural relics. Cultural information, you can also like and share for your favorite exhibits. Use your personal mobile phone to scan the QR code to share the circle of personal friends to create "cultural relics in your pocket". Big data provides a scientific basis for subsequent optimization.

In addition, the auxiliary exhibits of Changsha historical and cultural display adopt a variety of forms such as sculpture, scenes, multimedia installations, oil paintings, and sand table models. The exhibition also creates a unique, smooth interaction, and strong substitutional sense of interaction through various interactive experiences such as touch, control, and AR. For example, in the Changsha City Exhibition Hall in the Qing Dynasty, the "Ancient Street Lane+Changsha City Fine Sand Table+AR Interaction" made the audience seem to cross the ancient city of Changsha.

Come to Chengdu, feel the new vitality of fun exhibition

Fu Yuanshu

▲ "A world of a pencil: Special Exhibition of Animation Original Painting" scene scene.

In Chengdu, Sichuan Province, with the advancement of the times and the development of science and technology, the museum exhibition methods and expression forms have been improving. Modern multidisciplinary technical techniques provide one while meeting the diverse needs of different audiences to exhibitions of the museum. The extremely rich interactive experience has opened a new realm displayed by modern museums.

2022 is the 100th anniversary of the birth of Chinese animation, and the new animation industry of Chengdu is also booming. Thousands of animation companies have spawned a series of box office reputation phenomenon -level anime IP images and happy peripheral products, showing Chengdu's strong creation of the creation of Chengdu's strong creation force. On May 17, the Chengdu Museum gathered to the "two -dimensional" audience. At the same time, you can also feel the infinite charm of cultural and creative cities.

During the design of the exhibition hall, the combination of intuition and credibility can make the display form more credible and convincing than all written and verbal publicity. It is understood that this exhibition cooperates with the China Cultural Relics Exchange Center, and 248 world classic anime works from China, the United States, and Japan land on Rongcheng for the first time. The exhibition stereo shows the development of anime in the global perspective since the 20th century. It has a large number of original manuscripts and rare silo works from Disney, such as "Mickey and Donald Duck", the world's first animated long film " "Snow White", "Disney's Most Perfect Animated Film", "Puppets and Masks", and classic "Alice's Wandering Wonderland" and "Strange Ferry in the Wind". For example, Japan's first TV version of the animation "Tong Tong Mu", "Detective Conan", which makes people open, and "Dragon Ball" and "Navigation King", which symbolizes Japan's "Blood King", etc. Manuscripts and line drafts, telling the audience about the hard work behind the picture. "In terms of form design, the anime exhibition is more bold and rich in the exhibition hall, the design of the exhibition hall atmosphere is more lively and gorgeous, and the overall is close to the exaggerated and abstract expression of anime." The theme of anime is compared with the traditional "cultural relics exhibition" and "art exhibition", which fits the theme atmosphere of the summer exhibition season. Favorite their childhood. The person in charge also revealed that the biggest challenge encountered in the design of this exhibition is the copyright issue of the animation elements in the exhibition. "At the beginning of the design, we imagined many large -scale classic scenes of animation in the entire exhibition space, or using some representative elements, but because of the copyright, this kind of conception is not easy to realize." To solve this problem Starting from the tools used in the painting process, the Chengdu Museum integrates the element of "pen" into the design of the exhibition, designed the original IP image of this exhibition "Cheng Xiaobi", and gives him the characteristics of the anthropomorphic, allowing him He can dress up as a variety of cartoon images. At the same time, he can also enrich the exhibition hall space, and he can emphasize the theme of the exhibition in the exhibition to avoid some copyright issues.

As one of the most active cities and national four digital media high -tech industrialization bases in China, Chengdu has the title of "Anime Capital". In addition to endless excellent works, peripheral activities and industries such as Manzhan, Hand Collection, and Stage Drama have become vigorous and have become an important force for the development of Chinese animation. In this context, this exhibition also specially designed the national masterpiece from the traditional cultural soil, allowing the audience to experience the classic ace of Guoman, which spans the century. During the exhibition, the audience can see the excellent country of Chinese traditional art and national spirit, and the original painting author of "The Black Cat Police Police", which contains traditional Chinese art and national spirit, " "Director Dai Tielang's signature work, etc., immersed the immortal journey of several generations of the country, witnessed the time that everyone has settled together, and faces the infinite future to be created.

▲ "Magic Bao 'Belle' -The Wonderful shellfish World" Special Exhibition Special Exhibition Chengdu Museum Conferry

The fundamental purpose of showing the design of the exhibition hall is to understand the audience, familiarize the audience, organize the audience, serve the audience, and meet the needs of the audience. The process of visiting the exhibition is not only a complicated behavior, but also the process of interacting with the audience in the exhibition hall activities. In the summer of this year, the special exhibition of "Wonderful Bao 'Beckame' -The Wonderful shellfish World" is about to be held at the Sands Site Museum. The shellfish specimen and related cultural relics of the five cultural and bloggers of the Chengdu Sands Site Museum and more than 1,200 related cultural relics (sets). The design of the exhibition in determining the theme and content, display methods, and interactive services to the audience has its unique ideas and methods.

It is understood that this exhibition time is the summer to National Day, and the audience is a group of young people or parent -child tour. The exhibition is divided into four major sectors of "where is the bell coming from?" Come to the depths of the ocean, know the habitat environment of Haibei, and encounter hundreds of gestures with different attitudes and different habits.

"The exhibition from layout, text language to the design of the exhibition hall, social education activities, all of which are planned around popular science and educational." According to Huang Yujie, director of the exhibition department of the Exhibition Department of the Chengdu Sands Site Museum, the exhibition is "Where is the ancient Shu Haibei? Here comes to "the entry point, a number of sea shells unearthed from the new round of the Sanxingdui site, and the jade shells and shell -patterned copper wares from the Chengdu Jinsha site sacrifice area. A historical scroll of a shell culture. Under the guidance of the cartoon character "Little Gold" and "Beibei", the audience can stroll from the beach by the sea to the bottom tunnel to enjoy the exploration in the ocean world.

The reporter learned that in order to allow the audience to go home, they can experience the fun of "catching the sea", and this exhibition also uses multimedia methods and interactive experiences such as sound, light, and electricity, so that the audience is immersed in it. At the exhibition site, the fishing groups under the coral reefs dance, childlike -rich light and shadow tones, waves follow the beach, sparkling and other sensitive atmosphere settings, making people look like the seaside. The audience can not only listen to the sound of the sea with a conch, but also touch some shellfish physical objects by themselves. Through puzzle, puzzle and other physical interactive mini games, they can identify and restore the types and shapes of shellfish. It is worth mentioning that starting from the prehistoric era, shellfish, which has formed an inextricable bond with human life, will also be transformed into different forms such as shellite, shell carving, snail art, and daily necessities. With the long river of time, feel the colorful imprints of shellfish in human life.

Small scissors break the exhibition inherent mode

Li Rongkunwen/Picture

▲ "Soul of Taihang -Donation Exhibition of Zhang Yongzhong's paper -cutting art works"

Since the occurrence of new crown pneumonia, the cultural travel industry has issued many new formats relying on the Internet and new technologies, and the creation and exhibition display of non -heritage is no exception.

Recently, the reporter walked into the exhibition site of the China Arts and Crafts Museum and the China Intangible Cultural Heritage Museum "The Soul of Taihang -Zhang Yongzhong's Paper -cutting Art Works Donation Exhibition". The paper -cutting works combined with dynamic and static see the traditional Chinese culture carrying new technologies and new ideas. Zhang Yongzhong, a master of arts and crafts in Jincheng City, Shanxi Province, Zhang Yongzhong, a representative project of the intangible cultural heritage project of Han Shantangcai Patch, more than 400 works (sets) of the 4 units of 4 units of prayer, folklore, the voice of the people, and Sanjin style. Show the northern region, especially the simple and concise folk paper -cut art style in Shanxi. On the basis of inheritance, Zhang Yongzhong continued to innovate, breaks the tradition, and actively integrates with the times. The exhibition made the viewer refreshed.

In the exhibition hall, the paper -cutting of the stars, the moon, the snowflakes, the bird, and the flowing clouds hung it up in an irregular manner. Zhang Yongzhong moved the "sky" to the exhibition hall. In addition to the exhibition name and foreword on the exhibition wall in front, 7 works of different sizes are arranged in turn. Zhang Yongzhong said that they have their own attention: "The top two works on the top are centered on one point. Disposing outward, that is the form of the galaxy, represents the universe; the other is the Qinglong, White Tiger, Suzaku, Xuanwu and Kirin representing the position. These two works represent the heaven. Among the four works below include flowers, trees, animals, water and fire Waiting for the representative. The five valley dolls with peony flowers and the ears of the valley in the middle are representative. These 7 pictures can be said to be a work that constitutes the entire world. "Zhang Yongzhong told his" one one Cut a world. Standing in such a paper -cut world, the viewer was immersed in it.

Following the "small tadpole" form of the "small tadpoles", the reporter walked forward. The cave's "door and windows of the kiln cave" cave and windows made the "cave" in the exhibition hall suddenly revealing fireworks. The "kiln cave" was constantly being hit with paper -cut works such as treasure bottle and flower baskets.

In addition to the innovation and integration of the work form, the original fixed mode also broke the display method. The exhibition uses digital technology to develop a new world for paper -cut art.

The exhibition launched a small video "Whip" made of Zhang Yongzhong's paper -cutting works. In the video, dozens of teeth are attached to the two arcs. I can see the upper and lower teeth one by one. The image of fish, characters, etc. jump out of it. As the rhythm accelerates, a colorful tiger head appears. The tiger's eyes turned on the left and the right skimming in his eyes, expressing his ambitious and agile appearance. Different paper -cutting works are matched with a fast and orderly drum point to change the drums. The atmosphere is cheerful and very modern. After the video was released on the video platform, it was loved by many young people. Some netizens leave a message: "The digital dynamic visual effects of" Whuke "make the paper -cutting lively and lively ..." Sudan, deputy curator of the China Arts and Crafts Museum and the Deputy Director of the Chinese Intangible Cultural Heritage Museum, said that the style of small videos is in line with today's people's aesthetic habits, so that non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -non -aesthetic The "movement" is very suitable for spreading.

A few days ago, the China Arts and Crafts Museum, the China Intangible Cultural Heritage Museum United Hong Kong and Macao African Heritage Development Research Association, and Hong Kong Chongzheng Middle School were held. In the "Cloud Hand Experience Non -Heritage" link, Zhang Yongzhong introduced the historical development of folk paper -cut art through the form of online live broadcast, and demonstrated some of the paper -cut works created in the near future, interpreting the art of paper -cutting art inheriting China The artistic value of outstanding folk culture. In the creative session, Zhang Yongzhong demonstrated the production of "Bauhinia" on the spot. "Bauhinia", as the flower of Hong Kong's special administrative district, means affection and family reunion, representing the hearts of the motherland and Hong Kong compatriots, unity and harmony. A handful of scissors and a red paper. Although the students were across the screen, they saw Zhang Yongzhong's "cut" flowers, and could not help but admire the artistic charm of paper -cutting and the superb skills of the artist. Xie Chengsheng left a message and asked: "If we learn paper cutting, how long will it take to cut out wonderful works like Teacher Zhang?"

"Genius is out of diligence. As long as the students usually cut more and practice more, participate in it, and feel the feeling of scissors and paper in the palm of their hands with their hearts.Explain to the students patiently."The arrangement of this exhibition is still continuing. We let the exhibition maintain a state of 'growth' and extended. In the future, we plan to invite the art troupe to perform the Shanxi folk songs and dance performances in the exhibition hall, and to have an inherent connection with the works." SudanIt is said that at the same time, it will also explore the integration of various elements such as non -heritage and technology and informatization.

"China Culture News" on July 21, 2022

Special report on the 6th version of the issue

"Reading this City from Changsha History and Culture Exhibition",

"Come to Chengdu, feel the new vitality of fun exhibition",

"Small Scissors Breaking the Exhibition inherent Mode"

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Editor -in -chief: Chen Xiaoyue

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