Wan time, go to the 25 museums built here in Qianyang 丨 here, string the scattered "historical pearls"

From August 3rd to 4th, the ancient city of Qianyang City, Hongjiang City, Hunan Province will host the "Our Festival · Qixi · Love in Qianyang Love Qixi" event, Han wedding wedding wedding, model couple commendation, blind date friendship, love film festival festival, love film festival festival Waiting for the event waiting for you to play! There are also a variety of non -heritage cultural live experiences, and a variety of traditional foods are waiting for you to taste! Summer, the hustle and bustle of the city, it is better to walk around this ancient city of more than two thousand years!

Picture 1 Source: Photo by Wang Sen

Ran Xiangyuan Folk Museum, the owner Yang Hanming is introducing his various types of masks.

The pavilion is called "God of Food", 2.4 meters wide, 3 meters high, and brown. It is the largest brown rope mask in the world. Far viewing masks, rough primitive, have a sense of wild beauty and mystery. Closer to look at it, there is a snake on the forehead, which means grabbing mice to protect the food; the mouth of the mask is open, representing food.

At the Folk Museum of Ranxiangyuan, the ancient city of Qianyang, Hongjiang City, nearly 100 masks are displayed. Chenhe's browning skills, which is the representative project of intangible cultural heritage in Huaihua City. The 55 -year -old lord Yang Hanming is the inheritor of the brown -edited mask skills.

A pair of masks are lifelike and expressive, Yang Hanming talked about the story behind this, and was intoxicated. "The brown -edged mask skills have been inherited for more than a thousand years. Yang Hanming introduced that the" God of Eater "was 128 days, and it took 7364m brown rope to be woven.

In the ancient city of Qianyang, there are 25 similar private museums, each with its own characteristics. It is mainly divided into non -heritage culture, story of story, antiques collection, arts and crafts, cultural and creative homestays, etc.

Look!

At the ancient city of 0.85 square kilometers, 25 folk museums lasted for thousands of years of ancient city culture.

Photo of Qianyang Ancient City Picture 2 Source: Photo by Hu Hao

To the south of Huaihua City, the car dealers are less than 1 hour. Two rivers are holding an ancient building complex. This is the ancient city of Qianyang. This ancient city of about 0.85 square kilometers, more than 2,200 years ago, is the history of Qianyang County in history. It preserves hundreds of buildings in the Ming and Qing dynasties and the Republic of China. In 2013, the ancient building group of Qianyang became a national key cultural relics protection unit.

On October 30, the reporter faced the autumn rain, visited the ancient city, saw the "Furong Building" of key protection units across the country, and appreciated the "Poet Emperor" Wang Changling's eternal sentences of "a piece of ice heart in the jade pot". Walking in the ancient city alley, inadvertently, it was found that a family of self -built museums here, stringing the "historical pearls" scattered in the people.

In the filial piety ancestral temple in the East East, the Executive Vice President of the Tourism and Culture Research Association of Qianyang Ancient City and Chen Zhiming, the natural root art museum of Qianyang folk artist Chen Zhiming, with more than 2,000 collections. Formed.

The museum is divided into two left and right halls.

Picture 3 Source: Photo by Wang Sen

Natural Root Art Museum in the Filial Temple, the gloomy wood work "Pterosaur" exhibited in the right hall.

The left hall is collected by humanities and natural artworks. "In the process of creating, the author follows the ancient method of" only decrease and not increase ", and after determining what it looks like, only basic pruning is made, and other carvings will never be performed." Chen Zhiming said.

Entering the right hall, there are 3 meters long and 1 meter -long gloomy wooden works "Pterosaur". The shape looks like a dragon, with head, tail, wings, faucet with eyes, nose ...

"The gloomy wood is not rare, but this naturally tangible, theme, and soul works are rare." Chen Zhiming said. Twenty years ago, he discovered the "baby" when he built a flood dyke in the water and rivers of Qijiang City. At that time, it was covered with sediment. After a heavy rain was washed, the spirit of the work appeared.

Like Chen Zhiming, Yuan Shicai is also convinced by Chen Zhiming's coincidence. Entering his "Puzhuang Qi Shi Pavilion" seems to have entered a world of strange stone. In the exhibition hall on the first floor, more than 300 stones are placed in different shapes, with pictographs like horses, whales, pandas, etc., and text stones such as "stove fire", "oil" and "Wan".

On the second floor, in the small hall, all the works that Yuan Shicai won the awards at various stone appreciation fairs across the country were regarded as a treasure.

The work "Antarctic Elves" won the gold award at the 10th Chinese stone appreciation exhibition and the international stone appreciation exhibition in 2012. This stone looks like a dolphin, 79 cm long, with smooth stone body, smooth lines, bright color, and hard stone. "This work is pure and natural, without any artificial carving, this is also the preciousness of the strange stone." Yuan Shicai said.

There is also a class of museums in the ancient city, exhibiting the master's own craftsmanship.

The automatic sensor on the door issued a "Welcome". Tourists only need to sign on the registry on the side to visit Qiu Hongqi's old man's Qianyang Paper -cut Museum. In his antique exhibition hall, all kinds of paper -cutting. Every work in the museum was done by himself. The "Treasure of the Town Pavilion" is 8 meters long and half a meter wide in the "Town Hall". Qiu Hongqi spent more than two years.

In 2012, inheriting the intangible cultural heritage of "paper -cutting", Qiu Hongqi founded the "Qianyang Paper -cut Hall" by self -raised funds.

Picture 4 Source:@图片

The lights are on. The darkness faded, and the bamboo lantern in front of me looked quite retro.

"This bamboo lantern is very popular. Buyers are generally farmhouses or props to make movies. One of the major features of bamboo products is environmental protection and pollution -free." In the Qianyang Bamboo Art Museum, Luo Yunjun, a non -genetic inheritor in Qianyang Bamboo, tells. The exquisite one is like a few treasures. Waterwheels, baskets, baskets, bamboo chairs and other items in the museum have awakened people's memory of traditional farming culture. Inherited the innovative bamboo lampshade, bamboo hat, bamboo teapot and other works, it is even more amazing.

"I will hold a museum by myself and serve as the owner of the museum." In the ancient city of Qianyang, the construction of a folk museum was strong. These collectors show their collections and folk objects, and do not seek "big and complete", but seek "small and fine", which enriches the details of history and arouses people's deep inner memories.

listen!

The story behind the Folk Museum shows the Yin Yin feelings of the ancient city collection enthusiasts.

The ancient city of Qianyang has a unique taste, which is the original ecology. This ancient city that crosses historical storms, the streets carrying time passwords are almost the same as the original appearance.

On the stone street, I feel the tranquility of this ancient city. There is no commercial atmosphere after the slightest development. "Unlike many ancient cities developed by over -commercial, more than 90%of the current living in the ancient city of Qianyang are aboriginal people." Said Qianyang folk artist Chen Zhiming. Many ancestors are painters, seal engraving, etc., and the tradition of advocating literature and art has continued to this day.

Pu Zengjun, 46, opened a museum called "Shijian Nanxiang" in the ancient city. The main collection includes stone carvings, ancient coins, golden silk nanmu art and personal carving works. "I have loved art from an early age and engaged in woodcarving by self -learning." Pu Zengjun said. He usually sells some antiques to make some money, and he also makes some sculpture technology. Opening a folk museum is more because of hobbies.

Because of hobbies, the collection enthusiasts in the ancient city reached the level of obsession. Although Yuan Shicai, the owner of the "Puzhuang Qishi Pavilion", is over the age of 70, but still runs around the country every year. He keeps looking for the next strange stone.

"For these stones, I paid the price of blood." In 2005, he fancy a stone at a farmer's home in Shawan Township, Hongjiang City, and he was not bought "three care of them". One evening, he came to the farmer's house again, and a dog suddenly came out, scaring him to fall on the stone pile, his head breaking his blood. The farmer was moved by his sincerity and eventually sold the stone to him. Because the stone statue was extremely running a horse, he named the stone as "horse to success".

"Establishing this museum, invested millions of yuan, and savings almost all of them. In addition to the income of hundreds of yuan per month, life is maintained mainly with his own pension." Yuan Shicai said.

Picture 5 Source: New Hunan

The reporter visited and found that at present, some folk museums are "artistic and artistic", that is, to make money to maintain the operation of the museum by other craftsmanship; some are pure exhibitions, relying on the main pension of the museum to maintain their livelihood.

"Inherit the skills left by the ancestors." Yang Hanming, the owner of the Folk Museum of Xiangyuan, said frankly that the self -built museum was to rescue the ancient witch culture that faces disappeared.

"A piece of ice is in the jade pot." Yang Hanming was confirmed here. A Japanese tourist had a price of RMB 12 million. He wanted to pack all his masks, and invited him to teach browning skills in Japan. He was rejected. "Because this is a non -heritage of China, it is to be passed on in his country," he said.

"For the current situation of non -people, the paper -cutting museum is hoped to be inherited by traditional culture." Qiu Hongqi, owner of Qianyang Paper -cutting Museum, said that he trained more than 1,700 students at home and abroad and received more than 100,000 Chinese and foreign tourists for free. In order to spread the red culture, he successively launched a paper -cutting exhibition such as "Channel Transfer" and "Red Army Long March Passing Qianyang".

Zi Cheng's father's business. Luo Yunjun's son, Luo Zhimin, was influenced by his father. After graduating from the Central University for Nationalities, he chose to return to his hometown and jointly manage the Bamboo Art Museum with his father.

Picture 6 Source: Red Net

In order to better inherit and carry forward the bamboo editing technology, Luo Zhimin chose the road of industrial development. In November 2014, on the basis of his father's original bamboo weaving factory, Luo Zhimin applied for registering Huaihua Yelang Bamboo Art Products Co., Ltd.

"While inheritance, use the knowledge learned by universities for innovation." Luo Zhimin said. He once designed a "bamboo+clothing" conceptual cultural and creative product. It was so cool in summer and was loved by tourists.

The reporter saw in the Bamboo Art Museum that Luo Zhimin's Hsinchu's artistic works have won awards in the National Tourism Commodity Competition. "Young people, with a wide range of vision, I am ashamed." Luo Yunjun smiled with comfort.

"A group of unique and tasteful museums are conducive to inheriting ancient civilizations and promoting tourism and prosperity." Yang Shunhui, director of the resource development of the Hongjiang Cultural Tourism and Broadcasting Bureau, introduced that the city introduced the "Hongjiang Tourism Industry Development Development "Interim Measures for Rewarding and Reward" encourages individuals and enterprises to build new cultural tourism new formats such as traditional handicraft museums, non -heritage museums, folk cultural museums, and specialty museums. After being determined by the relevant functional departments of the municipality, the one -time operation of more than one year will be awarded by 50,000 yuan.

"The government's support and guidance promotes the from private museums to stand out." Yang Shunhui said.

Source: Hunan Daily

The cultural relics through the millennium meet with us in the museum of Qianyang; inherit the traditional culture of the century, and reproduce the style among the artists of Qianyang; in the upcoming Tanabata, let us meet in the romantic Qianyang ancient city.This Qixi Fair Dating Festival, the elegant and simple ancient city has played a good movement, waiting for people to meet here.In 2022, the summer of Hunan Province is hot and sweet.

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