Land of 荷: Dutch and surrounding areas painters in winter scenery oil paintings

Author:Music club Time:2022.07.21

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Dutch and surrounding areas painters in winter scenery oil paintings

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Foreword

As the Netherlands has recently begun to enter the "hard blockade", the museum is closed again, and the Christmas holiday is approaching, I started to have time to sort out many works taken here this year. In the winter, this issue starts with the winter scene, and has compiled the winter scenery oil paintings drawn by 12 painters in the Netherlands and surrounding areas. Among the oil painting works in this issue, a very large proportion fell in the golden age of the Netherlands, that is, the 17th century, and there were two other oil paintings of the 19-20th century. Simple integration, I hope everyone likes it, I wish you a happy Christmas!

Peter Blugaer

Pieter Brueghel The Yonger (1564-1636) mainly draws landscape painting, religious painting and disaster paintings to depict fire and strange figures, and get nicknamed "Hell Brogar". His father, Pieter Bruegel The Elder (about 1525-1569), is the painter of the Renaissance During the Renaissance, known as the painting of the scenery and the farmer's scene. As the eldest son of Peter Bulugar, although his father died early, his father's paintings still had a huge impact on him. Among his works, there are a group of copying or re -drawing his father's work based on his understanding. His redeemed father's work on rural life focuses on realism, and the lack of strong emotions in his father's paintings. (Introduction to writers from Google history and culture)

In this issue, there are 4 works of Peter Bulugel. First of all, we look at a "Winter Scenery with Bird Catcher", which was painted in 1605. In fact, the composition of this oil painting originated from his father's work in 1565, and is now hidden in the Royal Museums of Fine Arts, Brussels, Belgium). On the picture, people are on the freezing river, and under the trees on the right, many birds are around the bird catcher. However, the bird catcher may mean that the trapped bird will soon have a disgraceful ending, and the ice surface may suddenly crack, or a skisting person may fall into the hole in front of the left. An accident is waiting for happening. This is some kind of consistency with the inscription "de Slibberachtigheyt Van’ s Mensenchens Leven "(landslide of human life).

This painting has become a very successful model for the Lulgier family. According to the statistics of art historian Klaus ErTZ, a total of 127 similar copies were created in the 17th century. Among them, there are 45 re -creation versions of this painting. Today, it is displayed in the Rijksmuseum Twenthe, EnscheDe, The Netherlands).

Figure 1-1 In the permanent exhibition hall of the National Special Museum in the Netherlands

Figure 1-2 Frozen picture and bird catcher

The second work seems to fulfill one metaphor of the first painting. We see that someone falls in the picture and someone falls into the potholes. Similar to the "Winter Scenery" collected by the Dutch Special Museum, the current statistics are currently not in 17 versions. They are considered the work of Peter Bulugar. This painting may not be copied according to his father's work, but based on the carving of the artist Hans-1593. In this vivid scene, many characters play the protagonist with the background of winter decoration.

These scenes are very realistic. The artist not only draws comfortable skating couples, but also draws accidents, fights and drunk, such as the hotel on the right. But behind these interesting, superficial scenes, a subtle mention of short -term mention of short -term. The person struggling in the cave is a frequent theme used, reminding the audience to survive. A man holding a branch ran over to help, but he was not sure whether the drowning person could survive.

Figure 2-1 Photo in the Standeral Exhibition Hall of the National Special Museum in the Netherlands

Figure 2-2 picture details

The third painting "Berlien's Population Census" is also a re -creation of Peter Brogal's work on his father (also collected in the Royal Belgium Art Museum), which is collected in the Bonnefantenmuseum, Masstricht The netherlands).

We can see that in front of the hotel in the lower left corner, many people wander around, because the emperor decided to conduct a census for taxation, and officials were busy registering the population. Bulugar described Berry Heng as a Village of Flander in winter. Children and adults were enjoying ice and snow, and there was no decoration in the Bible at all. This is very eye -catching.

There are more religious colors in the version drawn by Peter Bulugar. Google Art and Culture's online exhibition of Berry Heng's Population Census can help us better understand this painting. The link is as follows: https://g.co/arts/hcw3jz2zwefgqdtx9

Figure 3-1 Photo in the Bonnen Museum in the Netherlands#Lulogar and contemporary people: Art is a hidden resistance? # # #特

Figure 3-2 overall screen

Figure 3-3 population registration

Fig

Figure 3-5 Many activities of people in winter

Figure 3-6 playing on ice

The fourth painting is collected in the University of Göttingen, Göttingen, Germany). The scene it depicts is derived from religious stories, showing a scene of killing of the villagers: soldiers invaded a spacious village square covered by white snow. , Kill all children under the age of two (see "Matthew" 2,16).

This picture is based on the Bible story as the background and is depicted by the Bulugar family painter as the 16th century Dutch village. The Flanders villagers were attacked by Spanish soldiers and German mercenaries.

Figure 4-1 taken in the Bonnen Museum in the Netherlands#Lulogar and contemporary people: Art is a hidden resistance? # # #特

Figure 4-2 picture details

Figure 4-3 Soldiers chase women and children

Figure 4-4 The leaders of the soldiers and the people around

Figure 4-5 Soldiers snatched children

Figure 4-6 The soldiers of the flag raised

Aff

Hendrick Avercamp (1585-1634) was born in Amsterdam, where he followed Danish portrait painter Pieter Isaacks and may follow David Winker ( David Vinckboons) Study. In 1608, he moved from Amsterdam to Kampen in the province of Aiser. Affle Camp is a deaf dumb, known as "De Stomme Van Kampen" (Kan Peng's dumb).

As one of the first landscape painters in the 17th century, he is good at painting the Dutch winter. His work vividly depicts the sports and leisure of the Netherlands in the early 17th century. Many of Affle Camp's paintings are the theme of people skating on ice lakes.

In this issue, we look at his two oil paintings. The "Frozen Scene" collected in the Dutch National Museum (Rijksmuseum, Amsterdam, The Netherlands) is a typical example. The picture depicts the village scenes in winter. Many people glide, play and cheer on ice. Two people on the left fell off the ice. There is a suspension bridge and a mill in the distance.

Figure 5-1 In the permanent exhibition hall of the Royal Museum of Moritz, the Netherlands

Figure 5-2 Ice-skilled crowd

Figure 5-3 Farly mills and suspension bridges

Figure 5-4 people who slide down

The second piece of oil painting is collected in the Wallraf-Richartz-Museum, Cologne, GERMANY). On the iced river surface that is also described, people do the activities of gliding, fishing, and ice hockey. The castle in the middle of the picture is drifting with smoke, adding a bit of fireworks on earth.

Figure 6-1 In the permanent exhibition hall of the Wallat Museum in Germany

Figure 6-2 picture details

His nephew (a cousin) Barend Avercamp (1612-1679) was also a painter, and Hendrick Affle Camp also had a great impact. Barent Affle Camp is also known for drawing the Dutch winter scene. He traveled around the Netherlands, including Zwolle and Zutphen to seek inspiration.

The Dutch State Special Museum "The Ice Scenery on the Esar River near Kanpeng" depicts countless pictures that people from all walks of life enjoy on the frozen Essel River. In the prospect, a group of elegant men are playing Colf, a game similar to today's golf. They were attracted by a boy wearing a simple uniform, and he ran over with a long branch. He may be a drowning person, maybe the person who fell into the ice on the ice on the right side of the fancy Mara sled.

Balete emphasized the characters in the prospects by using dark pigments and color embellishments. He successfully paid great attention to the details of narrative, and did not make the scenery in a subordinate status. The high heights and the low horizon allow the audience to overlook the vast environment around, emphasizing the overallness of the landscape.

Figure 7-1 In the permanent exhibition hall of the National Special Museum in the Netherlands

Figure 7-2 picture details

Saverri family

During the same period as Peter Blugar, Jacob Savery (1566-1603) and his brother Roland Savery (approximately 1578-1639) also had similar style winter scenery Painting retain.

This "Small -scale Battle in the Village" is hidden in the Musée de La Chartreuse (DOUAI, France). The picture depicts a battle scene that occurs in a small village covered by white snow in winter. In addition to the soldiers, the villagers also hold weapons to fight the soldiers. Under the chaotic scene, the full -loaded cargo and cattle and horses constitute the middle of the picture, which seems to show where the purpose of this battle is. Figure 8-1 taken in the Bonnen Museum in the Netherlands#Blugaer and contemporary people: Art is a hidden resistance? # # #特

Figure 8-2 picture details

Figure 8-3 Soldiers and villagers

Figure 8-4 People pick up weapons

Figure 8-5 car full of supplies

Figure 8-6 Pick up the people who confront weapons

Christopofe Fan Deng Boger

Christoffel Van Den Berghe (1590-1645), known for landscape painting and static paintings.

Today, I watched a "Winter Scenery" collected in the MauritShuis, Den Haag, The Netherlands. People glide on the ice surface of the frozen waterway. They are playing with an ancient game called "Kolf". The ice surface seems to extend endlessly. The silhouette of the bald trees in the prospect strengthens this depth.

Christopher draws this small landscape painting very accurately on the copper plate; this very smooth base is very suitable for drawing fine details.

Figure 9-1 in the permanent exhibition hall of the Moritz Royal Museum in the Netherlands

Figure 9-2 picture details

Alder Van Delneer

Art Van Der Neer (1603-1677), good at drawing moonlight or small night views under the light, and snow scenes in winter.

This "Winter River Landscape" is collected in the Dutch National Museum. On the ice surface of a wide water body outside a town, people are entertaining with saddle, ice skating, and a sled game. The prospect is the bait of the duck, the windmill on the right, and the tower of the city on the left.

Figure 10-1 taken in the Houhada Museum#冰图: The National Museum of the Netherlands Museum Art Tour#Special Exhibition

Figure 10-2 picture details

Charles Lexit

The next paintings are mainly from the 19-20th century. Charles Leickert (1816-1907) is a Belgian painter who is good at painting Dutch landscape painting.

This "Winter Scenery with three windmills" is collected in the Dutch National Special Museum. A frozen river on the screen divides the field of vision into two parts. One side is set up from far and nearly set up three windmills. In fact, they played the role of mills at the time; there were sporadic pedestrians walking on the other side. On the ice, some people skate, some people work, showing the life of the Dutch winter.

Figure 11-1 In the permanent exhibition hall of the National Special Museum in the Netherlands

Figure 11-2 picture details

William Bastian Sulun

Willem Bastiaan Tholen (1860-1931) is a Dutch painter, drawer and printmaker.

This "Happy Skating" is hidden in the Musuem Gouda, Gouda, The Netherlands). Although the color of the picture is biased, the four people on the screen also face the show, but the four in the sun are icing in the sun. The feeling of enjoying skating on the river can be well conveyed to the viewer.

Figure 12-1 taken in the Houhada Museum#冰图: The National Museum of Dutch National Museum Art Tour#Special Exhibition

Figure 12-2 people who enjoy ice skating in the sun

Conclusion

The first time I spent the winter day in a foreign country, thinking of some winter scenery paintings I usually saw in the museum, the topic of this issue was born. After all, it was more interested in Chinese cultural relics and see more, and it is inevitable that the art born in other regions is difficult to enter. However, I believe that the love of art will slowly fill the cultural GAP and internalize it into a love for life. In my opinion, this is also an excellent experience and self -improvement that watching exhibitions and love can bring us.

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