"Literary Ferry" Cui Daoyi

Editor's note: On July 17, 2022, the outstanding party member of the Communist Party of China, an outstanding literary editor, critic, the Chinese Writers Association "People's Literature" magazine editor, and the former executive deputy editor, Comrade Cui Daoyi, died in Beijing due to illness treatment. At the age of 88. Mr. Cui Daoyi is the benchmark and model of the editing industry. In the past 40 years of editing career, Mr. Cui Daoyi discovered and cultivated a large number of writers such as Li Guowen and Jiang Zilong, and compiled a large number of masterpieces such as "The Mountains", "Class Teacher", and "Anecdotes on the West Line". Mr. Cui Daoyi did his best and fulfilled his duties in his job. He used a broad literary vision, accurate art judgment, surging work passion, and strict political control to ensure the pure character and high -quality operation of the publication. He also served as the director of the editorial board of the "21st Century Literature Star Series", and made a huge contribution to helping the growth of new generations of literature. Editor Zhang Shouren once wrote "Literature Ferry" Cui Daoyi (published in "Star Fire", No. 3, 2018, and in 2019 to include Zhang Shouren's "The Book of Famous Writers"), reviewing the friendship between the two people, and related to Mr. Cui Daoyi related to Mr. Cui Daoyi Literary past. Today, we published this affectionate work again to commemorate Mr. Cui Daoyi, a "literary ferry person".

one

At the end of the summer of 1956, Cui Daoyi, who graduated from the Chinese Department of Peking University and was only 22 years old, walked into the front door of Dongtou Gate, Xiaoyang Yibin, Dongcheng District. "The wooden courtyard reported in the courtyard, and he started his editing career since then. At that time, he was distributed to see the novel drafts from Beijing, Tianjin, and North China.

In May 1957, the spring was bright, the grass and trees, and the fragrance of lilac flowers was permeated in the yard. Cui Daoyi moved the chair to the front porch and reviewed the draft like a treasure. Suddenly, in front of him, he found a novel of "Modification" in a natural manuscript. He wrote the consequences of writing, and the structure was cooked. The rejection of the union chairman of the union is practical, and when he was re -elected, he was drawn out of the candidate list. In the actual election, he was elected with high votes in warm applause, but he was tossed to death again. Cui Daoyi saw a typical character who was born alive, thinking that this was a masterpiece of opposition to bureaucracy and formalism in the rectification movement. After the review and final trial, he informed the novel author Li Guowen with excitement: "The" Modification "you sent will be published as a headline in July 1957."

The world is unpredictable. In June and July 1957, a big "anti -right" movement began. The "Modeling" was accused of "poisonous grass", and the author Li Guowen was classified as "right" and sent twenty -one years to the difficult railway construction site labor reconstruction in the distance. A short story of nearly 8,000 words actually caused him to suffer from eight thousand days. One word for a day, the price paid is high!

However, Li Guowen, who was pushed into the abyss and suffered suffering, was always in mind the discovery and carrying of Cui Daoyi after the "right" correction, saying that Dao Yi was the first person to "embark on the road of literature." He endured the disaster brought by "Election" and never resentful. Not only did he not complain, he also expressed his sincere gratitude to Cui Daoyi. He said in the article "The Fate of the Author and the Editor": "I really have to thank Dao Yijun. He did not draw a manuscript of the unknown generation, and he disdains it aside. , Ask me to talk to the editorial department ... I don't want to describe him like Bole, which is actually in disguise that I am a thousand miles. I am far from thousands of miles, but it is not a horse. Cui Daoyi's first confirmation. His good sound determines the fate of my life. "

After returning, Li Guowen's works won many awards in the Mao Dun Literature Award and Lu Xun Literature Award. Li Guowen, who became a professional household, found that the editor was the ferryer who sent the writer to the other shore, and the novel fetuses were born to the world. Decades later, he wrote Cui Daoyi to his, and preserved a well -preserved letter, copied a copy, and returned to the writer as a physical evidence that commemorate each other and eternal friendship.

Li Guowen said: "Editing labor is a cost of paying, but the results do not belong to their own labor. It is because of the editor's labor that it can ensure that the writer's labor is not paid. The name of the writer, the name of the literary critics, and the name of the leadership literary athletes were not edited alone -the name of the person who crossed the river for us was of course unfair. "

two

After 20 years, that is, from December 28th to 31st, 1977, Zhang Guangnian, the editor -in -chief of "People's Literature", was commissioned by Zhang Pinghua, the Minister of China Propaganda at the time, and hosted the third enrollment office in the Dongcheng District Sea Transport Warehouse General Staff.

It was the first time that the literary elites after ten years of turmoil.与会者都是文学界如雷贯耳的人物，有茅盾、周扬、夏衍、林默涵、刘白羽、曹禺、曹靖华、周立波、吴组缃、徐迟、曲波、韦君宜、雷加、草明、王愿坚、周而复、阮章竞、 Ye Junjian, Tang Tao, Zou Yifan and other hundreds of famous masters. At that time, Wang Meng, Cong Wei Xi, Deng Youmei, Liu Shaotang and other "right" writers had not yet implemented policies and corrected. Therefore, they had not returned from Xinjiang, Shanxi, Liaoning, and Tongxian to Beijing, so they could not attend the meeting. After graduating from the Department of Journalism of Renmin University of China in 1961, I was assigned to work in the "Beijing Evening News" departments. In the early 1960s, the "Beijing Evening News" was serialized by Deng Tuo's column of the Beijing Municipal Party Committee Cultural and Education Secretary Deng Tuo's column "Yanshan Night Talk". So I took the household registration and was put down to the deep -handed work of the deep mountainous area of ​​Mentougou, the suburbs of Beijing: the weir, planting, fecal delivery, pig raising, coal digging, lime burning lime ... In 1973, I returned to the city and allocated to the literary room of Beijing Publishing House to edit Essence Beginning in July 1977, Wang Shimin and Zhang Zhongzheng in the literary room organized a large -scale literary magazine "October". I attended the meeting in the name of the "October" preparatory group. At that meeting, I met Cui Daoyi for the first time. His tall body, Jianqi's body, a thick hair, a personality, a good voice, a goodwill, and immediately won my favor. Cui Daoyi told me an excitement: "In the manuscript in Beijing, I found a middle school teacher named Liu Xinwu sent a novel" Class Teacher "to expose the" Gang of Four Gangs to slavery and harm to young students in spirit. The author's vision is keen. , I think it is unique, so I will give it to the trial. The editor -in -chief and I strive to let it publish in the November issue of this year. Due to the journal drag period, it was not published until December. Cause a great response. "

After I returned to the unit, I borrowed the "People's Literature" in November in the library and carefully read Liu Xinwu's "Class Teacher". I felt that in the climax of the "Gang of Four", this novel described the two middle school students of Xie Huimin and Song Baoqi in the "Cultural Revolution". In the "Cultural Revolution", the class teacher Zhang Junshi shouted the voice of "saving the child". The article is together. Because it is appropriate, the work is important. But I also feel that it is slightly literary, the language is straightforward, and the concept is greater than the image. Over time, it will reveal its artistic lack of art.

At that time, Liu Xinwu had been transferred from the 13th Middle School to the literary room of Beijing Publishing House and became my colleague. I saw that he received many readers' letters, and "Class Teacher" responded strongly. Xinwu and I went out for a meeting and manuscript. Seeing that he received praise from many famous artists such as Zhao Dan, Huang Zongying, Zong Yan and others. Then I compiled his "October" published in 1978, which also caused a warm response from readers.

To be fair, Liu Xinwu's "Class Teacher" contributed in the history of contemporary literature. Its emergence is the sign of the frozen froze of Wanzhangjian, the earliest representative of scar literature, and the signal that the literature spring is coming in the new era.

A flower attracted Wanhua. Since 1978, the masterpieces of various places have sprung up in the end of the rain: there are Lu Xinhua's "Scars" in Shanghai, "Dream on Strings" in Beijing, "Trust on the Strings", Xi'an's "Trust", and Chen Guokai's "I am What should I do? ", Shanxi has Zheng Yi's" Maple ", Nanjing has Zhang Xian's" Memory ", Hebei has Jia Dashan's" Sending the Bible ", Suzhou has Lu Wenfu's" Dedication ", Xining's" Spring Snow "in Xining, Xining Tianjin has Jiang Zilong's "Director of the Qiao Factory", Changsha has Han Shao's "Yuelan", Baoding's "Oh, Xiangxue", and military literature with Xu Huaizhong's "Anecdotes from Western Line" ...

During the new period of literary wells, there were a prosperity of all flowers and purple flowers. Cui Daoyi keenly discovered and bravely edited the "Class Teacher" written by Liu Xinwu's "Class Teacher" during the spontaneous manuscript. Therefore, his special contribution should be recorded in the history of contemporary literature.

three

"People's Literature" magazine is the "national magazine" of the literary world and is the same age as the People's Republic of China. During the more than forty years of editing career, Cui Daoyi had collaborated with Yan Wenjing, Qin Zhaoyang, Zhang Tianyi, Yuan Shuizao, Zhang Guangnian, Li Ji, Wang Meng, Liu Baiyu, who was the editor -in -chief of "People's Literature". Many masterpieces of young writers are well deserved to call him a novel editor. The author has the opportunity to meet with him, either book, or evaluate awards, or lectures, or go out to collect style. No matter how people are, they have learned many things from him.

On April 30, 1996, he and I traveled to Jinggangshan and stayed in the Cuckoo Hotel in Jinggangshan City. There was a spring rain that evening. After the rain, the streets were moist and the air was fresh. I made an appointment with the same room to walk outside.

For the first time, we came to Jinggangshan. I didn't expect that the forests were gloomy here, and the greens were all over the ground. Jinggang Mountain is deep in the mountains, like a blooming lotus flowers: the petals are surrounded by mountains, and the stamens are exactly our walk. Walking on the streets of Ziping, there are residual raindrops on the emerald leaves on both sides of Mizuto, fell on the face, and washed away the exhaustion of our journey. The quiet and clean environment opened our hearts. I asked Dao Yi: "You have been reading a novel draft for decades, what experience?" Dao Yi said: "I have no theory. According to the experience of reading and compilation over the years, I summarized the five words, namely people and love , Things, reason, and taste are used to test the quality of novels. People are characters; love is emotion; things are stories and plots; reason is connotation, meaning, philosophy, or thought; In the space, the intensive aesthetic information is concentrated. "I said:" This 'five -character tactics' are really wonderful. Especially the word 'flavor', just like someone has made food into wine and brewed the wine. "At this time, the two of us were approaching the central avenue and saw a red cloud flashed in the green shade in the distance. I approached curiously to know that the Cuckoo Festival was being held in the city. The middle and long streets of the one -mile are full of colorful and different shapes of azaleas. Hundreds of thousands of pots of flowers gathered together, as if someone had tore a large sunset from the sky and spread it on the long street. Dao Yi said: "The literary world should be like this flower bed.

A towering towering Shuoyou, like a green sail on one side, hangs on both sides of the flower street, inlaid it for it. We breathe the fragrant air and talk about the literary world. I said: "The current hotspot is long novels. Of course, long novels are important. In fact, short stories are the most difficult to write, and there are too few short stories now." Dao Yi said: "Most of the short stories now are of poor quality, and the longer you write. Lu Xun "Kong Yiji" has only 2800 words, and used 4 details: At first I wrote Kong Yiji wearing a gown to stand outside the Ruzhen Hotel Calling counter to drink; the second detail was that he said that the "return word in the fennel bean grass head has a word back. Four ways of writing; the third detail is that he gave each child a fennel bean. The children did not leave. He quickly covered the plate with his hand and said: "Many more, not much. The cotton jacket, a puppet bag under the two feet, is a fall. In this way, it is lively and immortal. "I said," The name of Kong Yiji and the "stealing book can not be regarded as the stealing. In the language, Beijing opened the Xianheng Hotel, and Shaoxing even set up the Kong Yiji beverage company. It can be seen that this short story has a profound influence. "Dao Yi said:" If some writers now write this subject, for the manuscript fee, it may pull 2800 words to pull 2800 words. Growing into 280,000, of which love and martial arts are indispensable. For example, Kong Yiji copied the book in the He family, and added a girl to make him and the maid of lingering and twists and turns. Expand a fierce martial arts, but was discounted with legs ... What taste is there in such a water mixing? Short stories are short and refined. "

That night was the thirteenth lunar calendar, and Yueer was bright. In the clear Lake Cuicu Lake outside the street, the moon, flowers, and tree shadows reflected. That is really a good moon night. Dao Yi looked at the flower bed and said, "The editor is nothing more than a gardener, but it is pruning and repairing,‘ grass pouring ‘flowers.”

Late at night, we left Huajie, we were wrapped in fragrance and returned to the hotel. Before entering the door, Dao Yi suddenly stood up and said to me, "I always guess that Mr. Lu Xun had seen a gown in Shaoxing streets in his early years, and he wearing a gown standing and drinking and splitting fennel beans to the children. After many years, he triggered him. Write the famous article "Kong Yiji". "

Four

That night, Dao Yi and I was washed and went to bed. After a while, he rang. I was emotional, my head was awake, and I couldn't fall asleep for a while.

That night, the moonlight was very good. Crossing the transparent and gentle window screen came in from the outside of the house, shown on the head of my bed, and shown on the arm I extended. I think of knowing Dao Yi for nearly 20 years. It is my luck to have this Wenyou. In the process of co -editing the "21st Century Literature Star Series", the editor -in -chief was sitting on the bus and talked about it, but he held the manuscript alone in the back corner. , I am respected by everyone. When we get along with each other, although I am one year older than him, I am willing to be willing to be his supporting role and follow him: Whenever a meeting, I invite him to sit up and I sit down; Lecture, I asked him to give him a lecture, I added it. Every time he talks about the creation of novels, he is full of energy and endless. He said: Novels are language art. Language is the first element of novels. I picked up a manuscript, and when the language was not good, I immediately terminated reading. Look at Wang Zengqi's language, clean as water, simple and natural, and rich in texture. He described the train lights in "The Sheep House": "The light of the windows of the windows is continuously reflected on the tree wall east of the orchard, and you always feel that the light will scrape the branches and leaves. "The word" scraping "is powerful, and the train lights in the rush are like laser, which can" scrape "the leaves. This is the originality of literary language. He said: The novel must have unique details. The details are the flesh and blood of the work, and the glittering jewelry on the necklace of the novel. Marx in Colombia, he held the ice cubes when he was a kid, and felt "hot". Many years later, this detail experience became "Centennial Lonely". He said: All art is emphasized. Literature is essentially emotional. Writers are love, more affectionate than ordinary people. Cao Xueqin's core of Jia Baoyu's character is a love word. The novel is attractive. It is the author's joy and sorrow in the characters in the works, infecting readers, making them laugh, hatred, sorrow, tears, and pain. He said: The character is the main body of the novel. Shaping the characters is the most basic kung fu of writers. The reason why Lu Xun was great is because he created typical characters such as A Q, Kong Yiji, 闰, Xianglinyu and other typical characters ... This way, I thought about it, and the time had entered the middle of the night. The night of Jinggangshan was quiet. Occasionally hearing a distant dog barking in the wilderness. Yueer has moved from the dense forest ends outside the window to the west. Outside the house is not as bright as before. The traveler is sleeping. I was in a hurry, and I didn't fall asleep anymore, and I had no energy tomorrow. He secretly got up, touched and swallowed two sleeping pills to lie down before fell asleep.

five

In the place where the crowd, for example, at the Spring Festival Association held every year in the Chinese Writers Association, or among the many audiences who are waiting in the front hall of the theater, or on the trial of the Crab Island Resort, walk in the dense green forest. It's easy to find Cui Daoyi, because he is tall and white, and with a red dress, the goal is significant, and the chicken group will suck my eyes all at once.

Cui Daoyi is an idol of many literary writers and enthusiasts. My Wenyou Liu Xueyan is the curator of the Golden History Museum in Acheng District, Harbin. He read Cui Daoyi's "Water Water Clouds" and admired him. Especially if the novel needs to be implicit and artistic, it needs to be confused. Dao Yi said in the book: "The truly pure thinker can become a writer. They are too clever. They can see everything clearly, and they can not open up the space for imagination. Regarding art creation, it is difficult to be clever and more difficult. The cleverness of the writer is often 'rare confused.' The difficulty of the writer is that he can "pretend to be confused ' -not to make his feelings directly and the Panpai, and the Panpan, and the Panpan, and the Panpan, and the Panpan, and the Pan, You want to say that you want to rest, but Daotian is cool and autumn, so that the readers can ponder, think about, and delight. "Because of the admiration and respect of Dao Yi's cultivation, Liu Xueyan entrusted me to invite him to Acheng for a tour.

In December 2013, I finally invited Cui Daoyi to visit Acheng, the suburbs of Harbin. Liu Xueyan was excited and drove to the train station to greet himself. When we arrived at the hotel, set up a banquet, took a group photo, led us to visit the Jin Shangjing Museum, and went to the wild to enjoy the famous local cliff stone carvings.

The cliff stone carvings of the Jin Dynasty Yaogou are the targets of key cultural relics in the country. We left Acheng by car and went to the southeast dozens of miles. Outside the window, the thick snowfall extends to the end of the sight. Soon after the car dealers arrived in the Mountains of Zhangguangcai Lingling. Dao Yi and I saw a large piece of bare gray -brown granite engraved with a man, one woman and two frames of portraits. On the right is a male statue, a samurai, a helmet, a helmet, a ribbon, a narrow sleeve, a cloak, a burly body, a mighty posture. On the left is a female statue, sitting on the knee, her hands in their sleeves, and a female hat on her head wearing a ribbon. The manner is serene, and a noble woman looks. Dao Yi looked at the stone carving and said, "These two stone statues are the best products of the early stone carvings of Jin Dynasty."

After returning to Acheng, he worshiped the Jin Dynasty. Dao Yi and I did not see any relics of the ancient buildings of the Jin Dynasty. They just erected a stone monument on the original site. In the cold wind on the three or nine days, I took out the notebook to write down the inscription in detail, and looked up at the distance. Lao Cui wore red cotton clothes to stroll on the snowy field in the north. Bai Xue red, Wu Wu forms a bright scenery. The red flame burning on this black land adds warmth and joy to the winter journey. At that time, I was moving and thought of the old name of the old Cui.

At that time in Harbin, Liu Xueyan also took us to Sun Island to see the colorful and beautiful large -scale ice sculptures, and visited the magnificent and solemn Saint Sophia Cathedral. In front of the church, a middle -aged author who has published a novel in "People's Literature" happened to be. He saw Teacher Cui surprise, and took us to the most famous Huamei West Restaurant on Central Street for dining. Lao Cui was even more unexpectedly harvested in Harbin, that is, he has seen his eldest brother and his nephew and niece that he had seen in Acheng for many years. They met at the local hotel, embraced the talks, melted their affection, and sent a lot of joy. six

The Hangzhou Creation Home of the Chinese Writers Association is located in the 100 acres of Longjing Tea Garden on the east side of Lingyin Temple of the West Lake. From August 28th to September 6th, 2017, Cui Daoyi and I were fortunate to have been on vacation for ten days. On the evening of that day, Dao Yi and I stood in the small courtyard to watch the surrounding scenery. The creation home received our old leaves and introduced it to us: "This house was designed by female college students who just graduated from the Department of Architecture of Tongji University in 1988. Relevant parties stipulate that this large camphor tree cannot move, and the land area cannot be moved. Small, you can only cover the two small buildings on the black tile and white wall. "Lao Cui and I both felt that there were small and exquisite, delicate and comfortable here. Lao Ye said: "Mr. Ba Jin came here for four times after eighty years old. Now Cui Lao and Zhang Lao you live in 806 and 807, which is the room where Ba Lao and his daughter Li Xiaolin lived separately. Here The air is fresh, the air is fresh, the elder is happy, and the light Hangbang dishes are also loved by this place. "

After Lao Ye left, Lao Cui and I saw a standing stone beside the big camphor tree outside the room where the old room where Pa Lao lived, and engraved with a red letter: "This is really my home. Thank you. Pakin, October 14, 1990. "

I read this paragraph and remembered the article "To the October" published by the October Magazine on the third anniversary of the "October" magazine. Bayao said: "October magazine is a very good large publication ... The work is the life of the publication. The editor is a bridge between the writer and the reader. The writer cannot send the work directly to the reader's hands. Introduction and recommendation. Without this help, the writer may not come out. "

Lao Cui said: "Ba Jin is a great writer and a big editor. This is the personal experience of Ba Lao."

I said: "Editor is a bridge between writers and readers. How good, more appropriately, and more vividly said. Without editing this help, writers may not come out. Many examples in literary history prove this sentence. In 1928 If it wasn't for Ye Shengtao's old manuscript, he found Ba Jin's "Destiny" and serialized it on the "Novel Monthly News". At that time, only the author of 24 years old and in Paris, how could he go to literature so young, he would go to literature as young as literature. Road? In 1934, Pa Jin's journal journals in the three doors of Beiping. He turned to Cao Yu's "Thunderstorm" in the accumulated drawer. In the future. Mr. Cao Yu has since embarked on the road of drama writers, and became a drama master after "Sunrise", "Wilderness" and "Beijinger". To Xiao Hong and Xiao Jun's "Life and Death Field" and "Village in August", after reading, they were immediately recommended and prefaced, and they were published in "Slave Series" in 1935. From then on, after the left wing literary world in the 1930s. After Mr. Lu Xun died in 1936, Xiao Hong wrote a set of long articles that recalled Lu Xun, as a wreath that never faded to Mr. Lu Xun's spirit. , Sadly, busy go to mourn, bare chest, cry in pain, help Ling to lift the coffin, and repay the teacher's grace. A story of a modern and contemporary literature, such a touching story between writers and editors is common. "

The setting sun fell, from the west side of the north peak, crossed the first -level protection base of Longjing Tea in the West Lake, and came over. Lao Cui and I went to a maple tree in the courtyard to look around. In front of the meeting, there was a dense bamboo forest. There were several leaves with a wide and long banana swaying in the breeze in the late summer and early autumn. Dao Yi and I stepped onto the lawn and found that Cuizhu covered a flat round gray -brown boulder, which was engraved with the signatures of more than thousands of writers who had been on vacation and writing over the years. Faced with the signatures of different signs and different handwriting, we found that old writers engraved on the stones such as Ba Jin, Xia Yan, Zhang Guangnian, Zhu Ziqi, Cao Ming, Feng Mu, Huang Chang, Li Zhun, Luo Luo, soup wide , Xu Chi, Yang Zimin, Zou Yifan, Ke Yan, Zhao Changtian, Lu Xing'er, Zhang Zhongxuan, Zhang Xianliang, etc. have passed away. The years have passed, and the heavens do not pull, and the people are unsatisfactory. Then we discussed the name of the excellent writer of the current fifty -year -old generation. Cui Daoyi blurted out without thinking: "Bi Feiyu in the south, and Chi Zijian in the north."

I agree with Lao Cui's evaluation. Bi Feiyu's "Tsing Yi", "Corn", and "Labra" is a masterpiece. He is a wizard emerging from Xinghua, Jiangsu. And Chi Zijian, born in North Village, Mohe County, Heilongjiang, is full of spirituality and high talent. It is a literary star that shines in the northern sky. She said: "Hometown and nature are the sun and moon of my literary world, which illuminates and warms my writing life." She wrote many characters, Qingfeng, Mingyue, ice and snow, and many characters living on the northern border. She won the Mao Dun Literature Award "The Right Bank of the Erguna River", telling the tone of the last chief of the Ewenki ethnic group in the 90th year, telling the stubborn struggle and good love of the weak nation. She lamented the death of beauty, making the novel have an epic character. I remember that in the "Art Sea Double Pash on Chen Sihe and the editor -in -chief of Chen Sihe and the Shandong Pictorial Publishing House, Chi Zijian wrote Cui Daoyi's article. When Zi Jian was a graduate student in the Lu Xun Academy of Literature, Cui Daoyi was her counselor. She said in the text: "Teacher Cui is tall, wearing a pair of wide -sized myopia glasses. He is humble and serious, and carefully reads and puts forward reading opinions on each manuscript we hand in. 》 This is a homework. At that time, Mr. Cui finished reading this manuscript at home and immediately called me, saying that he appreciated this work and won the "People's Literature." The trainees went to his house as a guest. We ate lamb surrounded by charcoal hot pot at dusk, and then appreciated the New Year's concert in Vienna. Remember when the melody of "Radzki" sounded. At that time, he seemed so young and so forgotten ... "The evening bell in the famous temple nearby, its clear and melodious Sanskrit sound drifted with the wind. Lao Cui and I stood in the dusk of the green bamboo bushes, talking about Chi Zijian's feelings and praise for him. Dao Yi said that he didn't know that there was such an article, and that he also said that anyone who wanted to interview him and wrote him gently refused, and never valued it.

Oh, Dao Yi has "Dao": successful, beautiful, big voice.

seven

Cui Daoyi was from Tieling, Liaoning, and came to Beijing for a long time. After graduating from Peking University, he was recommended by Wu Group and has been working in "People's Literature". He adhered to a publication throughout his life and sent away eight editors. He started writing at the age of 17 and published the children's literary work "The Road of the Team", the short story "" Umoral "" "" Used ", the novel" Unblocking Autumn Rain ", and the prose of the prose" My Right Hand's Unknown Finger ". He has published monographs such as "Creative Skills Talk", "Getting started novel creation", "Water flowing clouds" and "Fang Apple", which preface for dozens of novels. Editor -in -chief of "Chinese New Literature Department", "Selection of the Fifty -Year Short Story for New China", "21st Century Literature Star Series". He has won the National Literary Journal Excellent Edit Award.

Dao Yi is a very appreciation, sharp, and experienced editor. In 1962, in the spontaneous manuscript, he saw the novel "The Sheep House" written by Wang Zengqi, who was decentralized in Zhangjiakou, lived in the sheep rim, and had been ignorant, as if he picked up golden blocks in the sediment, appreciated until it was prepared until until he was ready to prepare until the mud, and appreciated it until it was prepared to prepare until until It was published on "People's Literature". Even the contemporary contemporary such as Wang Zengqi praised Cui Daoyi and said, "My work can be appreciated by Lao Cui.

Lao Cui and I met the deep relationship for forty years. The impression he gave me was that he was like flying in the clouds, vibrating wings, straightened feet, and elegant gesture to move forward with his eyes, and found all the best products on the earth with his wisdom eyes. I heard Zhao Yu, Xu Jian, and Banglang called him "national editor" more than once, thinking that he was the chief novel editor -the supreme title of our professional business.

October 2017 in Beijing

Source: Chinese Writers Network

- END -