Art | Longjiang drama "Xiao Hong": Playing in his hometown with his hometown

"Xiao Hong" Performance scene at the scene of Heilongjiang Province Longjiang Drama Art Center Photo Conferry

From June 22nd to 24th, the National Art Fund funded projects and large -scale original Longjiang drama "Xiao Hong" performed 3 consecutive performances in Harbin Global Theater. The audience was full. Why is a Longjiang drama so popular? Liu Fshen, vice chairman of the Federation of Literary Federation of Suihua City, Heilongjiang Province, said: "By watching the show, Xiao Hong, a well -known female writer, is more profound than other ways."

Heilongjiang Province has earlier this year than before. In June, many colleges and universities began to take summer vacations one after another. In order to enrich the spiritual and cultural life of the majority of citizens in Harbin, in order to leave a profound cultural impression on tourists inside and outside the province, it is also to commemorate Xiao Hong who is going out of Harbin City's Hulan District. "Xiao Hong".

Chen Zhe, director of the Heilongjiang Provincial Department of Culture and Tourism, said that the drama "Xiao Hong" used the art form of her hometown to reproduce her hometown stage in the hometown of Hulan River, and returned a wandering soul and spirit to the homeland. The people's best remembrance and commemoration of Xiao Hong. Longjiang drama "Xiao Hong" is rich in cultural characteristics and humanistic spirit, which makes people remember and inherit the spirit of black soil culture and patriotism.

Xiao Hong is the daughter of Heilongjiang. When the homeland is lost and the nation is in danger, he has integrated his personal spiritual humiliation and hardship, talent and blood, unwillingness to sink and rebellion, and integrates the dark, turbulent, and tragic period of China. She used a pen as a gun, covered with blood tears and grief, and copied the tragic living state of the people of the Japanese invaders to the people of her hometown. String sound. Xiao Hong is hailed as the "Literature of Literature in the 1930s" in China. She is a cultural symbol of the era and the eternal cultural monument of Heilongjiang.

The Longjiang drama "Xiao Hong" "escape marriage", "divorce lawsuit", "escape father's imprisonment", "meeting with Xiao Jun to meet the collection of progress, avoid the daily pseudo -persecution of exile, and then leave Xiao Jun" "combined with Duanmu Liangliang Living and emotional anecdotes such as "Hong Kong", which shows Xiao Hong's fate, emotion and pursuit. Among them, the part of "meeting with Mr. Lu Xun, encouraging and guiding" is the brightest and most meaningful color in Xiao Hongduo's fate.

Huang Weiruo, the screenwriter of the play, said that in Xiao Hong's short life, he always reflected his care for the poor and women and the disadvantaged, and his persistence on personality liberation and free love is still enlightened. "As a creator, we went to the words in the works of Xiao Hong's literary works, pursuing and tasteing her traces and tastes, and tracing back and exploring her spiritual world. We must respect history, but also have artistic innovation and discovery. The more you understand, the more you understand. The thinner the taste, the more new possibilities are. "Huang Weiruo said.

It is worth mentioning that the play cleverly uses accompanying singing and dance as a narration, describing Xiao Hong's inner contradictions and reality entanglement, explaining her encounter and misfortune, and a sense of refreshing people. Broken time and space, actors played the virtual and reality of the characters in the stage of Xiao Hong's novels, and innovated the form of expression. Finally, through the reproduction of the characters in the "Hulan River Biography", the daughter of the Northeast daughter who was unfortunately unfortunate, the fragile but stubborn of the soul, dreaming back to the Hulan River soul to return to the hometown, making the play full of endless artistic art. tension.

It is understood that Longjiang Opera is the only local opera drama in Heilongjiang Province. After nearly 3 years of creation and brewing, the Longjiang opera "Xiao Hong" is used to use localized opera art forms, highlighting the patriotism of Xiao Hong's literary power and evoking national awakening patriotism. The spirit reappears a scene story with a cultural characteristics and humanistic spirit.

Playing in his hometown with his hometown, there is a sense of intimacy. The audience gave a high evaluation of "Xiao Hong". Local audiences believe that the play has enhanced the pride of the outstanding talents of the literary world from Longjiang, and enhanced cultural self -confidence. The audience of the country also felt refreshing. Mr. Liu, a tourist in Hunan, said that "Xiao Hong" showed the charm of the drama of the drama of Longjiang with its unique stage art style and characteristics and characteristics of the drama.

Song Wei, director of "Xiao Hong", introduced that the show adopts a thick, beautiful, delicate, vivid and vivid style.极富地域气息的戏曲化表演，本土传统音乐和唱腔运用，颇具年代感人物服装、化妆，辅以现代舞台舞美、灯光、音效和背景，让观众在时空交错的感喟中，回溯那一年代、 That society was among the group of people, listening to them, listening to them, feeling their inner and spiritual world, touching the lively soul.

Xiao Hong's actor Li Xuefei said that the rich Longjiang regional customs culture and humanistic feelings have given Longjiang drama rough and hot, spicy humor, and singing and dancing. Playing his hometown figures in his hometown, presented the daughter of the Hulan River in a foreign country to the audience, and gave the audience for a short life and legendary story, giving people a sense of realism and intimacy of "this is her".

Yang Xiaquan, director of the Longjiang Opera Art Center of Heilongjiang Province, introduced that in recent years, the center has successively launched a series of Longjiang The art works of the drama continue to enrich the spiritual and cultural life of the people. The successful performance of this "Xiao Hong" will once again accumulate a classic masterpiece for the development of the art inheritance of the drama art.

Responsible editor: Gou Xiaoqing

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