Tingtianli uses the world -Pan Liyong's academic thought and contribution of leisure aesthetics

Author:China Social Sciences Network Time:2022.06.15

Pan Liyong (1956-2022), a native of Cixi, Zhejiang, a well -known aestheticist. Bachelor of Literature of Zhejiang Normal University, Master of Literature and Art of Nanjing University, Doctor of Aesthetics of Fudan University. He was taught at the Chinese Department of Zhejiang University. He was a professor, doctoral supervisor, director of Chinese aesthetic society, and a director of the National Youth Aesthetic Research Association, and also served as the director of the Education and Training Department of the Asia -Pacific Leisure Education Research Center of Zhejiang University, the humanities of Zhejiang University Director of the Tourism Research Center, executive director of the Chinese Aesthetic Society, and special researcher of the Social Science Higher Institute of Southern University of Science and Technology. He is an important expert in the field of Chinese aesthetic research.

Pan Liyong's early research on science aesthetics and cultural philosophy is mainly concentrated in Song and Ming Confucianism -related aesthetic ideas. It is one of the pioneers in this field. In recent years, research has gradually shifted to the field of leisure. Excellent contribution of academic fields. Pan Liyong introduced a traditional study paradigm of Chinese aesthetics, studied contemporary leisure aesthetics, and vigorously promoted the cross discipline of leisure science. His theory is Hong, comprehensive theory, and has written "Aesthetic and Humanities Spiritual Theory", "Zhu Zixue Aesthetics", "Chinese Culture and Humanity", "Chinese Culture and Tourism", "Integrity — "History of Chinese Aesthetics (Song Jinyuan Volume)", "Leisure Culture and Aesthetic Construction", "Aesthetic and Leisure", "Aesthetic and Cultural and Creative", "Leisure and Cultural and Creative", "Song and Ming Confucian Personality Aesthetic Education", "Humanities Tourism" (1-4 "(1-4 Compilation), "Leisure Review" (multiple series), published more than 160 research papers.

Aesthetics of Science: Deep Development of the World

Zhu Zi Aesthetics Research. Pan Liyong's youth research is mainly concentrated in Song and Ming Confucianism -related aesthetic ideas, focusing on Zhu Zixue, and creatively compared it with German classical philosophy, published more than 20 papers. In 1999, he published the iconic achievement of science aesthetics- "Zhu Zicheng Aesthetics". The book 460,000 words, through argumentation of the aesthetics and its important values, conducted a comprehensive study of Zhu Zi's aesthetic ideas. The book has won the second prize of the Zhejiang Provincial Government's Philosophy and Social Science Outstanding Achievement Award (2002). It has become an important reference material for Chinese classical aesthetic research and the recognition of the introduction of science aesthetics. It is one of the third -stage representative results of Zhu Zixue research in the 20th century and the representative results of the study of Zhu Xi's "Book of Songs".

Yangming Heart Study. Pan Liyong's "The meaning and influence of Yangming Heart in Aesthetics" ("Literature and Art Research" 1995) became the earliest thesis of Wang Yangming's aesthetic research aesthetics in China. In 2003, Pan Liyong's "Yangming Heart Aesthetic Research: Cut in from the Guess of the Sports" obtained the establishment of the National Social Science Fund project. Since then, he has published more than 10 Yangming Heart -based aesthetic research papers one after another to obtain the attention of academic circles. In 2010, Pan Liyong's monograph "Integrated: Aesthetic Wisdom of Yangming Heart" was published. This is the first book that systematically discusses the aesthetic wisdom of Yangming Xinxin. Based on the in -depth study of Yangming Xinxue and related classics, the book has widely learned the research results of modern scholars at home and abroad, and has made a modern perspective with the aesthetic wisdom contained in Yangming Heart. Pan Liyong deepened the most colorful discourse and system of "ontology -Gongfu -Realm", and used this as the theoretical identification of equal dialogue with Western philosophy aesthetic discourse system.

Research on Song Ming. In the process of studying Zhu Xi's aesthetics and Wang Yangming's aesthetics, Pan Liyong further expanded his academic horizons to the entire scope of Song and Ming Confucianism, trying to tap the significance of the construction of the entire Chinese aesthetic language system, and achieved gratifying results , Multiple projects have obtained national projects. In 2020, he published a monograph "Song and Ming Confucian Personality Aesthetic Education Theory", mainly in the three aspects of the discussion of the ideological aesthetic ideas of Song and Ming, from a macro perspective, with the background of Chinese cultural philosophy, and systematically observed the traditional Chinese culture in Chinese culture. Personality aesthetic thoughts and humanistic spirit, as well as Song Ming's theoretical improvement and the construction of ontology; from a micro perspective, sorting out the inherent system of the personality and aesthetic ideas of Song and Ming Dynasty and its significance in the entire Confucian framework, and in Zhang Zai , Zhu Xi and Wang Yangming, the three representatives of the three representatives, based on related scientists as the face, analyzed their pursuit of the pursuit of personality education and life realm, and the cultivation of rituals and arts, and the basic way of practicing and practicing as the basic way. From a comparison perspective, the western, especially German classical aesthetics and their aesthetic education ideas, analyzed the character, theoretical character, theoretical character, and contemporary significance of Songming's personality aesthetic education. Essence

At the end of 2020, the topic of "Song and Ming Construction Research Study on the Construction of Songming Construction" by Pan Liyong's application, and dozens of domestic experts and scholars participated in the project. In -depth discussion of the theoretical character of the integration of traditional Chinese mind philosophy and the surrender Song Ming and its aesthetics, analyze its historical impact on the construction of traditional Chinese aesthetic talked system, and grasp Chinese and Western philosophy and aesthetic words in the perspective of delayed context and simultaneous dimension. The differences in the system, and draw on the theoretical resources and wisdom of the construction of contemporary Chinese aesthetic language system. The topic expands the field of Chinese classical aesthetics, which makes up for the important links in the development of traditional Chinese aesthetics, marking the further development of science aesthetics and moving towards the purpose of the world. Leisure aesthetics: Tingtianli is used to use the world

Leisure aesthetics research. From science aesthetics to leisure aesthetics, Pan Liyong conducted a pioneering research in the cross -field cross -field of science and aesthetics. From his understanding of the spirit of Song and Ming, he believes that aesthetics should not be just "learning", but "learning of physical and mental". The pursuit of life and cultivation in life is the basic spirit and purpose of traditional Chinese aesthetics so far.

Pan Liyong proposed that leisure studies should "stand up to the sky", that is, the characteristics of the in -laws in the leisure research coexist. In the research of leisure aesthetics, he has received funding from the two national social science funds projects: "Aesthetic and leisure -the research and theoretical construction of contemporary Chinese leisure culture", two, The thesis of the same name was reprinted by the full text of "Xinhua Digest". In 2017, the "Leisure Culture and Aesthetic Construction" was published, and the project was published in 16 series of papers in academic journals such as "Chinese Literature Criticism", "Social Sciences" and "Zhejiang Social Sciences". The two parts of the "Aesthetic Observation of Leisure Culture" are composed of two parts; in 2019, the monograph "Aesthetic and Leisure -Research on Social Quality and Survival of Harmonious Society" is published to sort out the ideological wisdom of the main aesthetic and leisure of ancient and modern Chinese and foreign, so as to reveal leisure, aesthetics and and The inherent correlation of the quality of life and the realm of survival emphasizes that aesthetic and leisure activities have important theoretical significance and practical value in improving the quality of contemporary life, promoting harmonious entrepreneurship, and building a harmonious society.

Due to the outstanding contribution of leisure and aesthetics, Pan Liyong was hired as a special researcher and visiting professor by Southern University of Science and Technology. During this period, he edited 8 special academic series of "Leisure · Aesthetic · Creative".

Construction of leisure aesthetics. In terms of the construction of leisure aesthetics, Pan Liyong and colleagues relied on Zhejiang University Asia -Pacific Leisure Education Research Center to approve the first doctorate in China in 2007 to explore the research of leisure theory and leisure practice to cultivate high -levels that meet social development, and Compound talents.

Pan Liyong introduced the traditional research paradigm of the history of Chinese aesthetics, and conducted in -depth research and exploration of related research themes of contemporary leisure aesthetics. He proposed in the thesis "Leisure and Aesthetic: Freedom of Life" that leisure is the ideal state of human survival, aesthetics is the ideal way of human experience, and there is an inner inevitable relationship between leisure and aesthetics. He raised the social phenomenon of "leisure" to the height of the essential philosophy of life, and tried to break through the bottleneck of the development of Chinese aesthetics. Pan Liyong reveals the modern value of aesthetics in contemporary Chinese social development and contemporary Chinese cultural industry, that is, "leisure" and "suitable". "Leisure" refers to the ontology of contemporary leisure aesthetics. Pan Liyong believes that the "leisure realm" like the "aesthetic realm" is the inevitable result of the traditional paradigm using aesthetics to study leisure. Through the understanding and interpretation of Song Ming Confucianism, especially Yangming's heartology, he deeply revealed the most colorful discourse and system of "the ontology -Gongfu -Realm", as a system of Chinese native philosophy aesthetics, and used this as a system of philosophical aesthetic discourse system with Western philosophy. The theoretical logo of equal dialogue has gradually constructed the theme research paradigm of Chinese contemporary leisure aesthetics.

Pan Liyong is one of the pioneers of Chinese contemporary leisure aesthetics, a practitioner to promote the development of Chinese leisure aesthetics, and also an important leader in exploration and research on leisure, humanistic tourism, and cultural industries. The "ontology -Gongfu -Realm" it advocates is the effort and practice of the equal dialogue between the Chinese leisure aesthetic language system and the Western leisure aesthetic system. It reflects the active exploration of Chinese scholars' efforts to surpass existing theoretical restrictions, and take an important step in building China's own theoretical paradigms and discourse systems.

(Author unit: Qianjiang College of Hangzhou Normal University)

Source: China Social Science Network-Journal of Social Sciences of China

Author: Gu Yaqing

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