Beijing Renyi Little Theater staged "Relationship" to show the dilemma of human nature
Author:Not just the theater Time:2022.07.19
Photography/Li Chunguang
Starting from July 16, the drama "Relationship" was staged in the Human Art Theater. This work by Wanfang and directed by Ren Ming has been staged for 13 years, and it is a well -deserved popular work in the field of Renyi Theater in recent years. Whether it is the projection and observation of the work itself, or the strength interpretation of the original classmates such as Ding Zhicheng, Liang Danni, Xu Jingyao, and the joining of the young generation of Chen Hongxu and Zhou Shuai, this work has always been valuable to discuss. Director Ren Ming once said that the "relationship" is simple and complicated, "to taste simple and complex, and seeking simplicity in complexity." Although the director Ren Ming left everyone, the crew of the crew continued to excavate and discuss along the director's thinking.
Photography/Li Chunguang
A man, three women associated with it, and the story of "Relationship" revolves around them with each other and their hearts. It seems to be a simple emotional topic between men and women, but it actually reveals complex and profound human nature. In the relationship between everyone in the "person in the bureau", the work did not calmly analyze and judge the audience from the perspective of the judge. The way to break the situation.
Photography/Li Chunguang
Although it is a work that focuses on life, the relationship is not simply telling a real story. On the one hand, it is very close to life, which can give the audience a sense of substitution; on the other hand, the distance is cleverly opened, the things hidden under life are tapped, giving the audience a perspective of jumping out of life. In the play, these characters that come out of life have multi -facetedness and are difficult to be labeled. In the play, the male protagonist Sha Chenxing is neither a "scum man" in the traditional sense, nor a poor man with suffering. His actions are sometimes angry and sometimes understandable. His wife Wu Xiaohua seemed to be "abandoned", but she was not a passive sad woman. She had more initiative for life. As for Ye Hang and Du Du, whether there is real love between them and Sha Chenxing, it is even more worthy of thought. These have given the audience a diverse perspective.
Photography/Li Chunguang
"The reason why this work looks good is because different audiences can see from various angles. We just show the characters and how to evaluate the role in the play, and we must leave it to the audience." Starring Ding Zhicheng said. After playing hundreds of games in thirteen years, to this day, he still feels that this role is "too difficult to play", and it can even be said to be the hardest one of the stage works he has played. Because the audience sees "close -up" and requires more delicate performances. "We are so close to the audience, just like the person who jumped out of the audience's seat, but we need to keep the distance from the audience so that they can examine us. This kind of control is a test of actors."
Photography/Li Chunguang
As an old partner who runs together with Ding Zhicheng for thirteen years, Liang Danni, the player of his wife, has been giving up the details on the stage of the stage of thirteen years. During the performance, she joined the "scratching back" action after turning and got the active feedback from the audience. "They can see this woman's eclectic section at home." It is such vivid details that make the characters more realistic Essence "Good plays can often perform often. Although lines and scheduling do not change, my interpretation of the characters will change over time. Now I interpret the original passive woman into a new woman with more initiative. It may be more in line with the current audience's cognition. "Liang Danni said.
Photography/Li Chunguang
There is no too much stage rendering, and the performance of the "Relationship" shows the truth and delicateness of the small theater performances. This is why this work has been staged for thirteen years without decreased. This round of performances will last until July 29.
Photography/Li Chunguang
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