"There is a wind in the world" presents Liu Haiyong's greated flowers and birds painting

Liu Haiyong's "Chaolu to the Ri" 358 × 96cm 2022

On July 16th, the "World of the World -Liu Haiyong Chinese Painting Works Exhibition" opened at the Chinese Art Museum. And practice. Wu Weishan, member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference, director of the China Art Museum, Jin Yibin, Secretary of the Party Committee of the Chinese Academy of Fine Arts, Ma Fenghui, Secretary of the Party Committee of the Chinese Academy of Arts, Deputy Chairman and Secretary -General of the Association, Zhang Lichen, Professor of the Central Academy of Fine Arts, Chairman of the Chinese Artists Association, the Central Academy of Fine Arts Dean Fan Dian sent a congratulatory letter. The opening ceremony was chaired by Cao Xiaoyang, deputy dean of China Academy of Fine Arts.

In his speech, Jin Yibin said that the Department of Chinese Painting of the Chinese Academy of Fine Arts adhering to the "peak consciousness", the tree of Chinese painting inherits and the flag of Tuoxin, and built the academic structure of Chinese painting with distinctive gorgeous characteristics. In the past century, a generation of masters in the development process demonstrated the spiritual quality of Gome, and it also created the height of the development of the Academy of Fine Arts. Liu Haiyong adhered to the front line of professional teaching and the forefront of art education, and made unique contributions in teaching and educating people, research and creation. Liu Haiyong continued to cultivate innovative pen and ink structures, focused on pioneering the expression of large -free freehand pen and ink, exploring the beauty of Jiao Mo, the vast beauty of the light ink, and the "packed aesthetics" of the colorful "buns", and found his own way of painting. At the same time, actively explore the teaching model of "two -in -one in one end", and guide students to train hand skills in the relationship between Chinese freehand spirit and freehand forms, and enhance the cultivation of personality. It is the vivid embodiment of Gome inheritance.

Ma Fenghui believes that the exhibition shows the results of Liu Haiyong's creation, teaching, and research in recent years, reflecting his mission of promoting the spirit of the times with pen and ink, and reflecting his artistic pursuit of adhering to the ideal of art and promoting the spirit of Chinese aesthetics. As the keywords of this exhibition, "Wind" is the earliest and most frequently -frequency image in ancient Chinese poetry, showing Liu Haiyong's trust in traditional Chinese aesthetic culture and its deep texture. Liu Haiyong's rich artistic creation has penetrated the traditional freehand spirit and aesthetic pursuit of the times, and the concept of traditional cultural value and artistic innovation is undoubtedly a positive and beneficial expansion of the development of contemporary Chinese painting art.

Liu Haiyong's "Flower Flower" series 60x45cm 2018

Liu Haiyong's "Popular Song" series 367 × 144cm 2022

As a teaching teacher, Zhang Lichen had deep hopes for Liu Haiyong's artistic creation. He said that Liu Haiyong was good at learning and learning, and he was good at raising new problems and actively asking for advice. The unremitting spirit of creation. Liu Haiyong's thinking and exploration of painting and teaching, and talent training in painting, theoretical research, Chinese painting education and teaching, and talent training are complementary with his artistic creation.

Fan Dian said in Hexin that Liu Haiyong's work full of pride and poetry reflected his artistic exploration and far -reaching thoughts. Art map. These works reflect his sincere feelings for Chinese painting art, excellent artistic endowment and unique way of creative research. Liu Haiyong showed a broad cultural ambition and strong creative consciousness in the painting of freehand flowers and birds. He pursued theme meaning and cultural mood in the work, giving freehand flowers and birds with vigorous visual weather, forming a broad artistic pattern It also reflects the clear spirit of the times. He insisted on controlling pens and research on the pen and ink, showing the rich and scholarly temperament in the vivid emotional expression, broadening the expression of the language and ink language, and showing an extraordinary style.

Wu Weishan pointed out that Liu Haiyong had sought to learn from the Central Academy of Fine Arts and the Chinese Academy of Fine Arts, so that his works had both the southern aura, spirituality, and the majesty and vastness of the north. "There is a wind in the world" reflected in three aspects: wind bone, wind, and style. As far as the style is concerned, Liu Haiyong has found the spirit of personality from the traditional Chinese culture, and the spirit of painting the spirit with flowers and birds. Flower and bird paintings are not limited to traditional themes and painting methods, and their works are full of spiritual strength of the humanistic atmosphere of nature and his inner world; in terms of style, Liu Haiyong's work has formed a distinctive style. His personality weather. With his long artistic path, he constantly pursued more material worlds and spiritual worlds, refracted in his works, making his works richer and more vivid.

Liu Haiyong

Liu Haiyong was born in Leqing, Zhejiang in 1976. He listened to Yuzhai owner. He is currently a professor, a doctorate instructor of the Chinese Academy of Fine Arts, and a young Yangtze River scholar of the Ministry of Education; a member of the Chinese Artists Association of the Chinese Artists Association, a member of Xiling Yinshe, a member of the Chinese Painting Society, a director and deputy secretary -general of the Zhejiang Artists Association, and Chinese art Executive Deputy Director of the Institute of Chinese Painting. In the opening ceremony, he said that the exhibition was a phased report to the teacher.

Liu Haiyong wrote in the exhibition: The theme of this exhibition, "There is a wind in the world", is a look at the exhibition of "wind coming" 7 years ago. Whether it is reading, writing, and painting, it is part of life. How do we integrate it, do one thing, we can integrate our understanding of life, technology, and some perceptions of learning, and constantly cultivate and cultivate ourselves. Looking at the world with a sincere heart, and feeling the world, you can feel some new exploration and new brushwork language. "There is a wind in the world -Liu Haiyong Chinese Painting Works Exhibition" was co -sponsored by the China Art Museum and the Chinese Academy of Fine Arts, and was exhibited in the Hall 2, 3, 4, and 10 of the Chinese Art Museum. The theme of the exhibition "The World" has both the traditional thinking of the freehand and the concern of the time of the times. The first part of the exhibition "Kwai Garden Sanghai" uses sunflowers to explore the style of flower and bird painting; the second part of the "Yanshan Flower Tree" discusses the tradition and innovation of the flowers and birds; The special research of Hu Yang went out of the way of "evidence" of the "transfusion" of the "transfusion" of the world's floods and the ancients of the universe; the fourth part of the "refining and cultivation of the country" was presented in the fourth part of the "penalty" road of the world.

After the opening ceremony, the "World of the World -Liu Haiyong Chinese Painting Works Exhibition Academic Talks" and "Contemporary Construction of Chinese Painting Freehand System and World Wind • Symposium on Chinese Painting Works Exhibition" Inheritance value, trace the "freehand spirit", and think about the "big freehand pen and ink language" era presentation. The spiritual root of the system and the discussion of issues such as the pursuit of the times.

It is reported that this exhibition will continue until July 27.

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