Reconstruction of academic response to contemporary thought problems

Core reading

Scholars are getting rigorous and self -sufficient, but their opposite sides are getting more and more cumbersome and unreasonable. More and more scholars are aware that academic research and the gap between contemporary society have quietly formed. Can literature speak to reality? How does literature speak to reality? Is the edge of the original position of literature, or is it a result of self -exile and self -barrier? How to re -join the diagnosis and speech of contemporary society and spiritual problems? These issues are entangled with many contemporary literature researchers.

Academic research is living in the sutra, working hard for knowledge inheritance and righteousness test; or actively responding to realistic issues and participating in the cultural construction of the times, which constitutes two important traditions of Chinese academics. In the Han Dynasty, there was a dispute between the so -called "ancient literature classics" and "the scriptures of the current literature". In fact, they each had their own pursuit, possibility and limit. However, we still have to say that from the perspective of cultural construction in the present and future, there are not too many practices that actively respond to realistic problems with academics, but too few.

Huang Nuobo's "Blossom and Blossom: Modernity Reconstruction of Chinese Contemporary Poems" (Peking University Press, November 2021) is a distinctive and dialogue with contemporary spiritual difficulties, and shows his own unique ideological solution. book. This book cuts from the philosophical context and ideological vision to the contemporary Chinese poetry since the 1980s, surpassing the academic thinking of academic academics, showing a strong sense of intervention in contemporary ideological problems and the history of intellectual spirit.

Contemporary poetry:

Resisting nihilism, participating in modern cultural construction

Different from the research paradigm of contemporary poetry research, the research idea of ​​"nothingness and flowering: Chinese contemporary poetry modernity" is entered from the history of contemporary thought. One of the demands is to "become the spiritual spirit of intellectuals in the transformation of modern Chinese society in contemporary Chinese society history". It cares not only the historical process of contemporary Chinese poetry, but also the "redemption function of poetry art" in the process of contemporary history of Chinese. As Nietzsche said: Modern society will face the most terrible guest of nihilism. The nihilism here is not the explication of the individual life that is called by the daily life, but the serious diagnosis of the philosophy about the modern crisis. Heidegger believes that nothingness does not happen at a time that disappears from a common annoying moment. In other words, nihilism is produced in modern people's forgetfulness. In fact, whether it is God or forgotten, it is the inherent symptom of modernity. Jenny Watimo's "The End of Modernity: Announcement of Nihistanism and Postmodern Culture" defines modernity as an era of overcoming modernity: modernity is a process of rapid outdated, continuous replacement and endless. Modernity has become the root of its own end, and truth is transformed into value, and the only truth is converted into infinite interpretation. In fact, about the crisis of this capitalist modernity, Marx and Engels had a wonderful description in the "Communist Manifesto": "All fixed rigid relationships and the concepts and insights that are compatible with them are all being compatible with them. Eliminate, all the newly formed relationships will not be fixed when it is fixed. All levels and fixed things have disappeared, and everything is blaspher. "Kalinusku did not list none as modernity as modernity. One of the five auxiliary faces, but the decadent of aesthetics is the expression of nihilism in philosophy. In Nietzsche, nihilism is not negative, and there is positive nihilism with affirmativeness. Diagnosis of nothingness and resistance is none of the two sides of Nietzsche's modernity. In Huang Nubo's opinion, nihilism is also an ghost entangled in contemporary Chinese society. "Nietzsche is the turn of our turn to face nihilism and resist nihilism."

Undoubtedly, nihilism is one of the most important issues in Western modernity problems and ghosts that linger in contemporary China. The special feature of nihilism in contemporary Chinese society is that it not only appeared in decadence, but also appeared with different faces such as deconstruction, dailyism, consumerism, and technicalism. When it put on the above mask, the first half played a positive role, but the second half may be possessed by nihilism. In other words, in the continuous Pass authority, in the process of the old "sacred" being blasphemed, there was no new "higher value". When the new relationship was established, everything disappeared. Whether it is a market, life or technology, whether it is Weibo, WeChat, Douyin or the Yuan universe, if there is no desire for higher value, "new anti -old" is just pushing people into the accelerated track of nihilism.

However, Huang Nubo believes that contemporary Chinese poetry is at least the outstanding part of contemporary poetry. He has been in the actions that resist nihilism, and therefore walk with Chinese contemporary society, providing an important inspiration for the future. The author pointed out that nihilism has always been an important cultural resource for Chinese poetry since May 4th. In cultural practice such as explaining, questioning fate, enlightenment, and self -criticism, Chinese poetry "is not only the" alliance of China's modern process', but also it is also the process of modernization. The interpreter of cultural spirit "and" looking for a channel to return to the spiritual world ". Chinese contemporary poetry not only absorbs the cultural resources of nihilism, but also strongly resist nihilism. Huang Nubo believes that the return of poetry "Participate in the Enlightenment and Summon 'to the Reignity of the People" ensures the task of national rejuvenation and modernization "; in the 1990s, the poetry" returned to the text body, got rid of the linear historical outlook, and obtained more deeperly. The aesthetic response deep in the text "; the" aesthetic spirit of the new century has historic, times, and internationality, showing the aesthetic spirit pointed to the future of human beings. " Chinese contemporary poetry "on the one hand shows the existence of nihilism, and on the other hand, it maintains a distance from the secular society with the attitude of‘ believing in the future ’and‘ blooming ’, so as to actively participate in the modern cultural construction of Chinese modernization in a critical manner. Along the modern crisis of Nietzsche's "God's Death", Huang Nubo thought that the path of "reconciled with God" was the practice of Chinese contemporary poetry, and it was revealed in the contemporary thought of Chinese contemporary thoughts. It is not difficult to find that Huang Nubo has no intention of writing a history of contemporary contemporary poetry, but also hopes to show how Chinese contemporary poetry will participate in the contemporary ideas and spiritual construction in Chinese contemporary poetry in the absorption and resistance of nihilism, and create for contemporary China for contemporary China A valuable and heavy spiritual language.

Freshly running away,

Let the ideological problems of academic response times

Unlike the academic path of contemporary poetry generally talked about contemporary poetry, in addition to quoting a large number of philosophy, historical history, and contemporary poetry texts, this book also quotes the "Analysis of Contemporary Social Class China" (Yang Jizhong) and "Stirling Three Three) Ten Years: Chinese Enterprise 1978-2008 (Wu Xiaobo) and other contemporary Chinese society and financial materials, which shows the discussion of the clear problem of contemporary poetry in the context and ideas of ideas in the great era. In my opinion, this book is quite realistic and inspiration in exploring the integration of academic research and social issues.

The study of the history of ideology is valuable and difficult, and it is also brand new for contemporary poetry research. In fact, there are few research on nihilism from the perspective of philosophy and ideology. He Zhaotian discussed the historical root of the contemporary society of contemporary society in the 1980s, showing a strong interest in the contemporary nihilism of Chinese society in contemporary society; In the past, Wang Xiaobo and Han Han of the New Century were the main analysis objects. However, "nihilism" is only the problem of the book's problem, not a direct research object. In fact, both He Zhaotian or Huang Ping's research shows the desire of contemporary literature research internal intervention in contemporary society and ideological issues. In the 1990s, complicated transformation in Chinese society. Intellectuals turned around and went to the sea. More from the "square" to "post", exploring more academic knowledge possibilities. In this situation, a famous summary is "thought fades out, academic highlights" Essence Since the 1990s, contemporary literature research has not only expanded new possibilities in the academic and "historical" process, but also gradually fell into a crisis and traps alienated to social reality.

Scholars are getting rigorous and self -sufficient, but their opposite sides are getting more and more tedious. More and more scholars are aware that academic research and the gap between contemporary society have quietly formed. Works are generally indulged in the small world of self, and the awareness of research lacks a sense of reality, and from Chen Chen Xiangyin's academic spectrum. As a result, on the one hand, the circle of literature; on the other hand, the anxiety of the circle. Literature that once attracted 10,000 people in contemporary society has become incomparable to reality. Can literature speak to reality? How does literature speak to reality? Is the edge of the original position of literature, or is it a result of self -exile and self -barrier? How to re -join the diagnosis and speech of contemporary society and spiritual problems? These issues are entangled with many contemporary literature researchers. The emergence of academic research in the history of ideology in the history of ideas is showing the response to the above anxiety within the contemporary academic community.

In fact, contemporary poetry should be the most sensitive detector in history, society, times, and even the human spiritual world. The poet plays the role of an observer, witness, interpreter, lyrric and watcher between the times and society. However, the internal nihilism syndrome of modernity is abroad, reflecting a sharp fission effect. This makes any cultural solution just revolutionary, pioneer and constructive, and quickly become a power of decaying, outdated, and depressed. The conversion of context is so fast. Whether it is the "hazy poetry", "big cultural poetry", "pure poem", "holy poetry", and "oral poetry" in contemporary poetry, they were originally liberated, but they quickly became obscure factor. Emphasizing anti -lofty and anti -hero's dailyism was initially constructed, but it immediately entered the state of invalid deconstruction. The study of contemporary poetry for more than 40 years has also been resumed. The generation of each theoretical paradigm contains its problems, but it has its own meaning. Emphasizing the study of poetry's ontology is undoubtedly to defend and retain the spiritual halo of poetry in the era of marketization and vulgarization, but accidentally becomes an indifferent research on the reality of burst. How can the fission modernity give birth to nihilism? The most important thing is that the essence of nihilism is abandoned by the actual initiative of thinking. Therefore, resistance nihilism requires us to maintain a yearning for higher value in the unprecedented reality, maintain a self -counter -sexual attitude in the situation that is often changed, and strive to break free of the curing thinking of the times. In a sense, the most important value of "Nothing and Blossoming: Reconstruction of Chinese Contemporary Poetry" is that it stubbornly breaks away from the original research paradigm, so that the contemporary soul comes to the contemporary thought of Chinese contemporary thought again In the face of the crisis and construction, the efforts and exploration of the ideological problems of academic response to the times. Content source: Literature and Art News July 29, 2022

WeChat editor: Lu Yimeng

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